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Recommended: Hamlet's feelings
If you are neutral in circumstances of injustice, you have chosen the side of the persecutor. In Hamlet, Shakespeare explores the idea that men cannot make peace with the anyone or anything while injustice is being committed in front of them, which causes them to lose their state of mind and live in in the past.
Hamlet is known to become distressed when he is encountered with injustice and lets his unsettled emotions take over his state of mind. During his first soliloquy, he reveals his unsettlement towards injustice when he mentions “ how weary, stale, flat and unprofitable seem to [him] all the uses of this world” (1-2-133-134). It upsets him that his mother wronged his father by committing incest and he cannot make peace with present-time. Hamlet’s incapability of expressing his feelings aloud begins to consume his state of mind that he falls into a deep depression.
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For example, when the king becomes disturbed by the murdering scene in the play The Mousetrap, Hamlet is convinced that he is guilty of murdering his father, old King Hamlet and is ready to kill him. However, when Claudius is confessing his sins and asks for forgiveness Hamlet realizes that he does not want “to take him in the purging of his soul, when he is fit and seasoned for his passage” (3-3-86-87), so he controls his urge to act impulsively. However, during the conversation he has with his mother, Hamlet becomes unsettled and disgusted by her actions that he tells her she won’t leave until he holds a mirror up to her “where [she] may see the inmost part of [her]” (3-4-21). Hamlet is in outraged due to his mother’s ignorance, and when he hears a noise behind the curtain, he acts impulsively and stabs Polonius, thinking it is Claudius. This shows that Hamlet’s emotions take over his mind when he is in distress and does not allow him to think
While Hamlet may still be feeling depressed Hamlet moves into the stage of denial and isolation. Hamlet feels the effects of denial and isolation mostly due to his love, Ophelia. Both Hamlet’s grief and his task constrain him from realizing this love, but Ophelia’s own behavior clearly intensifies his frustration and anguish. By keeping the worldly and disbelieving advice of her brother and father as “watchmen” to her “heart” (I.iii.46), she denies the heart’s affection not only in Hamlet, but in herself; and both denials add immeasurably to Hamlet’s sense of loneliness and loss—and anger. Her rejection of him echoes his mother’s inconstancy and denies him the possibility even of imagining the experience of loving an...
After demolishing the theories of other critics, Bradley concluded that the essence of Hamlet’s character is contained in a three-fold analysis of it. First, that rather than being melancholy by temperament, in the usual sense of “profoundly sad,” he is a person of unusual nervous instability, one liable to extreme and profound alterations of mood, a potential manic-depressive type. Romantic, we might say. Second, this Hamlet is also a person of “exquisite moral sensibility, “ hypersensitive to goodness, a m...
In William Shakespeare 's Hamlet, there are many characters that allow themselves to be manipulated and be consumed by their own emotions. The way that this type of irrational behavior occurs is when Claudius killed Hamlet Sr, this causes a chain reaction of unfortunate events. Gertrude and Claudius plan to immediately marry after the death of the king. On going with the repercussions of the event; Hamlet is later visited by the dead spirit of his father. This happening caused Hamlet to realize that he needed to avenge his dead father by killing Claudius and rightfully taking the throne back after the ghost of his father told him to do so.
Just weeks after his father’s death, Hamlet is still mourning and his mother has already married her dead husband’s brother. The Queen does not believe that Hamlet should still be mourning and she tells him “’tis common, all that lives must die, passing through nature to eternity” (Shakespeare 1.2.73-74) and she asks Hamlet “why seems it so particular with thee” (1.2.77). Hamlet picks out the words seems and tells his mother that it does not seem particular with him, rather it is particular. After this he discusses the “forms, moods [and] shapes of grief… that a man might play” (1.2.84,86). The idea of his father’s death being brushed aside so easily infuriates Hamlet. He sees all of the mourning and grief as nothing more than an act being put on by his mother and the people of Denmark and he continues to struggle with the idea of acting. After he hears the player preform Aeneas’ tale to Dido about the slaughter of Priam, Hamlet begins to question himself. Once the player finishes and Hamlet is alone, he calls himself a “rogue and peasant slave” (2.2.498) and feels awful because “all in fiction… [the player]
Overall, Hamlet’s actions prove him to be a depressed, resentful, and cynical character. Initially, he is an indecisive and hesitant character. However, after his return from England, he becomes more impetuous, impulsive, and quick to act. He is full of hatred for his uncle and is disgusted by his mother’s sexuality, and both of these emotions are ultimately what propel him to madness. Many critics would argue that the way Hamlet behaves is fair and understandable due to the many hardships he had faces in such a short period of time. According to Shakespeare critic Eleanor Prosser, “Hamlet is trapped between two worlds. The moral code from which he cannot escape is basically medieval, but his instincts are with the Renaissance…” (Gottschalk 156).
The theme of revenge is expanded and created by the ghost of King Hamlet because not only does he instruct others to seek revenge but he has such a powerful reach that characters, mainly Prince Hamlet, become driven by this want for revenge. Prince Hamlet shows his eagerness for revenge by saying that “Hast me to know’t, that I, with wings as swift / As meditation or the thoughts of love, / May sweep to my revenge” (34). As the text progresses the message or theme of revengeance fully surfaces when those who are driven by revenge, Laertes and Prince Hamlet, lure themselves to their own demise and this showcases the evil in chasing revenge. In addition, Shakespeare not only uses the theme of revenge but also uses the almost opposite theme of patience to show what mankind “should be and what not to be”. The following shows the outcome of Fortinbras’s patience, “I have some rights of memory in this kingdom, / Which now to claim my vantage doth invite me” (177). In Hamlet, Shakespeare uses the ghost of King Hamlet as a representation and establisher of the theme of revenge and by the end of the tragedy shows how the characters, Prince Hamlet and Laertes, who followed this path lead themselves to their deaths; however, Shakespeare uses Fortinbras to represent the theme of patience and how not seeking revenge or acting upon impulses, like Hamlet and Laertes, led him to the throne of Denmark. Moreover, even though the King Hamlet’s ghost appears in the text for a limited time he plays a significant role in the development of other
Each person goes through life questioning the whys and what ifs, but seldom do people act on those revengeful feelings unless they reach a point of action. Hamlet reaches such a point in life where wordplay no longer suffices, and he must act not out of necessity but out of filial duty and honor. In this soliloquy, Hamlet sheds his attachment for words and begins to act on his deeply held feelings of revenge/
Hamlet gives many clues in this play that he is beyond feeling upset and anger over what is happening in his life. His soliloquies and speeches give excellent indications that he is actually depressed. People do not understand why he acts the way he does and even try to tell him to move on with his life. However, depression is a very serious disorder that cannot be easily detected or treated. Because the people do not detect that Hamlet is depressed, they obviously do not treat him for it. Hamlet's case continues to get worse and eventually aids in the cause of his death. Hamlet reveals too many obvious symptoms of depression to disclaim that he is inflicted with the disorder. Hamlet, a young prince, his heart filled with years of sadness and hardship, cannot escape his misery and develops major depression disorder.
Hamlet’s sanity began to deteriorate when learned that his father’s death was not an accident, but rather a foul deed committed by the newly crowned King of Denmark. “If thou didst ever thy dear father love – Revenge his foul and most unnatural murder” [Act I, v l .23-25]. As a mysterious ghost appeared in the terrace, Hamlet learned of a murderer that would prove his fealty towards his father. As he contemplated the appalling news recently brought to his attention, the control Hamlet had over his actions was questioned. “O villain, villain, smiling, damned villain! My tables meet it is I set it down, That one may smile, and smile, and be a villain. At least I am sure it may be so in Denmark,” [Act I, v l. 106-109]. Hamlet’s hatred toward his father’s killer caused him to relate the tribulations between murder and the aspects of Denmark as a country together. As with most of the conflicts Hamlet faced, his lack of ability to avenge his father’s death, furthered the deterioration of his life and surroundings.
Shakespeare’s most famous play Hamlet resonates with the hearts and minds of audiences through the dramatic treatment of struggle and disillusionment. Author, John Green commented, “Hamlet struggles because he is human.” It is these human characteristics and behaviors that have kept an audience transfixed through the years. Hamlet’s disillusionment with women, introduce modern day themes of love and marriage. His inability to act introduces his disillusionment with his uncle. Lastly his disenchantment with himself brings about questions of self-doubt and philosophical ideals of death.
In this play we read about a young prince named Hamlet who devotes himself to avenging his father's death. As the play progresses we see that Hamlet is contemplative and demonstrates his true desires and feelings. Hamlet begins to show signs of weakness and his indecision to seek vengeance in his soliloquy “O, what a rogue and peasant slave am I!”(2.2.560). Hamlet throughout the play is perceived as a weak, emotionally unstable, and cowardly individual.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
Hamlet’s attachment to his mother was quickly made evident within the first act of the famous tragedy. Hamlet, who sulks around wearing black clothing to mourn the death of his father, first speaks in the play to insult his stepfather. He voices his distaste at his new relationship with his uncle by criticizing that they are, “A little more than kin and less than kind” (I.ii.65). He believes that it is unnatural for his uncle to also be his father, and eagerly jumps at an opportunity to offend Claudius. However, Hamlet acts entirely different towards his mother, despite his poor attitude....
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
The psychological aspect of Hamlet which is most prominently displayed is his melancholy. This condition is rooted in the psyche and the emotions, the former causing the latter to go awry. Lily B. Campbell in “Grief That Leads to Tragedy” emphasizes ...