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Essay waiting for Godot by Samuel Beckett
Essay waiting for Godot by Samuel Beckett
Essay waiting for Godot by Samuel Beckett
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Existential philosophy became prevalent in the twentieth century as a symbol of the destruction of culture and tradition following World War II, asserting the hopelessness of humanity and focusing on life in a more honest but pessimistic manner than other socialistic philosophies. The philosophy recognizes the fact that humankind is capable of great evil and has limitless possibilities, yet this is a curse rather than a blessing: we are condemned to be free and are thus held accountable for our actions. The ludicrousity, however, is found in the existentialist belief that life has no purpose, and while the choices that we make are irrelevant on grand scale, they ultimately influence our self-definition. Jean-Paul Sartre postulates that existence precedes essence: the individual has no pre-defined purpose. If God were to create us, he states, then he would have a purpose for our creation, but there is no God and thus we must exercise our free will in order to decide our nature. This philosophy is the basis of Beckett?s Waiting for Godot: it is a mechanism used to define the themes of absurdity, uncertainty and hopelessness in a play that is otherwise perceived as meaningless. It is important to note that existentialists believe that a rational account of reality cannot exist. It is absurd that we are simply thrown into being ? why here, why now? Life is a futile passion because we are not able to rationalize our lives, and therefore, the human condition is one of suffering. Beckett illustrates this futility through Vladimir and Estragon: Vladimir originally suggests ?All my life I?ve tried to put it from me ? And I resumed the struggle? (Beckett 2), and the characters constantly reiterate that there is ?nothing to be done.? The... ... middle of paper ... ...e existential value behind it implying that mankind achieves nothing during his existence. Estragon and Vladimir symbolize all of mankind (as evident through Estragon?s reference of himself as ?Adam?) in a fruitless wait with no meaning and no certainties. The world is random, and everything that happens to you happens by chance. There is no well-crafted plan, no scheme by which the universe operates, and attempting to rationalize the complexity of human nature is risible. Our purpose is simply to confront our existence during this period of waiting, so we are not removed from the liberating awareness that the moment we are in, the period between life and death, is more important than a better future that we desire. Works Cited Beckett, Samuel. Waiting For Godot. 3rd ed. N.p.: CPI Group, 2006. Print. Vol. 1 of Samuel Beckett: The Complete Dramatic Works. 4 vols
Jacobsen, Josephine and Mueller, William R., The Testament of Samuel Beckett, Faber and Faber Ltd., London, 1966
Ross, Kelly L. "Existentialism." The Proceedings of the Friesian School, Fourth Series. Kelly L. Ross, Ph.D., 2013. Web. 25 Nov. 2013.
Unsure, not very anxious to move on, and constantly having to wait. A feeling of timelessness is even evoked, allowing almost anyone from nearly any time to understand Vladimir and Estragon's predicament.
“Existentailism in the broader sense is a 20th century philosophy that is centred upon the analysis of existence and of the way humans find themselves existing in the world. The notion is that humans exist first and then each individual spends a lifetime changing their essence or nature” (allaboutphilosophy.org,
Kern, Edith. “Drama Stripped for Inaction: Beckett’s Godot.” Yale French Studies. Vol. 14. Yale University Press, 1954. 41-47. JSTOR. 22 Mar. 2004. http://links.jstor.org/sici?sici=0044-0078%281954>.
Existentialism is the epitome of the unknown. There is no straightforward explanation of what exactly it is, there is only certain characteristics and behaviors that describe existentialist views. Throughout today’s world, there are examples of it everywhere, it’s found in movies, books, songs, and just people in general. Existentialists are known to think and do for themselves only. They believe that to understand what it means to be human requires understanding of themselves first. Some very well known pieces of entertainment existentialism is found in are: Hamlet by William Shakespeare, The Metamorphosis by Franz Kafka, “The Yellow Wallpaper” by Charlotte Perkins Gilman, The Stranger by Albert Camus, and The Breakfast Club by John Hughes. The Stranger is a book written about a young man whose mother dies, which soon leads him to becoming acquainted with the feeling of not caring about what his actions do to others or himself. The main character Meursault starts helping his friend Raymond, carry out ways to torment his mistress. Out of nowhere while at the beach, Meursault shoots Raymond’s mistress’s brother. He is thrown into jail and tried, but he seems to not be affected as much as he should about his actions. He first finds it hard to live without cigarettes, women, and nature, but he soon finds out he doesn’t need any of those. After being sentenced to death, he is suggested to turn away from his atheism but later realizes that human existence has no greater meaning. This realization and acceptance is what truly makes him happy (Camus). Next, The Breakfast Club is a very relatable movie about high school students suffering the consequences of their actions in detention. The kids are all of ...
abandoned the conventions of the classical play to concentrate on his important message to humanity. Using his pathetic characters, Estragon and Vladimir, Beckett illustrates the importance of human free will in a land ruled by science and technology. He understood the terrors of progress as he witnessed first hand the destruction caused by technologically-improved weapons working as a spy during WWII. In his tragicomedy, Estragon and Vladimir spend the entire time futilely waiting for Godot to arrive. They believe that this mysterious Godot will help them solve their problems and merely sit and wait for their solution to arrive. Beckett utilizes these characters to warn the reader of the dangers of depending on fate and others to improve one's existence. He supports this idea when Estragon blames his boots and not himself for the pain in his feet, and Vladimir responds, "There'...
Vladimir and Estragon live their lives around the anticipation they feel for Godot's arrival. Their strong eagerness to meet Godot creates the basis of their decision-making in life. Vladimir and Estragon are determined to meet Godot. They will not leave even when they become anxious to do something else. Godot gives them purpose. Without their belief in Godot, their every day actions would have no meaning because they would lead to nothing. Because they are waiting for Godot, they have motivation behind each thing they do. Vladimir and Estragon are united by their belief in Godot, thus they stay together to wait for him.
This essay will explore the frontier of existence in Beckett’s Waiting for Godot and Ionesco’s Rhinoceros
By the end of the play, Vladimir and Estragon are still hoping for this arrival, and there has been no trace of it. This demonstrates the futility of spending so much time anticipating an event that is not likely to happen, given previous experience. Beckett's play is therefore a mockery of the human value of purpose and meaning in life. Not only does Beckett's play allude to the fact that meaning in life is a strong human value, but it also shows humanity's necessity for dominance and power in companionship.... ...
The conversation then degenerates into abusive phrases. Estragon says, "That's the idea, let's abuse each other." They continue to hurl insults at one another until Estragon calls Vladimir a critic. They embrace and continue waiting.
Does Existentialism deny the existence of God? Can God possibly exist in a world full of madness and injustice? Albert Camus and Samuel Beckett address these questions in The Plague and Waiting for Godot. Though their thinking follows the ideals of existentialism, their conclusions are different.
Throughout the tragicomedy, the pair anxiously awaits the arrival of Godot. Vladimir and Estragon’s loyalty to Godot is evident within the first act of play. During a conversation between the two, Estragon asks Vladimir, “And if he doesn’t come?” to which Vladimir answers “We’ll come back tomorrow” and the go on to continue this dialogue: “Estragon: ‘And then the day after to-morrow.’/ Vladimir: ‘Possibly.’/ Estragon: ‘And so on.’/ Vladimir: ‘The point is—‘/ Estragon: ‘Until he comes’” (Beckett 10). In the New Testament of the Holy Bible, John 3:16 states that “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life” (King James Version, John, 3.16). This biblical verse is used frequently in the Christian church to represent the idea of salvation. However, the Bible never gives an exact time frame on salvation, leading Christians to wait for God’s impend...
This creates uncertainty for the audience and mirrors the uncertainty that Estragon and Vladimir will face while they wait for Godot. Even with this simplistic setting, he adds depth to the setting through the willow tree. The willow tree is one of the only parts of the play that changes from act 1 to act 2. In act 1 the willow tree is barren and without leaves, but in act 2 the tree is flourishing with leaves. This shows how the willow tree is meant to symbolize rebirth and renewal. For instance, throughout the play, Estragon and Vladimir talk about how they should hang themselves from the willow tree. They usually talk about this right at the end of the day, but they are never able to go through the suicide. This shows Beckett’s belief on our entrapment in our cycle of life. He uses the willow tree to symbolize how even though Estragon and Vladimir’s struggle seems endless that there is a way for them to escape from this terribly monotonous cycle of life. The tree changes from day to day, but Estragon and Vladimir stay the same. The tree is this renewal of life at the start of every day, but Estragon and Vladimir fail to capture this and fall into the
Although Samuel Beckett's tragicomedy, Waiting for Godot, has no definite meaning or interpretation, the play acts as a statement of hopelessness regarding human existence. Debate surrounds the play because, due to its simplicity, almost any interpretation is valid. The main characters, Vladimir and Estragon, are aging men who must wait for a person, being, or object named Godot, but this entity never appears to grace the men with this presence. Both characters essentially demonstrate how one must go through life when hope is nonexistent as they pointlessly attempt to entertain themselves with glum conversation in front of a solitary tree. The Theater of the Absurd, a prevalent movement associated with Waiting for Godot, serves as the basis for the message of hopelessness in his main characters. Samuel Beckett's iconic Waiting for Godot and his perception of the characteristics and influence of the Theater of the Absurd illustrate the pointlessness and hopelessness regarding existence. In the play, boredom is mistaken for hopelessness because the men have nothing to do, as they attempt to occupy themselves as, for some reason, they need to wait for Godot. No hope is present throughout the two-act play with little for Estragon and Vladimir to occupy their time while they, as the title indicates, wait for Godot.