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Character traits
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How the Protagonist’s Flaws Enhance the Character
When picturing a protagonist, many people envision a conventional hero with an intrepid personality, contrary to the stereotypical antagonist. Despite common belief, this cliche is seldom true and occasionally the complete opposite. In fact, the characteristics of protagonists fluctuate tremendously; some can be deplorable murderers, while others can be selfless humanitarians. However, they all obtain one distinctive characteristic: a flaw. These flaws can scope from arrogance to deceitfulness, but without them the character loses its sense of depth. If the protagonist of the story is perfect, they develop as dull and unrelatable and do not connect with or enthrall readers. However, when a protagonist is imperfect in some manner, they become identifiable with the reader. Protagonists who are illustrated as defected combat themselves in addition to their rivals, which develops them into
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distinguished and realistic characters. In the short story “A Cask of Amontillado” by Edgar Allen Poe, the protagonist, Montresor, flaunts his pridefulness and his ruthless mentality, both which constitute the conflict in the short story.
These imperfections cause him to murder his former friend Fortunato, because “when he ventured upon insult, [Montresor] vowed revenge” (212). Montresor goes to severe measures in order to maintain his pride, demonstrating that he is arrogant, cruel, and a generally imperfect person. However, while Montresor appears cold and cruel on the outside, after he killed Fortunato “[his] heart grew sick” (216). Although Montresor perceives his emotional response as a physical reaction to the dampness of the catacombs, the reader sees it for what it truly is: a sign of remorse.The reader can discern that Montresor’s pride and cruelty are battling against his conscience, and that his flaws catalyze his actions. Observing Montresor’s faults instead of speculating he is comprehensively inhumane conceives him to be a profound and deep
character. The “Scarlet Ibis” explains the story of a young boy, known to the reader as Brother, in the 1900s, whose pride results in great tragedy. The story’s conflict revolves around Brother’s younger brother, Doodle, who was born crippled, causing him to struggle with most physical activities. Despite Doodle’s inhibiting handicap, Brother instructs him to walk, “because [he is] ashamed of having a crippled brother” (419). The pride of the narrator becomes the main catalyst in the story, and dictates most of his actions. While Brother feels ashamed of Doodle, he also bears a familial bond with him, creating an internal dissention within Brother, and making him indecisive about which emotion will govern his choices. Additionally, Brother’s flaw makes him identifiable with the reader, considering that pride is a common flaw, and it is not uncommon for it to control someone’s actions. This clash within Brother develops him into a character who is relatable to the reader, as well as one who contains depth. The short story “The Necklace” portrays the flaw of gluttony and pride within a young woman, Mathilde, who desires a lavish lifestyle. Rather than being content with the humble lifestyle she possesses, Mathilde feels “ that she had been born for all the little niceties and luxuries of living” (199). However, Mathilde’s pride is her undoing, as it prompts her to surrender her modest lifestyle and endure a life inferior to her preceding one. After she borrows a diamond necklace for a party to portray an affluent image, she later realizes “the necklace was no longer round her neck” (201). In order to repay the cost of this lavish necklace, Mathilde spends ten years of her life paying off debt. This proves that her greed is her own worst enemy, and believing she deserved a luxurious life ended up causing her nothing but despair. The yearn to be “envied, be fascinating and sought out of” (199), created a battle of her own avarice against herself. However, when she is desperate to pay off money owed, she is inserted into a position that compels her to evolve into a hardworking and diligent individual. This transformation validates that she is a developed character rather than a flat character. Although Mathilde is greedy and dismissive, her struggle against her own greed exemplifies that she is a realistic and distinguished character. When a protagonist is imperfect, they become more developed and realistic, considering they have both internal and external conflict. A protagonist who possesses flaws connects more to the reader, because perfect people do not exist, so perfect characters cannot be relatable. Also, when it is possible to identify the motives of the character directly it creates more depth to the character. Protagonists who have an internal struggle due to a flaw also become more realistic and developed, because this proves they are not all good or all bad. Due to this evidence, it is clear that not all protagonists are perfect, but most are flawed.
Montresor, fifty years after it happened, is confessing to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thous...
Montresor is a man who feels pride in himself and in his family, so when Fortunato—an acquaintance of Montresor— “venture[s] upon insult,” Montresor “vow[s] revenge” against him (1). Montresor hastily decides that he must kill Fortunato, even though his use of the word “venture” implies that Fortunato had not yet insulted him, but nearly did. Montresor’s impulsive need for revenge causes him to formulate a plan to murder his acquaintance. He keeps Fortunato intoxicated by “presenting him…[with] wine,” he “fetter[s] him to the granite,” and he “plaster[s] up… [a wall of] new masonry” to trap Fortunato in the catacombs (39, 71, 89). All of these acts are signs that the need for revenge has made Fortunato insane. A person who has any sense of morals would not commit crimes such as Montresor’s. His impetuous decision to exact revenge caused him to lose his
No matter how well executed, a crime of this magnitude will leave scars on the conscience, thus marring it’s perfection. Conflicting psychological emotions and actions plague the journey causing inner conflict ranging between pity and revulsion by the time the narrator concludes. Notwithstanding the shortage of information on Montresor’s life in the ensuing fifty years since Fortunato’s death; it can be surmised from the events leading to the murder that Montresor does, in fact, have a conscience and that it builds upon itself as the action
When they arrive at the Montresor estate, Montresor leads Fortunato down the stairs into the catacombs. Down here is where the Amontillado Fortunato is going to taste and where the revenge of Montresor is going to take place. As he get closer and closer, the narrator opens up more and more to how he is going to kill his "friend". It sound like it is a premeditated murder. Montresor seems so inconspicuous that he acts like he cares about Fortunato which is still a part of his plan.
Montresor proves not to mess with someone's feeling. He explains, “I must not only punish, but punish with impunity” (Poe 372). Fortunato does not know that he is going to die, yet Montresor and the reader do know, making the situation dramatic irony. By punishing him with impunity he is going to get revenge that he has wanted now for years ever since he did wrong to Montresor and now that he finally gets the chance of course he will seek revenge on Fortunato. And it is dramatic irony because Fortunato is oblivious to the situation. Montresor proves that one should be careful on what they say. He speaks, “I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (Poe 372). Montresor is saying
1. What can the reader infer about Montresor’s social position and character from hints in the text? What evidence does the text provide that Montresor is an unreliable narrator? We learned from paragraph 23 to 24 that Montresor owns a Palazzo and also has lot of retainers based on that evidence, the reader can infer that Montresor is a very wealthy and successful man. About his character, the reader can imply that Montresor is a heartless, cold blooded, sneaky, manipulative, and untrustworthy man, as well as a man who hold on to grudges. Moreover, Montresor is an unreliable narrator, because he reveals in the first paragraph that he intends to have a revenge on Fortunato, but he did not indicate or clearly prove to the readers how Fortunato
Vengeance and pride are fundamentally important to this short story. From the inception of the tale it is clear that the narrator is a proud, vindictive man; opening with, “the thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult, I vowed revenge,” the narrator immediately alerts the reader to the dark aspects of his own character. Because “insult” and not “the thousand injuries” caused the narrator to “vow” revenge, the reader can infer Montresor is prideful because, although he already had conflict with Fortunato, insult was what made the tense situation unbearable for Montresor––so much so that he vowed to take action. Use of the word “vow” is significant because it indicates that the grievance was meaningful in the mind of Montresor, allowing for the reader to more easily identify with the actions to be revealed throughout the course of the story; if the reader believes that Montresor was provoked in a profound way, ...
Because Montresor narrates the story in the first person, the reader is able to perceive his thoughts and understand his motivations and justifications for his ruthless murder in a manner which a third person point of view would not allow. Montresor’s personal narration of the events of the story does not justify his crime in the audience’s eyes, but it does offer a unique opportunity for the audience to view a murder from the perspective of a madman killer. It is Poe’s usage of this unique angle that causes the story to be so captivating and gruesomely fascinating. As the story opens, Montresor explains why it is necessary that he “not only punish but punish with impunity” to avenge for Fortunado’s insult to him. This justification for his crime is a piece of information that the audience is able to learn only because they are permitted inside the mind of the protagonist. In the final scene, when Montresor is carrying out his murder pl...
Carefully, cautiously the Montresor plotted precisely how he would exact revenge upon Fortunato. Much time and great energy was devoted to this plan, selecting a time that would be best: during carnival when the town would be celebratory, his servants apt to run off and join the celebration, when the two could silently disappear without notice or question. No detail is forgotten; he allows for no deterrents. He follows through with such a confidence that never does he stumble or hesitate in carrying out his plan. The Montresor indicates that he had never given. To continue with this ploy, he even goes so far as to express false concern for Fortunato as they pass through the catacombs. Blaming the nitre and damp, the Montresor suggests that they turn back as not to compromise Fortunato’s ill health, though he has no intent of doing so. Never once until the very end did Fortunato have cause to suspect that there were any foul plans afoot.
Perfect heroes are unrealistic in literature because even though they seem ideal, the characters become flat and unrelatable. Therefore, authors often add other dimensions to characters that reveal their personality flaws and mistakes. Authors are able to use these dimensions to both relate to the characters but also teach the readers life lessons from the characters mistakes. For example, in The Kite Runner, Khaled Hosseini crafts multiple ambiguous characters who are good people that make major mistakes. By contrasting these characters to the more pure characters, Hosseini is able to show both the ideal life to live and the ways to do that.
The first indirect factor that could contribute to Montresor’s vengeful act, and thus the story’s theme of revenge, is the character of Montresor. Montresor tends to harbor feelings of resentment and has a hard time not taking things out of context (Womack). He also plans the murder of Fortunato in advance and devises it in such a way that he will not be caught. In killing Fortunato, Montreso...
Fake people are to be encountered with everywhere, especially in the days of middle school and in high school. Many adolescents have come across these people, and movies have even been made about these people. For example, the movie Mean Girls is made about a group of 4 girls who will act nice to people at their high school, then they will turn around and write mean things in their “Burn Book”, along with saying mean things behind their back. In “The Cask of Amontillado”, Edgar Allan Poe demonstrates through indirect characterization that the narrator, Montresor, is fake towards his arch nemesis, Fortunato. In the short story, Fortunato eventually tricks Montresor and buries him alive. It begins with Montresor declaring
This immediate familiarity helps the reader to see inside the calculating mind of Montresor, whom we later learn is a killer. When talking about the past insults of Fortunato, he takes on a cold, determined tone: “At length I would be avenged; this was a point definitively settled […] I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong” (Poe, 618).
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.
The major characteristics of the narrator and main character, Montresor, are anger, hatred, and revenge. In the story, he is angry with Fortunato because he believes that Fortunato has wronged and insulted him many times by saying, “thousand injuries of Fortunato I had borne as best I could…he ventured upon insult…” (Poe). In addition, Montresor’s hatred for Fortunato goes so far that he believes he must kill Fortunato. He mentions this in the story as, “[y]ou, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat” (Poe). He seems to say that his soul is made of hatred and goes on to say he must give Fortunato the utmost punishment: death. Montresor even shows traits of revenge when he says, “…but when [Fortunato] ventured upon insult, I vowed revenge.” and “...I would be avenged…” (Poe). He is saying that he will get revenge on Fortunato, whom he is angry with and hates for being insulted by.