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“The world is, of course, nothing but our conception of it.” This quote, by Anton Chekhov, seems obvious and easy to relate to. However, it perfectly describes the concept of existentialism, which is neither obvious nor relatable. Existentialism is “a modern philosophical movement stressing the importance of personal experience and responsibility and the demands that they make on the individual, who is seen as a free agent in a deterministic and seemingly meaningless universe” (“Existentialism”). Existentialism is a difficult philosophy to grasp, but by exploring examples in literature and art, one can come to a better understanding of its basic tenets. The first tenet of existentialism is individualism and alienation, which is revealed in the works The Metamorphosis, “A Hunger Artist,” and “The Yellow Wallpaper.” Each person is an individual; essentially, no two people experience a situation the same because no two people are the same. Due to this, existentialists tend to feel very alone and isolated. Existentialists do not believe in the concept of “society.” The sense of pure individualism alienates them. Professor Gordon E. Bigelow describes the existential view of isolation, “Man lives in alienation from God, from nature, from other men, from his own true self.” One can see this alienation in The Metamorphosis, by Franz Kafka. Gregor Samsa, the protagonist, awakens one morning and discovers that he has been transformed into a bug. Gregor Samsa feels that he has been treated as a lowly insect and comes to feel that he is one; the story makes the leap from ‘I feel like an insect’ to ‘I am an insect.’ Whatever the causes for Gregor feeling this way, these causes have led to his isolation and alienation (the feeling of being ... ... middle of paper ... ...and the Language Arts. St. Paul, Minnesota: EMCParadigm, 2000. 47-50. Print. Jardine, Dan. "The Shawshank Redemption." Starpulse. All Movie Guide, 2008. Web. 6 April 2012. Kafka, Franz. “A Hunger Artist.” Webmaster, 2007. Print. Kafka, Franz. The Metamorphosis. New York: Bantam, 1981. Print. "Kafka's Metamorphosis." 123HelpMe.com. Web. 5 April 2012. Lispector, Clarice. "The Fifth Story" 1986. Literature and the Language Arts. St. Paul, Minnesota: EMCParadigm, 2000. 475-77. Print. Munch, Edvard. The Scream. 1893. Painting. The National Gallery, Oslo, Norway. Ross, Ph.D., Kelley L. "Existentialism." The Proceedings of the Friesian School. 2011. Web. 6 April 2012. "The Scream, Edvard Munch." Art History & Periods, Artist Biographies, Art Galleries, & Art Schools. Art History Guide. Web. 7 April 2012. Waiting for Godot. Dir. Michael Lindsay-Hogg. PBS, 2003. VHS.
The routine of life can bring some people a sense of stability and happiness. For others this routine can be the cause of immense discontent and a feeling of entrapment. The main characters of the books The Metamorphosis by Franz Kafka and Ethan Frome by Edith Wharton both experience this feeling of being trapped by their everyday responsibilities and environment. Family obligation, societal expectation, and their internal and external appearances trap both Gregor Samsa and Ethan Frome.
The feelings of loneliness and betrayal are feelings that we all feel one too many. Some have these feelings for a few simple days, and then those feelings soon pass. For others, however, this is a feeling that is felt for most of their lives. Our loneliness may make us feel alone, when our loneliness is actually common. In The Metamorphosis by Franz Kafka, the topic of alienation is an ongoing theme from beginning to end. I have interest in this passage because it reveals the writers understanding of a feeling that we all get from time to time. This novella helps us relive these emotions with an understanding that we are not alone in our loneliness.
Franz Kafka’s clear isolation of Gregor underlines the families’ separation from society. In The Metamorphosis, Kafka emphasizes Gregor’s seclusion from his family. However, Gregor’s separation is involuntary unlike the family who isolates themselves by the choices they make. Each family member has characteristics separating them from society. These characteristics become more unraveling than Gregor, displaying the true isolation contained in The Metamorphosis.
...orm of a bug, a form that knows nothing but work. By ignoring the purpose of being an insect, Gregor defeats the purpose of living in his new form of life, and in effect, dies.
Guignon, B. C. and Pereboom, D. (eds). (2001). Existentialism: Basic Writings. Indianapolis, IN: Hacket Publishing.
In the novella “The Metamorphosis”, Franz Kafka focuses on the topic of alienation and considers its underlying effect on the human consciousness and self-identity. The alienation Kafka instigates is propagated towards the main character Gregor Samsa, who inevitably transforms into a giant cockroach. The alienation by family relations affects him to the extent that he prioritizes his extensive need to be the family’s provider before his own well-being. This overwhelming need to provide inevitably diminishes Gregor’s ability to be human-like. Kafka also enforces the idea of the ability to resurrect one’s self-identity following psychologically demanding events. In this essay, I utilize Gregor Samsa’s metamorphosis to address that alienation, in its various forms, is instrumental in the dehumanization process and can also oppositely induce a restoration of self-identity. The metamorphosis acts as a metaphor to express the inhumane change of state that occurs to a victim of alienation; it also formulates Gregor’s epiphany. He suffers through three forms of alienation: exploitation, violence, and neglect. The joint presence of these three external forces deprives him of a human distinctiveness, but in turn, influences a final realization that enforces the restoration of his self-identity, and therefore human identity.
It seems to be very rare to stumble upon an honest, crystal-clear self reflection and criticism, a true necroscopy of one’s self, because it is much easier to “beholdest [..] the mote that is in thy brother's eye, but considerest not the beam that is in thine own eye” [Matthew 7:3]. Perhaps it is only through the eyes of a vermin that Franz Kafka was finally able to open up completely to his father but, most importantly, to himself, reaching a level of frankness that could not even be attained in “Letter to His Father”. In “The Metamorphosis”, the theme of humanness and identity is revealed through the eyes of Gregor Samsa, who, in his claustrophobic, anxiety-ridden state of being trapped in the body of a vermin, experiences having his whole conception of identity changed while watching his life slip away in front of his eyes, as his family contributes to his final act of giving up. Franz Kafka’s “The Metamorphosis” completely messes with any conceptions of humanness and identity a reader might hold, and perfectly captures the element of anxiety that emerges simultaneously with accepting that you do not know yourself at all. At first, the book seemed like an abandonment of common sense, a completely absurd situation, nothing more than an “entomological fantasy”.
I, Albert Camus, am a famous French author who had written The Stranger in 1942. I was born in Algeria, and my experiences there had deeply influenced my thoughts, my work, and my philosophies. The Stranger strongly represents my philosophy involving the absurd and existentialism. When I was twenty-five, I moved to France and joined the resistance movement during World War II. After the liberation from Nazi Germany, I became a political journalist and a columnist for Combat, a French newspaper. In 1947, I retired from my journalist career and continued to write fiction and playwrights for the theatre (Simpson). Although I primarily consider myself a writer instead of a philosopher and I deny being an existentialist, the philosophy I most agree with is indeed existentialism. As one will find in my novel, The Stranger, the main character Meursault views the world and situations through an outside perspective, extreme detachment, and a lack of empathy. His characters tend to view the world as an outsider because I personally grew up in many groups
Ross, Kelly L. "Existentialism." The Proceedings of the Friesian School, Fourth Series. Kelly L. Ross, Ph.D., 2013. Web. 25 Nov. 2013.
Existentialism is defined as a philosophical movement that human beings are completely free and responsible for their own actions. Existentialists will try not to cause waves and remain completely uninvolved with anyone because they do not want to hurt anybody. There is absolutely no such thing as an existentialist because he would have to be so uninvolved to the point where he would not be able to live at all. Although the two stories: The Metamorphosis by Franz Kafka and The Stranger by Albert Camus are very different in approach, their endings are similar in that they both support the basics of existentialism.
Sartre, Jean-Paul. “Existentialism is Humanism.” Existentialism from Dostoevsky to Sartre. Ed. Walter Kaufman. Meridian Publishing
Existentialism is the epitome of the unknown. There is no straightforward explanation of what exactly it is, there is only certain characteristics and behaviors that describe existentialist views. Throughout today’s world, there are examples of it everywhere, it’s found in movies, books, songs, and just people in general. Existentialists are known to think and do for themselves only. They believe that to understand what it means to be human requires understanding of themselves first. Some very well known pieces of entertainment existentialism is found in are: Hamlet by William Shakespeare, The Metamorphosis by Franz Kafka, “The Yellow Wallpaper” by Charlotte Perkins Gilman, The Stranger by Albert Camus, and The Breakfast Club by John Hughes. The Stranger is a book written about a young man whose mother dies, which soon leads him to becoming acquainted with the feeling of not caring about what his actions do to others or himself. The main character Meursault starts helping his friend Raymond, carry out ways to torment his mistress. Out of nowhere while at the beach, Meursault shoots Raymond’s mistress’s brother. He is thrown into jail and tried, but he seems to not be affected as much as he should about his actions. He first finds it hard to live without cigarettes, women, and nature, but he soon finds out he doesn’t need any of those. After being sentenced to death, he is suggested to turn away from his atheism but later realizes that human existence has no greater meaning. This realization and acceptance is what truly makes him happy (Camus). Next, The Breakfast Club is a very relatable movie about high school students suffering the consequences of their actions in detention. The kids are all of ...
Sartre, Jean-Paul. “Existentialism is Humanism.” Existentialism from Dostoevsky to Sartre. Ed. Walter Kaufman. Meridian Publishing
Existentialism is defined as "a philosophical theory or approach that emphasizes the existence of the individual person as a free and responsible agent determining his or her own development through acts of the will”. In other words, existentialism it emphasizes individual freedom. Throughout The Stranger, the amount of existentialism views is abundant. The use of Mersault’s experiences covey the idea that human life has no meaning except for simple existence. The idea of existentialism in Albert Camus' The Stranger reflects through Mersault's life experiences with his relationship with Marie, the death of his mother Maman, the murdering of the Arab, and Mersault's trial and execution, all these events show that Mersault’s life of no meaning.
Isolation and alienation of one's own choice and others can lead to the dehumanization of a human. In Kafka’s short novel, The Metamorphosis, the character Gregor Samsa experiences isolation and alienation. Gregor is never recognized by his family for his efforts, but is instead taken for granted. The moment he becomes a bug, his family begins to realize that they could no longer rely on him for support. Due to Gregor’s loss of usefulness and his hideous outer appearance, it leads to isolation and alienation. Through the characterization of Gregor Samsa, Kafka is sending the message that isolation can lead to the dehumanization of a person.