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Characterization in frankenstein mary shelley
The study of Gothic literature
The study of Gothic literature
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In Mary Shelley's Frankenstein, monstrosity is defined as an inexorable sense which demonstrated by intense revenge, prolonged isolation and the dangerous pursuit of knowledge. Firstly, the revenge between Victor Frankenstein and the creature initiates their insanity or monstrosity. When Victor destroys the female creature, the creature is extremely wrathful and says, "You can blast my other passions, but revenge remains-- revenge, hence forth dearer than light or food! I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery" (Shelley 205-206). Thus, Victor and the creature show their willingness to fight against each other. It is evident that they leave far away from love and companionship which causes them suffer sorely in a dire consequence. Mary Shelley conveys an idea …show more content…
that revenge would not solve any problems, instead it would bring a sense of monstrosity to destroy anything included innocent people. Moreover, loneliness may catalyzes the imprudent actions of Victor Frankenstein and the creature which drift them into monstrosity and destruction. For example, the creature expresses his loneliness, "I am alone and miserable; man will not associate with me; but one as deformed and horrible as myself would not deny herself to me.
My companion must be of the same species and have the same defects. This being you must create"( Shelley 173). In this quotation, the monster tells Victor Frankenstein about his loneliness in order to get a female partner which would give the monster love and compassion. Because of his outer looking, the monster isolates with the rest of society even though he wants to find his love and happiness. The novel presents that monstrosity is intensified by loneliness which is a disaster to the society. Lastly, consumed by the obsession of a dangerous pursuit of knowledge, Victor Frankenstein indulges into a madman which builds the sense of monstrosity. For instance, at the beginning of the book, Victor Frankenstein tells readers, "Learn from me, if not by my precepts, at least by my example, how dangerous is the acquirement of knowledge and how much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will
allow." (Shelley 53) He describes himself as a person who likes exploring knowledge, "While my companion contemplated with a serious and satisfied spirit the magnificent appearances of things, I delighted in investigating their causes. The world was to me a secret which I desired to divine. Curiosity, earnest research to learn the hidden laws of nature, gladness akin to rapture, as they were unfolded to me, are among the earliest sensations I can remember." (Shelley 31) Although a yearning for knowledge is usually an encouraged characteristic, Shelley builds a character, Victor Frankenstein, to display that unmerciful curiosity would leave behind monstrosity. From the major incident, Frankenstein persists his willingness and curiosity to learn science and then evolves the dangerous knowledge into a monster who finally destroys Victor's own happiness and love. From the everlasting curiosity, Frankenstein is engulfed by the monster inside him and the monster grows bigger. As a result of the pursuit of knowledge that defied natural order where life was created from inanimate objects, the developing monstrosity inside Frankenstein led him to destruction. In general, Shelley demonstrates that monstrosity is acquired through belligerent revenge, extensive isolation and dangerous curiosity. As the characters in the novel Frankenstein compellingly evince, monstrosity is not an inherent characteristic but one that is acquired through belligerent revenge, extensive isolation and dangerous curiosity. Shelley uses the theme of monstrosity to inspirit the readers that monstrosity brings out destruction.
Ever since the beginning of Frankenstein’s tragic narrative, his story has been filled with distortions. When happy, the world seems imbued with a mystical glow and when depressed, darkness threatens to conquer everything and everyone. However, as the story progresses, it becomes apparent that was not just the narrator who had a various distorted outlooks on the world, but other primary characters as well, including, but not limited to, Frankenstein’s monster and Frankenstein’s dear friend Henry Clerval.
is searching for him and that he is going to have to encounter him at
“I was benevolent and good; misery made me fiend” How far and in what ways is the creature a victim of Frankensteins thirst for knowledge?
When we are created into this world it’s not by the choice of our own. However, we are created most times out of love from our creator. Like a baby just newly born into this world needs to feel its mothers touch, scent, and security. The bonding makes you feel a connection to your maker of the world and without it a person may feel lost, abandoned, and unloved. From the beginning we hope to build our self-esteem through the love of our creator. Sadly, most people are not loved or accepted by their creator. This leads to a person lashing out in a number of ways that society views unconventional due to the lack of understanding that person suffers through abandonment alone. In the novel Frankenstein, Mary Shelley illustrates the theme of monstrosity
Human companionship is one of the most basic needs of humans that can be seen in the Creation story. It is tricky for any human to find the perfect companion especially if one is one of a kind. In Mary Shelly’s Frankenstein two characters exemplify this need Dr. Victor Frankenstein and The Creature are in search of the same thing a companionship. Acording to Victor in chapter two of the book he said This shows that Victor Frankenstein came from a well rounded family that was always there for him . SO he grew up with a lot of positive relationships with his family. However as he grow in to a adult victor has very few relationship. Only really with Elizabeth and the
...od; misery made me a fiend. Make me happy and I shall again be virtuous" (Shelley 66). In the novel, Victor has two chances to provide this happiness for the creation. In both cases, all the creation desires was a companion, be it Victor or a new creation. And, in both cases, Victor is influenced by his initial reaction of disgust at the sight of his original creation. This reaction originates from a preconception, a fear caused by the human nature to prejudge based on past experience. This prejudice is indeed the source of the pain and torment in Mary Shelley’s Frankenstein. If a "monster" exists in the novel, it is this aspect of human nature.
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.
...luding intelligence, compassion, and emotions. The monster attempts to make friends with his peer humans, despite his continuous rejection. His efforts show that even the monster experiences vulnerability and desire for companionship. The monster proves his intelligence as he devises a plan to learn the English language by observing his neighbors. Meanwhile, Doctor Frankenstein lacks the human quality of intelligence as he fails to foresee the effects of taking creation of life into his own hands. The doctor also lacks compassion when he abandons his creation, the equivalent of a parent leaving his child. Frankenstein flees from his monster because he actually fears the monster as much as the rest of society due to its frightening stature. Doctor Frankenstein and his creation exemplify the qualities people should exude to consider themselves members of the human race.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Mary Shelley’s Frankenstein or; The Modern Prometheus, published in 1818, is a product of its time. Written in a world of social, political, scientific and economic upheaval it highlights human desire to uncover the scientific secrets of our universe, yet also confirms the importance of emotions and individual relationships that define us as human, in contrast to the monstrous. Here we question what is meant by the terms ‘human’ and ‘monstrous’ as defined by the novel. Yet to fully understand how Frankenstein defines these terms we must look to the etymology of them. The novel however, defines the terms through its main characters, through the themes of language, nature versus nurture, forbidden knowledge, and the doppelganger motif. Shelley also shows us, in Frankenstein, that although juxtaposing terms, the monstrous being everything human is not, they are also intertwined, in that you can not have one without the other. There is also an overwhelming desire to know the monstrous, if only temporarily and this calls into question the influence the monstrous has on the human definition.
Monstrous is a term that carries a lot of meaning. Monstrous means something or someone who is evil by having inhumane morals, values, and obligations. The word carries the meaning of something that is great or to an extreme extent, but monstrous also carries a negative connotation. Hitler was considered an extremely monstrous person for conducting mass genocide and treating people inhumanely in his concentration camps. Mary Shelley views the Creature’s actions as most monstrous in Frankenstein because his conscience and his intuition clearly demonstrate his understanding of right and wrong, yet the Creature fails to live by this moral code despite how he is treated.
Often times in literature, characters that are enemies somehow end up having similar personalities. In this book, two characters are portrayed, but despite their very different exteriors, they happen to be very similar in numerous aspects. In Mary Shelley’s Frankenstein, Victor Frankenstein and his creature are united in that both feel a deep sense of self-loathing, suffer from extreme loneliness, and begin with good intentions.
Frankenstein became racked with despair after the death of the monster’s first victim exclaiming that, “Anguish and despair had penetrated my heart; I bore a hell within me which nothing could extinguish” (Shelley 70). Frankenstein felt anguish, not only for the death of his loved one, but also for the guilt he felt being the one who caused it. This inner turmoil creates an undying anger in Frankenstein at the root of which is remorse. Additionally, this fiery despair leads Victor to a new ambition of revenge. Frankenstein devotes the rest of his life to killing the monster for he feels, “I must pursue and destroy the being to whom I gave existence; then my lot on earth will be fulfilled and I may die” (189). Frankenstein’s ambition had changed course from the creation of the monster to the destruction of it; nonetheless, his life was taken in the pursuit. As a result of his ambition, Victor Frankenstein has created a monster causing him much remorse and untimely
In Frankenstein, Mary Shelley uses the motif of monstrosity to convey the theme that a person’s outward appearance is not what makes them a monster but rather their actions or inactions that classify true monstrosity. Despite the fact that the monster Victor Frankenstein creates is a literal example of monstrosity in the novel there are many parts that give meaning to monstrosity within character’s actions. Although Victor appears normal, since he is human his ambitions, secrets, selfishness, and inaction makes him a monster himself. Along with monstrous characters the pursuit of knowledge that is seen in Victor, his monster, and Walton in Frankenstein prove that knowledge can be a monstrosity. Mary Shelley’s Frankenstein is created using the life stories of different characters in the novel. The novel itself could be seen as a monster created similarly to Victor’s monster.