Authors of fiction often write about the human condition as a way to connect with a broad range of readers. Unlike factual textbooks, fiction gives characters feeling and emotion, allowing us to see the story behind the basic details. In many cases, readers gain a new perspective on a period of time by examining a fiction novel. In Kindred, by Octavia Butler, the near death experiences of Rufus Weylin transports a 20th century African American woman named Dana to the ante bellum South to experience exactly what it’s like to be a slave. Through her day-to-day life on the Weylin plantation, the reader begins to understand just how complex slavery is and how it affects both the slaves and the plantation owners; thus, giving new meaning and an added sense of realism to this 19th century practice of exploitation.
On the surface, slavery was a system in which Africans were bought and sold as property. However, by reading Kindred, the reader begins to realize that the system was much more complex. In other words, both plantation owners and slaves focused on retaining their property or staying alive, respectively. Butler illustrates this throughout the text.
Seen as inferior and subhuman by whites, slaves were often only able to trust and rely on each other. When Dana is transported to the 19th century, she realizes her need to escape. However, the only way she can do this is by allowing Rufus to lead her in the right direction. As he does this, she wonders whether he is setting a trap for her. She says, “I realized suddenly how easy it would be for him to betray me—to open the door and run away or shout an alarm” (32). In addition to illustrating a lack of trust for whites, this scene also depi...
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Work Cited
Butler, Octavia. Kindred. Boston: Beacon Press, 1979.
Hairston, Andrea. “Octavia Butler – Praise Song to a Prophetic Artist.” Daughters of Earth: Feminist Science Fiction in the Twentieth Century. Middeltown: Wesleyan University Press, 2006.
Works Consulted
Alaimo, Stacey. “’Skin Dreaming': the Bodily Transgerssions of Fielding Burke, Octavia Butler, and Linda Hogan.” Ecofeminist Literary Criticism. Chicago: University of Illinois Press,1998.
Francis Consuela, ed. Conversations with Octavia Butler. Jackson: University Press Mississippi, 2010.
Govan, Sandra Y. “Homage to Tradition: Octavia Butler Renovates the Historical Novel” Melus 13 Nos. 1-2 (spring-summer 1986): 79-96
Mitchell, Angelyn. “Not Enough of the Past: Feminist Revisions of Slavery in Octavia E. Butler’s “Kindred.”” Melus, Vol 26, No #, 2001
First, these works attest to the frequency of trauma and its importance as a multicontextual social issue, as it is a consequence of political ideologies, colonization, war, domestic violence, poverty, and so forth”(Vikory). Rufus is a representation of the white male system and having control over not just the slaves body but their mind and as any white save owner he thrives off that power.He has a desire to be loved and tries to control everything and everyone around him with out getting his hands dirty. Rufus morally knew it was wrong to force himself upon Alice, but instead he asks Dana to get Alice and persuade her to come to his bed. "Go to her. Send her to me. I'll have her whether you help or not. All I want you to do is fix it so I don't have to beat her. You're no friend of hers if you won't do that much!” (Butler 164). Rufus as a character feels remorse after he commits rape, divides families, and beat slaves. In all reallity he is just submitting to the cultural and social norms that are expected of any white slave
Slavery is a term that can create a whirlwind of emotions for everyone. During the hardships faced by the African Americans, hundreds of accounts were documented. Harriet Jacobs, Charles Ball and Kate Drumgoold each shared their perspectives of being caught up in the world of slavery. There were reoccurring themes throughout the books as well as varying angles that each author either left out or never experienced. Taking two women’s views as well as a man’s, we can begin to delve deeper into what their everyday lives would have been like. Charles Ball’s Fifty Years in Chains and Harriet Jacobs Incidents in the Life of a Slave Girl were both published in the early 1860’s while Kate Drumgoold’s A Slave Girl’s Story came almost forty years later
Viramontes, Helena. "Miss Clairol." Literature and Gender: Thinking Critically through Fiction, Poetry, and Drama. Eds. Robyn Wiegman and Elena Glasberg. New York: Longman, 1999. 78-81. Print.
I recommend Ar’n’t I a Woman? to anyone, of any race, of either sex, and with any interests, because I believe this book has something to offer everyone. White’s writing has the power to totally transform her readers’ understanding, emotions, and opinions. After reading the novel, I will never again view the institution of slavery the same way. If this book does not completely change your opinion of slavery and leave you with a richer appreciation for the resilience demonstrated by the female slaves, then you have not really read it! Alexandra the Great has spoken, therefore, it is official, Deborah Gray White’s Ar’n’t I a Woman? is a literary masterpiece!
The issue of Slavery in the South was an unresolved issue in the United States during the seventeenth and eighteenth century. During these years, the south kept having slavery, even though most states had slavery abolished. Due to the fact that slaves were treated as inferior, they did not have the same rights and their chances of becoming an educated person were almost impossible. However, some information about slavery, from the slaves’ point of view, has been saved. In this essay, we are comparing two different books that show us what being a slave actually was. This will be seen with the help of two different characters: Linda Brent in Incidents in the Life of a Slave Girl and Frederick Douglass in The Narrative of the life of Frederick
What defines an individual’s racial characteristics? Does an individual have the right to discriminate against those that are “different” in a specific way? In Octavia Butler’s works, which are mostly based on themes that correlate to one another, she influences the genre and fiction in ways that bring light to the problems of societies history. Through Kindred and the Parable of the Sower, Octavia Butler examines themes of community, racial identification, and racial oppression through the perspective of a black feminist. In each novel, values and historical perspective show the hardships that individuals unique to an alien world have to face. Through the use of fictional works, Butler is able to delve into historical themes and human conditions, and with majority of works under the category of science fiction, Butler is able to explore these themes through a variety of settings. This essay will discuss two of Butler’s popular works, Kindred and the Parable of Sower, and will interpret the themes of women, race, independence, and power throughout the two novels.
Slave narratives were one of the first forms of African- American literature. The narratives were written with the intent to inform those who weren’t aware of the hardships of slavery about how badly slaves were being treated. The people who wrote these narratives experienced slavery first hand, and wanted to elicit the help of abolitionists to bring an end to it. Most slave narratives were not widely publicized and often got overlooked as the years went by; however, some were highly regarded and paved the way for many writers of African descent today.
Bartholomae, D., & Petrosky, A. (2011). Ways of reading: an anthology for writers (9th ed.). Boston: Bedford/St. Martin's. “Judith Butler; Beside Oneself: On the Limits of Sexual Autonomy.”
when she returns to 1976, the scars of slavery are still present. The consequences of slavery are still prevalent in our society today, what with the continuing battle for civil rights and for affirmative action. It seems that much like Dana, we cannot escape the results of slavery without making a huge sacrifice.
To say that slavery only affects slaves is inaccurate; it dehumanizes the slaveholders too. Some of the slaveholders in the book were sympathetic, innocent human beings. They were not automatically corrupt just because they owned a slave. Rather, slavery changed their actions and characters from mercy into viciousness. In Douglass’ own book, Narrative of the Life of Frederick Douglass, an American Slave, he emphasizes how many dignified human beings turn into barbaric slaveholders. Douglass, through his first hand experiences as a slave, reveals how the presence of slavery turns slaveholders into imposters.
In 1995 Ms. Butler was awarded a MacArthur fellowship, she was the first science fiction writer to be so honored. That money she won from the award gave her enough money to offer a house for her and her mother. But her achievements didn’t stop there, she also received “two Hugo Awards from the World Science Fiction Society and two Nebula Awards from the Science Fiction Writers of America” ( ) On February 24, 2006, Octavia E. Butler died in Seattle at her house, she was only 58 years old. With her death, the literary world lost one of its great storytellers. But she will always be remembered as the author who show people what the world was really
Slavery is one of the worst human tragedies of all time. People were subjected to forced labor and inhumane treatment as a function of their appearance and origin. The subjection was independent of the parentage. Even children fathered by whites were subjected to the same treatment as the rest of the slaves. Slaves were the property of the owners. As such, slavers did with the slaves what they desired. Cruelty was used to create submission and send the message that slaves were only valuable provided they offered valuable service to the masters. The life of a slave was dependent on the willingness to follow the orders. The narration of the life of Frederick Douglas creates the impression that slaves lived in total submission to their masters;
Nussbaum, Felicity. “Risky Business: Feminism Now and Then.” Tulsa Studies in Women’s Literature 26.1 (Spring 2007): 81-86. JSTOR. Web. 11 Mar. 2014.
Toni Morrison. The Oxford Companion to African American Literature. Eds. William L. Andrews, Frances Smith, and Trudier Harris. New York: Oxford UP, 1997.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).