Often times in literature, characters that are enemies somehow end up having similar personalities. In this book, two characters are portrayed, but despite their very different exteriors, they happen to be very similar in numerous aspects. In Mary Shelley’s Frankenstein, Victor Frankenstein and his creature are united in that both feel a deep sense of self-loathing, suffer from extreme loneliness, and begin with good intentions.
Despite loathing themselves for different reasons, Frankenstein and the creature both face many internal conflicts. Frankenstein despises himself for creating a creature that is threatening all of mankind. “I shuddered to think that future ages might curse me as their pest, whose selfishness had not hesitated to buy its own peace at the price perhaps of the existence of the whole human race.” (315) Victor destroys the half-finished creation of a female monster and feels disgusted with himself that he ever thought to create another creature. “I shall be with you on your wedding night.” (149) When the female monster
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is destroyed, the creature threatens to be with Victor on his wedding night. The monster loathes himself when people around him look at him strangely or run away terrified. The monster says, “I am alone and miserable,” (171) which proves how he feels self-hatred and believes there is no one left for him to consider a friend or family. Once he becomes an outcast from society as a result of creating the monster, Frankenstein begins to feel extreme loneliness just like the creature has felt his entire existence.
Since the monster’s creation, the monster has been neglected and left to fend for himself. “You, my creator, abhor me” (173). The creature discovers that he truly has no one on this earth that cares for him; he has no friends or family. “What did this mean? Who was I? What was I? Whence did I come? What was my destination?” (233) While working on his creature Victor completely removes himself from society and has no social interactions. After the monster is brought to life Victor becomes exceedingly ill and is unable to interact with many people including his family. Victor is removed from society every time he becomes ill (usually after something tragic happens). Victor is left completely alone in the end because the monster destroys all his loved
ones. Both Victor and the creature begin their journeys with good intentions that eventually backfire on them. When Victor begins his task of creating the monster he has no intention of creating a creature that will ultimately challenge all of mankind. “How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavored to perform?” (55) The Monster watches the DeLacey family and secretly does chores for them, but when he presents himself to them, he is met with hate and violence. The Monster sees a little girl drowning and jumps in the lake to save the girl, but when a man sees this and starts to shoot at him, the monster feels as though there is no point in being good. “I am malicious because I am miserable. Am I not shunned and hated by all mankind?” (140) Even in helping mankind, the monster gets treated poorly and unfairly. Despite the few differences that Victor and the creature have, their similarities are certainly portrayed throughout the book. Similarities exist between Victor and the creature due to their very similar experiences in life. Both Victor and the creature have been abandoned, alone, and out of place in society. Feeling a sense of self-loathing, suffering from extreme loneliness, and beginning with good intentions, all prove how Victor and the Monster are much more similar than thought to be.
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
Frankenstein by Mary Shelley introduces the change from good to evil with the attention that guardians give a child. William Crisman, in his critique of Mary Shelley’s work, identifies the “sibling rivalry” between Victor and the rest of his family. Crisman remarks that Victor feels as if he is the most important person in his parents’ lives, since he was Alphonse’s and Caroline’s only child. The Frankensteins adopt Elizabeth and Victor sarcastically remarks that he has a happy childhood. This prompts Victor starts to read essays about alchemy and study natural science. Anne Mellor, another critic of Frankenstein, proposes that Frankenstein’s creature was born a good person and society’s reaction to him caused him to turn evil. Victor’s makes the creature in his own perception of beauty, and his perception of beauty was made during a time in his life when he had secluded himself from his family and friends. He perceived the monster as “Beautiful!”, but Victor unknowingly expressed the evil in himself, caused by secluding himself from everybody, onto the creature (60). In this way, the creature is Victor’s evil mirrored onto a body. The expression of Victor onto the monster makes the townspeople repulsed by the creature. The theory of the “alter ego” coincides with Crisman’s idea of sibling rivalry (Mellor). Mary Shelley conveys that through Crisman’s idea of sibling rivalry, Victor isolates himself from society. Mellor describes the isolation during his creation of his creature leads to him giving the creature false beauty that causes Victor to abandon him and society to reject him.
As he goes off to college, interested in the science behind life and death, he ends up going his own way and attempts to create a living being. Victor “had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body” (Shelley 43). The being Victor has created does not by any means sit well with him. As victor is away from his family and for six years, he is neglectful to them, which only adds to his sorrow and misery. Victor’s isolation is brought upon him because of himself, however his creation, or “the monster”, is isolated from any connections with humans against his will. To start out, the monster would have had Victor there with him, but Victor is ashamed of what he has created, and abandons the monster. The monster is a very hideous being, which sadly is a contributing factor to his isolation. With nobody to talk to at any time, naturally this will be condescending and frustrating. Although the monster is able to
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
Shelley presents two completely different beings, one brought up with a family in a happy setting, the other in solitude, hated by everyone. Both humans in nature are completely different. Frankenstein and the Monster show traits of both good and evil, however, they are both born good. Victor Frankenstein was born into a “distinguished” family (16). His mother and father travel together with Victor in a carefree lifestyle trekking across the land (17).
Dr. Victor Frankenstein and the Creature seem different from each other throughout the whole story, however, they actually share many similarities when the story is looked at deeper. Both the Creature and Frankenstein share a connection with nature, a desire for more knowledge, a need for family, and experiences in isolation.
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
Locked in a perpetual struggle for dominance, both struggle to gain internal peace. Victor Frankenstein feels obligated to destroy his creation for the good of society, and the Monster wishes to come to terms with his abandonment – both are unable to find happiness. Here there is a contrast of power: Frankenstein’s intellectual power contrary to the Monster’s physical power (this is however, not to say the Monster lacked intellectual power, only that Frankenstein possesses greater fear of the physical aspects of the Monster). The first instance of this battle for power can be seen when the Monster demands of Frankenstein to “create a female…with whom [he] can live in the interchange of those sympathies necessary for [his] being.” (p174) – here Frankenstein is in control. He is the only one that has the knowledge to create another being like the Monster, and thus, when the Monster asks this favour of Frankenstein he places his happiness in the hands of another. The Monster is dependent on the actions of another. However, there is a power reversal when Frankenstein denies the monster his ‘female’ (p174). Frankenstein dashes the Monster’s last hope at happiness, so the Monster threatens the life of his loved ones. Here, Frankenstein is at the mercy of his creation. For though “[Frankenstein is the] creator… [the Monster is his master” (p205) – here the Monster establishes his dominance over Frankenstein by outwardly stating his power over his creator. This power struggle is most effectively culminated in the chase around the globe. Yet it must be seen that neither Frankenstein and his Monster are in control. The Monster leaves clues for Frankenstein, demonstrating his need for Frankenstein to follow him, for without Frankenstein the Monster has no purpose in life. On the other hand, Frankenstein is following his creation all over the world, through desert, sea, and cold. Thus, it is clear that as a
Victor isolates himself from the rest of society because of his obsession to create life. During the time he was isolated, Victor became very ill. For Victor, isolation has a very negative effect. The Monster is isolated for two reasons. First, Victor abandons him, which creates an isolation from the Monster's "father". Second, because of the way the monster looks, he is naturally isolated from society.
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
The novel “Frankenstein” by Mary Shelley involves the complex issues with the creation of life through an inanimate life. Shelley uses these character archetypes to develop a deeper meaning of the characters intentions. Shelley does an excellent job at allowing the reader to have a peak at the characters inner thoughts and feelings. The archetypes presented in Frankenstein allow readers to identify with the character's role and purpose.
In Mary Shelley’s novel, Frankenstein, many similarities can be seen between the creature and his creator, Victor Frankenstein. While Victor and the creature are similar, there are a few binary oppositions throughout the book that make them different. The binary oppositions in the novel serve as thematic contrast; and some of the most illustrative oppositions between the two characters are on the focus of family, parenthood, isolation and association with others.
There are 7 billion people in this world. That is a copious amount, which means there is a wide variety of personalities and types of people. With all of these people, there are lots of differences between them, there are even slight differences between some of the commonalities. In the book Frankenstein by Mary Shelley, two of the main characters are examples of two very different and unique people who have differences even between their similarities. Victor Frankenstein and the Creature have a few similarities that include they are both curious, determined, and guilty; but even within those similarities they are slightly different.
Frankenstein’s creation questions “Why did you form a monster so hideous that even you turned from me in disgust?”(Shelly 155). The creation is blaming his creator for making him into the monster that he is and turning away from him when he needed help, yet Victor did not create the monster for the express reason to commit sins, the monster was created with free will, just like every other human, yet the monster chose his path of murder and revenge. The creation’s reason for these sins is a societal rejection due to his horrific looks. The creation believes that if he is loved by a female so “The Monster’s proposed solution is for Frankenstein to create a bride for him who would reciprocate his love and thus render him benign”(Britton 7). The monster holds on to the idea that he is not inherently evil, but that he has just not received affection or care from someone. Frankenstein believes this to be untrue and that creating another monster would just release more chaos into the world. The monster continues to blame his evil deeds on his sadness saying “I am malicious because I am miserable”(Shelley 174). The monster
The unexplainable creatures with human like features in the stories Frankenstein and Dracula are sadistic beings who cause devastation and distress for the main characters until the time of their downfall. These two classic horror monsters have similar character types which dissimilarity in many ways. Each story includes a hero and villain that draw the reader in to wanting to understand the monster and Dracula more. In Frankenstein, the monster was never given a name by Victor Frankenstein who was his creator. Victor created him for selfish reasoning without thinking of the consequences. When Victor achieved the creation of the monster he took one great look at him; he was disappointed and horrified of what was before him.