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Human nature in the great gatsby
The perceptions of gatsby
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Power. In a world of millionaires, world leaders, and Hollywood superstars, the word power has become synonymous with success. Prospective actors and businessmen will ascend the ladder of social recognition, fabricating their own image in the public eye in such a way as to capture the minds of the public. Many people dream of being famous, but few attain such a lofty title. Those who have lost sight of their grand ideals observe those of the elevated rank with amazement. What could they possibly have that makes them so disparate? How could they possibly have overcome the numerous obstacles that had hindered and brought down so many like them? These are the ever-pressing questions of seekers of fame. What they desire is power, respect. True …show more content…
power is the ability to influence; the ability to hold control. Anyone can gain wealth, but it takes a good mind in order to effectively utilize it. Money and physical stature are ineffective unless they can be properly implemented. Behind every powerful man is a great mind, a strong intellect and expansive knowledge. In order to control the will of others, powerful people must be persuasive, clever, and insightful. And in order to implement their reason, they must have unusual and notable self-confidence. Intellect and pure aplomb: this constitutes a person of power. Many people today believe that power can be gained through money, intimidation, or brute force. Threaten others long enough and you can eventually get what you want. But pushing so hard until something finally budges, although being a more or less accurate definition in our world of physics, is not an acceptable interpretation in the context of social interaction. Power, as well as literally being control, is itself controlled. Power has a plan; a strategy and a tactic. It administers careful planning and presence of mind to each action it executes. On the other hand, power is not desperate anger or monstrous antagonism. Though these, experienced on the receiving end, can be quite intimidating and even persuasive, they will not ultimately be effective in gaining what is desired. At the most they will result in fear, which is blind and unchecked. Fear can be used to hold domination over people to some extent, but the control of an emotionally stable individual is far more valuable than control of a person senseless with terror. The best manipulation is so subliminal that it goes virtually unnoticed. Therefore real power is control of the psychological human will, not the physical human body. Scott Fitzgerald’s The Great Gatsby provides an extended explanation of power applicable in the communicative human interface.
There are many characters locked in a consistent power struggle who, in the end, make perfectly clear what the true definition of power is. Jay Gatsby is the novel’s greatest example. Gatsby is young and wealthy, having made his enormous fortune, we discover later on, through bootlegging. He is mysterious and reclusive, unknown and fascinating to many people in the West Egg. He uses this to his advantage by luring people in with his story, making them so interested that they’ll virtually do anything he suggests. Every Saturday night he hosts fabulous parties, and everyone who is anyone is in attendance. His name alone holds great influence because of his compelling reputation that he’s built himself using his grand fortune. His beautiful home and aloof ways have people convinced that he is an extremely important individual. But his power is not based on his mere esteem. As stated before, power is control, and Gatsby is incredibly gifted in the art of getting people to do exactly what he wants. On several occasions in the novel he ingeniously devises situations that will bring him closer to his ultimate goal: winning over Daisy Buchanan’s affections. He charms and guiles, fascinates and intrigues. He is a wonder to his observers, holding them on the end of a string, leading them one way and then another at his will. All of this he …show more content…
achieves with his astounding self-confidence and nonchalance. He is, naturally and without falsification, the epitome of power. Some people would argue that Daisy is a representation of power in this novel. She is charming and sweet, effortlessly eliciting adoration from those around her. In this way she is like Gatsby, mesmerizing people with her grace and captivating their affections. But Daisy is not a powerful character. She is enchanting, but while others are under her spell, she does nothing to manipulate them. She does not bend the men who love her to her will, she simply goes through life in the light of their desire. It is an influence without intent, a natural and organic effect of her own being. Daisy serves merely as an object of fancy, a distraction, not an origin of control. Thus far it has been argued that power is control and influence, but it can also be asserted that power is actually money. All of the important characters in The Great Gatsby are wealthy. They could theoretically buy anything that their hearts desired as well as use their money to bribe and manipulate people. Everyone wants money, so individuals who hold money are placed in a position of relative undeniable control. Wealthy people today such as Bill Gates and Mark Zuckerberg are considered powerful because of their astounding billion dollar net worth. Money connotes success, which induces respect. Respected people are powerful. However the view that money is power is limited and incorrect.
Indeed this definition does not go deep enough. As stated before, powerful people use money to gain what they desire. One interpretation of this assertion is that money is power, but a more accurate interpretation is that money is simply a tool influential people utilize. A theme from The Great Gatsby further reinforces this viewpoint. Everyone living in the West Egg has money. It is the province of aristocrats. Granted some hold more worldly treasure than others, but in comparison with the poverty of the middle class, their advantage among the rich is insignificant. It is now a level playing field. In this environment Gatsby surprisingly still holds influence, despite the fact that he is hindered by the origin of his wealth. He is a self-made man, not the heir of a family of affluence. Because of this he is looked down upon in the upper class. Here a family name held reputation, and he was nameless. His power came through his own intellect and strategic climb to the top of the social ladder. He used his money to reach a position of potential influence, but built up his reputation through guile and clever charm. Gatsby’s story is proof that money itself is not
power. Influence and control. These two words capture and accurately portray the abstract concept that is power. It is something that many people seek, but only a few attain. As displayed through the actions of the characters in The Great Gatsby, the process of gaining and holding power comes with elevated intellect and the ability to effortlessly manipulate those around you. Only then can one acquire the position of undisputed social mastery and dominance.
From early civilizations to modern day social systems, economic status has always been a determining factor of power. Kings, queens, dukes, princes, and princesses possessed the greatest amount of wealth and thus the greatest amount of power over others. By having large amounts of wealth, royalty could control the actions of others below their economic status. This fact even applies the functions of modern American society. For instance, regardless of the specific circumstance, wealthy individuals have power over the actions of those below them. They control others by buying their loyalty or simply through others’ envy of them. Such principles can be applied to both men and women of wealth. The novel The Great Gatsby by F. Scott Fitzgerald,
The Great Gatsby by F. Scott Fitzgerald, contains characters that experience the corruption of morality and humanity. This is shown by having characters such as Daisy Buchanan, Jay Gatsby and, Nick Carraway, and by using imagery and symbolism within the story. Here Daisy, Tom, Jordan, Nick and, Gatsby are arguing about how Gatsby said that Daisy never truly loved Tom, and Daisy is getting annoyed with Gatsby because he wants Daisy to admit that she never truly loved Tom. "Oh, you want too much!" she cried to Gatsby. "I love you now—isn't that enough? I can't help what's past." She began to sob helplessly. "I did love him once—but I loved you too."(Pg 132) Daisy is being corrupted by her lack of morality and humanity throughout the book, this
Because of his wealth, everything in Gatsby’s life hints at having power through status and money, but he is not happy because all he wants to do is be with hard to reach Daisy; she is the reason why he acquires the materialistic things he does in the first place.
The Great Gatsby shows us the decline of civilization with the loss of thought for God and religion. God is merely mentioned at all in F. Scott Fitzgerald’s novel, except for the eyes of T.J. Eckleberg on the billboard. This notion suggests that capitalism is above God among the rich and powerful. The rich and powerful are blind to the notion of God and religion.
F. Scott Fitzgerald third book, “The Great Gatsby”, stands as the supreme achievement in his career. According to The New York Times, “The Great Gatsby” is an exquisitely crafted tale of America in the 1920s. In the novel, the author described Daisy Buchanan as childish, materialistic, and charming. These characteristics describing Daisy is also description for the way women were seen during the 1920s.
F. Scott Fitzgerald, author of The Great Gatsby, paints vivid picture of the lives of upper and lower classes together and their interactions during the Roaring 20’s. Fitzgerald does this by showing the readers the true nature and purpose behind the upper class and the manipulation they use against anyone lower than them. An example of this manipulation would be Tom Buchanan, a wealthy man married to Daisy Buchanan, lying George Wilson, a lowly poor individual running a mechanics shop, about selling a car, just to see the man’s wife. This poor man, Wilson, lives in “The Valley of Ashes”, an almost desolate area on the way to New York from West and East Egg. This valley is a representation of the manipulation and reckless behavior of the upper class. Through The Great Gatsby, Fitzgerald paints a picture of the 1920’s by portraying the upper class as immoral and careless through their actions, and their opinions.
Lionel Trilling claims that, “Gatsby, divided between power and dream, comes inevitably to stand for America itself.” Trilling is essentially correct when one considers that America itself is divided between power and dream, and when he states that Gatsby is divided by power and dream, but his argument fails when he states that Gatsby comes to stand for America itself.
In F. Scott Fitzgerald’s The Great Gatsby, money plays a large role in the character’s lives. Money is used to change their appearances throughout the novel. All the characters use their money in a different way. Gatsby attempts to use his money to win back his one true love, Daisy. Myrtle Wilson uses money she does not have to change her appearance towards others. But others are used to having wealth, and they are experienced in the ways of being rich. These people include Tom and Daisy Buchanan. The narrator, Nick Caraway, moves east searching for wealth, but never achieves that goal. The entire novel is filled with wealth and riches, but is money to be seen as a privilege or a curse? Characters in The Great Gatsby try to recreate themselves using money.
The light bulb is the way we see in the dark, the way we find our way, the way we know when to go at a stoplight. How did Thomas Edison achieve this invention? Knowledge. Knowledge of electricity and the needs of those around him. In The Great Gatsby, Daisy Buchanan claims that she wants her daughter to be “a beautiful little fool.” In other words Daisy is saying that ignorance is bliss. Some others believe that knowledge is power. The advancement from candles to light bulbs changed the culture entirely. People could easily do the work they needed to after sunset, and it even led to more inventions. We need knowledge to advance, and for this reason powerful knowledge is more valid than blissful ignorance.
Scott Fitzgerald was a writer who desired his readers to be able to hear, feel, and see his work. He made it his goal to be able to make readers think and keep asking questions using imagery and symbolism. The Great Gatsby was not just about the changes that occurred during the Jazz Age, but it was also about America’s corrupted society which was full of betrayal and money-hungry citizens. It was the eyes of Dr. T.J. Eckleburg that overlooked all the corruption that occurred throughout the Valley of Ashes. It was the eyes of Dr. T.J. Eckleburg that serves as a symbol of higher power who witnesses everything from betrayal to chaos in Scott Fitzgerald’s The Great Gatsby.
Marshall P. David (1997). Celebrity Power; Fame in Contemporary Culture. May 16, 2010. Electronically retrieved from
In a world where billionaires and celebrities can have more influence over the public than government, the word power has become interchangeable with success. Although many of us have fantasized of our lives if we were famous, the majority of the population have given up on the notion of becoming famous, and have become more realistic towards future dreams and desires. However, what qualities drive people of fame to do things that keep their name out in the eye of the public? People desire power. Genuine power is the ability to influence.
Restraining the American people, the rigid structure of society evokes a strong desire to rebel against societal pressure, seen in many pieces of American literature. In many of their novels, American authors portray this feeling as being the most strong in youth, or those in transition to adulthood. Helplessly, these individuals feel as if they are not quite adults, but also not children. For this reason they are confused by societal expectations, and in return rebel. According to Salinger, many young American individuals feel confined by the expectations of society. In like manner, they go against the wishes of others in order to find themselves. In many cases a sense of being held back by society catalyzes rebellion. Naturally, individuals
“Posts.” Fame is a dangerous Drug: A Phenomenological Glimpse of Celebrity.” N.p. ,n.d. Web 15. Feb 2014
Movie stars. They are celebrated. They are perfect. They are larger than life. The ideas that we have formed in our minds centered on the stars that we idolize make these people seem inhuman. We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)? This enduring query is what keeps audiences coming back for more, in an attempt to decipher which construction of a star is “real”. Is it the character he played in his most recent film? Is it the version of him that graced the latest tabloid cover? Is it a hidden self that we do not know about? Each of these varied and fluctuating presentations of stars that we are forced to analyze create different meanings and effects that frame audience’s opinions about a star and ignite cultural conversations.