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Essays on what existentialism is
Essays on what existentialism is
Essays on what existentialism is
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Shashi Deshpande novel “That Long Silence” main protagonist Jaya decides to keep silence for seventeen long years. She is a middle-class woman who finds herself trap in by society by being a good mother and wife. In her search for identity Jaya lives with three identities as Jaya a struggling writer, Jaya the victor and Suhasini the name given by her husband which means happy wife that loves cleaning and undertaking wifely duties. In the Indian society, a man and woman lives with the motives of their elders that gender roles are assigned to a boy and girl. For Jaya, she lived the theory of existentialism as she goes through the process of self-confusion and realization. In this Jaya urges to find oneself, to create space and grow without support …show more content…
Rahul’s and Ratios mother. Not myself. ‟ (TLS 69) When one of her novels won the prize her husband became angry. Mohan had find fault with the theme of Jaya’s story and felt as if related to their life. He then tells her to write no more. Jaya does not go against his wishes but departs to silence and thought, “It was so much simpler to say nothing, so much less complicated.” (TLS 99). In time Jaya becomes minimized and loses her true self. She now feels that she is a disappointed mother, wife and failed writer. Silence becomes even more prevalent between Mohan and Jaya when they Mohan is accused of misconduct in his office. They then move to the Dadar flat temporarily and this is where the silence intensifies. At this point, Mohan, constant presence bothers Jaya and they both fail to understand each other. They hanged around confined to the Dadar flat and they only converse if need be. “The fact of what he had done, of …show more content…
She also admits that Mohan is solely responsible for her writing career. Mohan had obviously expected something from her as his wife and she had failed him. And now she decides that she will “erase the silence between us” (TLS 192) because silence can ever make one’s marriage meaningful. In this silence is an image of alienation and obscurity of Jaya’s existence. When she erases the silence, she evolves and turns into a confident mother and wife for silence played a role but, it is of a woman owns making. In the novel, has evokes different feelings such as pain, woman characteristics, fear and marital suffering. However silence in this case is acceptance ones duty as a wife and mother also, fulling the roles to a boy and
At home in Nepal, Ama was Lakshmi’s role model, and even though she wasn’t able to provide Lakshmi with the luxuries that their neighbors had, “her slender back, which bears all troubles- and all hope- was still the most beautiful” to Lakshmi (McCormick 7). Even though she was not dynamic, I fell in love with how she inspired Lakshmi through her trials and her representation of the strong, hard-working women in Nepali culture. There were also a few other static characters, most of which I did not like at all. Her stepfather, Auntie Bimla, Uncle Husband and Auntie Mumtaz were the figures of authority that Lakshmi associated with her tortured existence in India, but in the midst of the hardship, there were characters that provided just as much light to Lakshmi’s life as there was darkness. For example, the young tea vendor lifted Lakshmi’s spirits with his polite gestures of free tea when she couldn’t afford it, as well as keeping her on the right path when Lakshmi was tempted to buy alcohol to soothe her misery (McCormick 224). Along with Lakshmi’s friend Shahanna, he too was taken away and I was convinced of Lakshmi’s impending doom even more than she herself probably was. All seemed dark until the second American came with his “digital magic”. By using his camera to show her pictures of rescued girls, this brave man was able to convince Lakshmi
In addition to appearance, the two women have extremely different relationships with Ethan. In order to portray each woman’s relationship with Ethan, the author uses the motif of silence.
Mumtaz, the ruler of the brothel, runs the house with brutality and a sense of street smart. Cheating Lakshmi of her paltry earnings, Mumtaz tells the girl she will never leave until she can pay off her family’s debts, which will never happen given the way the process is set up. She is living what is essentially enforced slavery. Despite her dire circumstances, Lakshmi continues to live by her mother’s words “simply to endure is to triumph” and slowly forms friendships with Shahanna and Anita who enable her to make it through her new struggles (McCormick 16). She learns to speak English from “this David Beckham boy” (McCormick 140). In time, Lakshmi meets a disguised Ame...
For being such a young girl Lakshmi’s life is anything but perfect. Living in a small village in Nepal, her family is not wealthy and her step father drinks and gambles what little money the family does have. Lakshmi as such a young age does not understand, however, Ama says “Even a man who gambles away what little we have on a fancy hat and a new coat, is better than no man at all” (McCormick 38). Lakshmi understands that her family has no money, a bad roof, and little food this weights heavy on her young soul. She tries very hard to keep it inside and not show Ama how this makes her sad. Even with all of this Lakshmi still finds a way to daydream, her and Ama find themselves daydreaming a lot. “Instead, we linger over a luxury that costs nothing” Imagining what may be,” for Ama and her daughter it is all they have (29). All Lakshmi wants to do is help her family do better for themselves and she will stop at nothing to get a tin roof for their hut.
However, of more importance is Anna’s lack of communication with Peter. A large part of what makes Anna herself is her ability and love of creating stories. When her husband does not share this, Anna finds this challenging, and lets it become a barrier to communication. “His face set in the pained expression he wears for conversations like this – “What ifs” speculations. When Jennifer and I sit in a restaurant making up stories about the people around us, he closes his eyes, just as he’s doing now” (Wallace, 317).
Kogawa reveals how Obasan’s silence made her struggle is the real world. “I clear my throat and stammer. I lack communication skills,” (Kogawa 269). Through this quote, Kogawa illustrates to the readers how being too silent about their feelings of a traumatic past can be detrimental to someone’s state of mind. Obasan loses her identity as she kept trying to suppress the negative emotions about her past. It should be the best interest for her to try to talk to someone about her feelings. On the flip-side, Naomi reveals the universal truth about dealing with adversity in her life. “Gentle Mother,we were lost in our silences. Our wordlessness was our mutual destruction,” (Kogawa 291). Naomi experiences a huge shift when Kogawa revealed this quote. Naomi at first did not realize that being silent about her horrid childhood experience was not helping her be happy in the present. She learned from her family’s fate and now she is willing to talk about her past. In Shoenut’s article, readers can get an in depth understanding of Joy Kogawa’s novel by exploring the aspects of
One of the works of art that particularly stood out to me from the chapter 4 online
also why the author has her speaking in monologue form. It is anoher way we feel
In his defense of existentialism, Sartre first defines the unifying factor of existentialism, (for both atheist and deist alike), as the belief that existence precedes essence. To help illustrate his point he presents the example of a paper knife, an object that possess a set of qualities that enable it to carry out its purpose. He states that it would not have been created without a particular purpose, therefore its essence precedes its existence. (Sartre) Sartre rejects this idea when it comes to mankind and declares that humans in themselves have no nature and define themselves after coming into existence. This stems from his atheistic worldview, in which the rejection of a higher power leads him to accept the fact that humans are the “Creator”, the first to exist, and it is our job to give meaning to the rest of the world.
Redefining the concept of Third World Feminism, Nair emphasizes on the importance of the female voice. We encounter the bride, Aditi, for the first time, on the sets of Delhi.com as the camera zooms in to focus on an intimate kiss that she has with Vikram. A savvy woman of the city, she does not get sentimental about the possibility of Vikram divorcing his wife for she has read too many magazines to know that it might never happen. She enters into an arranged marriage with Hemant not out of any kind of parental pressure or hopelessness but out of the choice to settle down. She makes rational decisions but not at the cost of curbing her desire. Even as the family engages in the preparations for the wedding, she is found to be repeatedly making phone-calls to her ex-boyfriend. This stands in contrast to the western portrait of third world women, usually idealized as the subjugated subject. Even before the wedding, she sneaks out of the house at midnight to meet him. Through the scene of lovemaking, she emerges as a woman who has power over her body, one who can make her own sexual choices and can also, literally, drive away from the man who leaves her vulnerable among the police to face the consequences. As women who exercise their agency, the film portrays characters who take the risk of transgressing the normative order. Pimmi may transgress by smoking, though behind closed doors while Ayesha will make no mystery of her desire for Rahul. Sexual
Maxine Hong Kingston constructs her narrative, The Woman Warrior, around the central theme of silence, while simultaneously stripping it of the oppressive power it held over generations of woman in her family. Kingston’s use of talk story by means of direct discourse and first person account contribute to the dismantling of this silence by printing the unspoken, thus causing a shift in power to the silenced through voice and
Shashi Deshpande is one of the India’s leading contemporary novelists. She writes about issues related to women. Man-woman relationship is one of the most important areas of interest in her novels. Love in all its forms is an important theme in her novels. Deshpande is equally interested in mythology. A perceptive reader of Deshpande novels is familiar with her use of cultural narratives as allusions, reference-points and embedded-narratives. One of her concerns is to address contemporary issues with the help of myths and legends. Her novel In the Country of Deceit (2008) deals with the themes of desire, adult-love and deceit. The novel is a revisionist mythmaking of king Yayati and his maid Sharmishtha’s adulterous love-affair. This paper
So goes this story and tells us how the poor Rukumani suffers to hide her love from her parents, how she suffers to get away from the arranged marriage her parents are planning for her, how she suffers without seeing her lover Devanayagam and worst of all what happens when she finally tells her parents about her love.
She hides her actions and attempt to justify them until she is expose by the letter from the paper regarding her novel entry. She is ignorant to her unrealistic judgements about Cecilia and Robert and attempts to fix the problem when she made it worse. She realizes her mistake when the letter questions the conflict of her novel and she witnesses her attempt to hide the true horror behind her decision. While she attempts at hiding her problem in the draft, she made it more noticeable to the paper and drain the luster of the plot. Her realization of her ignorance honor the lovers’ romance and made her strive to atone her former
Urvashi Butalia in her book, The Other Side of Silence, attempts to analyze the partition in Indian society, through an oral history of Indian experiences. The collection of traumatic events from those people who lived through the partition gives insight on how history has enveloped these silences decades later. Furthermore, the movie 1947 Earth reveals the bitterness of partition and its effect of violence on certain characters. The most intriguing character which elucidates the silence of the partition is the child, Lenny. Lenny in particular the narrator of the story, serves as a medium to the intangibility created by the partition. The intangibility being love and violence, how can people who grew up together to love each other hate one another amidst religion? This question is best depicted through the innocence of a child, Lenny. Through her interactions with her friends, the doll, and the Lahore Park, we see silence elucidated as comfort of not knowing, or the pain from the separation of comfort and silence from an unspoken truth.