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The use of stereotypes in media
The use of stereotypes in media
The use of stereotypes in media
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people outside the middle east see the area different from people who live there. In the graphic novel Persepolis by Marjane Satrapi,, is about her when she was a little girl in Iran during the iranian revolution starring in 1979, when everything started to change for her starting with “the veil.” Satrapi was ineffective in showing that the middle eastern stereotypes does not reflect the majority of iranian people through single story's meaning, talks about one person's point of view. Marjane Satrapi was a different kind of little girl than the rest of them in Iran at the time she went through a 80’s american rebel stage, and a stage of wanting to be “justice, love and wrath of god all in one.” (Satrapi 9)
In the book, Satrapi seems to write only about the bad thing that happen in the middle east and only explains her story and not the story of others which gives readers a single story perspective, she also explains some events she witnessed. “people came out carrying the body of a young man killed by the army. He was honored like a martyr a crowd gathered to take him to the baneshte zahara cemetery” (Satrapi 31) when Satrapi writes about these incidents its shows people that at the time these stereotypes are mostly true about the middle eastern region and the people who live there.
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“Ahmadi was assassinated. As a member of the Guerrillas, he suffered hell’… ‘but he was taken by surprise and unfortunately he never had a chance to use it.. So he suffered the worst toucher.” (Satrapi 51) Satrapi describes ahmadi’s torture and execution and how they wiped him burned him with iron and cigarettes then peed on his wounds then cut into
Persepolis is a inspirational story written by Marjane Satrapi in the perspective of a young girl’s life during a powerful, historical moment in Iran. The Islamic Revolution was a life-changing moment that impacted her view on the world around her and her innocence shaping her into the woman she is today. Not many people understand what it feels like to feel pain, hurt and abandonment as a child from major and minor things. The author writes this story and decides for it to be a graphic novel to allow the not only young readers, but also for those who do not understand what happens everyday in the world they live in. Satrapi uses all rhetorical stances, ethos, pathos, and logos to show problems, purpose and emotions.
Charles Dickens stereotypes many of his Characters in A Tale of Two Cities. Among these stereotyped characters are The Marquis D' Evremond,
“Persepolis 2: The Story of a Return” by Marjane Satrapi is a memoir that depicts the troubled life of Marjane Satrapi. Marjane Satrapi, the author, was born in Rasht, Iran in the year 1969. She was born to a rich family in Iran and grew up in Tehran during the revolution and revolt against the Shah, the ruler at the time. She lived during the era where Islam was emerging in Iran and becoming the predominant religion. Marjane lacked academics for two years in Iran and suffered indeed from the bombings of Iraq. These horrific events impacted her and her parents, so as a result was sent to Austria for a better life. Her juxtaposed life in Austria and emergence of maturity is described in Marjane’s second installment of Persepolis.
The Complete Persepolis by Marjane Satrapi is a graphic novel that depicts the life of Marjane Satrapri during the Iranian Revolution. Satrapi tells her story as a child growing up during the time of the many drastic changes forced upon women and the effects of the new laws made by the Shah. During this time people in Iran were banned from reading, or listening to music that was not approved by the regime. Schools were separated by gender and women were forced to wear veils to protect themselves from being molested or raped by men. The middle class women in Persepolis are prescribed the most important roles such as rearing their children and the duties in the home. But most importantly because they are in the home they are unable to attain legal rights for women in Iran. “In no country do women have on have political status, access, or influence equal to man” (Kazemi, 2000). The divorce of a man and woman lies solely in the hands of men. Though the women in the Satrapi family were oppressed outside of the home they continued to live two separate lives, one inside the household and one on the outside. They often had gatherings and drank alcohol even though it was not allowed. The roles that were prescribed to the women were not effective because they had no opinion, and because there were no laws in favor of women who sooner or later begin to give up and inherent the man’s thoughts.
Through her devotion to the art and music of the United States, she was able to rebel. The encouragement of the pursuit by her parents created further inspiration for her to use it as a way to protest. Already having a deep devotion to American culture, the ability of Satrapi to use her passion to disobey the regime only strengthen her love. The affection she felt for American culture gave her the courage she needed to stand up to the harsh government of Iran. Despite the risks associated with possessing items from America, Satrapi did so anyway. She was willing to risk serious punishment to pursue happiness through the means of her favorite hobbies. The influence of said entertainments helped shaped Satrapi’s views. By providing her with experiences that were foreign to the majority of her peers, the culture that Satrapi enjoyed influence her open-minded opinions. Listening to the music of artists such as Kim Wilde and Iron Maiden and following the clothing trends like denim jackets and Nikes exposed Satrapi to ideals she normally would not have been growing up in post-revolution Iran. They provided a door into a different, more accepting world and a glimpse into the possibilities of what could
Persepolis is a graphic novel depicting the life of author Marjane Satrapi’s life throughout the Islamic revolution, starting from her childhood. At one point in the story, the Shah of Iran has left the country, and Marjane’s parents think that they will have new freedoms. Later, however, the country is bombed and fundamentalists occupy the United States embassy. After these events, Marjane is ultimately forced to leave the country without her parents to live in Europe. This was foreshadowed in arguably the most significant panel in Persepolis, the 7th panel on page 43. It features Marjane and her parents, sitting in the family’s living room, the news on a television in the background. They are discussing the fact that the Shah recently left Iran to live in Egypt. Around the panel’s frame is a serpent-like creature. In this panel, Marjane Satrapi uses the frame, and contrasting facial expressions and dialogue to show that the Shah is not the only problem in Iran, foreshadowing the unexpected events of unrest that fill the rest of the story.
Do you think that the Islamic religion and the Middle East are only represented in a negative way? Well, this may be because of someone’s perspective. Marjane Satrapi’s perspective in her book Persepolis influences her opinions on nationalism, social/political awareness, and eventually causes her to lose her childlike innocence.
Satrapi clearly occupies a different social location than Wheatley. Truly, Satrapi has more self-ownership than a black woman in slavery during the 1700s. Still, having grown up in Tehran and Europe during the Iranian Revolution, she is a marginalized person. One might argue that for Satrapi, the simple act of writing would contribute to “writing against the grain.” However, I think her difference in agency from Wheatley based upon her social location implies that there needs to be more subversive elements in her work for it to be classified as part of this genre. Satrapi’s Persepolis is an example of such a subversive piece, largely due to its nature as a graphic novel. The combination of cartoon image and regular text allows for the portrayal of the complexities of emotions Satrapi experienced as a result of violence, gendered oppression, and racism during a time of political and religious turmoil. As Golnar Nabizadeh writes in Vision and Precarity in Marjane Satrapi’s Persepolis, nuanced feelings “are literally given space for visualization” (154). Satrapi is thus able to explore many levels of emotion and meaning in just one panel, thoroughly developing her experience as a marginalized person and giving voice to many silenced like her in a way that breaks the
Persepolis: The Story of a Childhood by Marjane Satrapi captures life in Iran during the 1980’s through a child's eyes. Marjane Satrapi grew up during a time when both the Islamic Revolution and the Iran/Iraq War took place. Personal experiences are expressed through themes including revolution, imperialism, nationalism, religion and loss of innocence and affect Marjane personally as she grows up.
When it comes to culture, different views can cause major conflicts, and these said conflicts occur in the novel Persepolis. The book is a memoir about Marjane Satrapi, also known as Marji, growing up in Iran under the Shah’s rule and the Islamic rule. Even with the many different cultures in Iran, she stuck up for what she believed in and rebelled against the things she thought were wrong. In Persepolis, Marjane’s growth is affected by various aspects of culture including religion, government, and social organization.
Marjane Satrapi in her memoir, “The Complete Persepolis” enlightens readers with the reality of living in Iran, as she tells her journey through her life of becoming a woman during the Islamic Revolution. Iran similar to other countries has made different prescribed roles for their women and men based on their cultures religious and traditional set of laws. Society to them was a depiction of what their people were expected to look, and act like when in public. When trying to understand the importance of gender along with their roles in society, it’s crucial to acknowledge outside factors, for instance things like culture and social class. The characters throughout her memoir illustrate how their
Thus, it is crucial that she effectively communicate this humanness of Iran to the literary audience in America. Since the literary devices in a work are needed to correctly convey a message, she found it necessary to include these and manipulate them in her favor. Satrapi uses the innocence of a child along with morals in her pictures and a relation of cultures to effectively communicate her message. It is necessary to examine how she manipulates such literary devices in order to gain a full understanding of the text. To begin with, Satrapi writes Persepolis from a child’s point of view.
In the novel Persepolis by Marjane Satrapi, Satrapi’s childhood was highly impacted by American culture. The purpose of this paper is to analyze the affect American culture had on how Satrapi viewed the Iranian Revolution.
The Rape of Persephone is a myth from ancient Greece that not only teaches a lesson about morals and gives an explanation for the seasons, but it also reinforces gender stereotypes that were applicable to the era and are also present in modern day society. The Rape of Persephone is explained as a Dying Vegetation Goddess Myth, meaning that it was used as an explanation for crops flourishing during some months, while they do not produce during others (Turner, 7). Persephone, the daughter of Demeter and Zeus, is innocently walking in a forest one day collecting flowers, when Hades, the God of the Underworld splits the Earth open and takes her down into Tartarus. Demeter is the Goddess of the Harvest, and when her daughter goes missing she neglects her duties while searching for her.
When they hear the words Iran or Islam most Americans probably think of terrorism or 9/11. They associate Iran with what they have seen in the news lately, as it pertains to violence in the Middle East. In best-selling graphic novel Persepolis, author Marjane Satrapi attempts to show us that not all Iranians are extremists and that they don't all want to hurt other cultures. Her goal is to show that they rather, simply want to live their lives and enjoy time spent with family and friends. Having this as a goal however, does not mean that in writing her book Satrapi changed everyone's mind.