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Simone Golden Mrs. Irion English I 21 May 2017 An Easy Target In Edgar Allan Poe’s “Cask of Amontillado,” Fortunato makes himself an easy target because of his persistence, gullibility, and foolishness. In the “Cask of Amontillado,” Fortunato makes himself an easy target by his willingness to do anything to get his hands of the Amontillado: “Come. We will go back.” Fortunato was already drunk and ill and he didn’t take his health into consideration. His need of the Amontillado is what killed him. Persistency wasn’t the only trait that caused Fortunato’s death; he was also very gullible: “‘As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me -- “‘Luchresi cannot tell Amontillado from Sherry.’”
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
For example, Montresor expresses concern about Fortunato and says, "Come, I said, with this decision, we will go back; your health is precious. Montresor does not want Fortunato to die from anything other than his own plan of slow death by asphyxiation. Symbolism in "The Cask of Amontillado" This story by Poe has numerous examples of symbolism. For example, the manner in which Fortunato is dressed is ironic for a man with societal prominence. Fortunato is a man of stature who is “rich, respected, admired” (Baym).
Accordingly, Poe is well responsive to this psychological trait of the human brain. Likewise, Poe employs the perception of perversity and remorse in “The Cask of Amontillado.” The reason of burying Fortunato is not only vengeance, but also a robust reaction that is described in “The Black Cat”. There is a passionate yearning in Montresor to hurt Fortunato even if he has not made any harm to him. Although Montresor asserts that he has been injured several times by Fortunato, he cannot defy calling him “respected, admired, beloved,” admitting his “good nature,” and also calling him “noble” (Little 212). These expressions confirmed that Fortunato is a good quality person and the expression “injuries” used in the first phase of the story is simply a hyperbole that Montresor’s psyche has fabricated. Furthermore, wickedness does not come unaccompanied, but it carries itself a sense of remorse. Even if Montresor reflects himself as the diplomat of his family for deafening down rivals, he suffers remorse while walling up Fortunato. Consequently, Poe’s clasp of unreasonableness and culpability of the human mind is
Who was Fortune's Fool? The answer to that question would be Fortunato. Fortunato is a character in Edgar Allan Poe's short story, "The Cask of Amontillado." Fortunato has wronged Montresor, the narrator of "Cask." The reader can't trust Montresor because he is an unreliable narrator, so the reader can't say for a fact that Fortunato had wronged Montresor. Montresor then seeks revenge on Fortunato. During carnivale season, Fortunato is drinking all types of wine. Montresor knows Fortunato is drunk so he goes to Fortunato and tells him he has Amontillado. Fortunato wants the Amontillado so much, that he is willing to do anything for it, that leads him to his death. Montresor brought Fortunato into the catacombs, chained Fortunato to the wall, walled Fortunato up, and Fortunato was dead. Actually he wasn't dead right then and there. Montresor walled Fortunato up alive, so Fortunato can suffer much pain, then die, die a helpless man. Fortunato was a fun loving/outgoing, alcoholic, boastful/prideful man.
In “The Cask of Amontillado,” the reader can tell the narrator is unreliable. The narrator shows this through his lack of reason for killing Fortunato. Also, the narrator indicates that he is unreliable when he laughs as he kills Fortunato; only a madman would laugh while killing someone. The narration of the story makes it so the reader questions why the narrator killed Fortunato. Another question most readers have is, why is the narrator sharing this story? Also, readers commonly ask themselves, what has happened to make him share this story? The narrator says, “For half of a century no mortal has disturbed them” (Poe 113). This statement by the narrator may make a reader feel that Fortunato’s body has been moved or found. Likewise, it may make a reader feel that the narrator is bragging to someone about getting away with murder because he is possibly on his
In his article “On Memory Forgetting, and Complicity in “the Cask of Amontillado”” Raymond DiSanza suggests that an act of wrongdoing is always at the heart of good horror stories. (194) DiSanza’s article on “The Cask of Amontillado” by Edgar Allan Poe describes Poe’s writing in a way I didn’t think of myself. DiSanza finds Poe’s language in this story to “taste like amontillado: smooth, slightly sweet, and appropriately chilled”. (DiSanza 195) Throughout his article he mostly talks about what possibly could have been Montresor’s motive to kill Fortunato? And why did Montresor wait fifty years to tell the story?
In Edgar Allan Poe’s “The Cask of Amontillado,” Montresor sets out on a vengeful mission that will end Fortunato’s life in an untimely fate. Montresor appeals to Fortunato’s love for wine to tempt the unsuspecting fellow to his impending doom. While Montresor tricks the foolish Fortunato frightfully, it is ultimately Fortunato’s pride that leads to his demise in the crypt. Poe uses several literary devices to foreshadow this murderous exploit of Montresor. Through the use of irony, symbolism, and imagery, the story entices readers to delve into the relationships and differences between Montresor and Fortunato.
An important element in any story is setting. Authors use setting to convey certain feelings brought on by the character’s surroundings. It also subliminally serves to illustrate the character’s intentions. In “The Cask of Amontillado” Edgar Allen Poe uses the dark, imposing setting to do just that, communicate the underlying theme of the story, being death, revenge and deception.
The first two pieces of evidence I would like to point out are both important points to consider. In “The Cask of Amontillado,” we are to believe that Fortunato has wronged Montresor many times; this is shown when Poe writes “The thousand injuries of Fortunato I had borne as best as I could” (238). I think it is only
Edgar Allan Poe is one of greatest American authors and poets. He is well-known as a master of using irony in his story. “The Cask of Amontillado” is a horror story about revenge of Montresor upon Fortunato. Fortunato believes Montresor is his good friend, but he ends up with being chained and walled in to the catacombs. There are three types of irony used in this short story: verbal irony, dramatic irony, and situational irony. Using these ironies, Poe wants the readers to understand about Montresor’s “friendship” with Fortunato.
In the story “Cask of the Amontillado” Fortunato becomes drunk because Montresor gives him an unlimited supply of alcohol to make him unaware of Montresor's devious plan. The reader knows Fortunato
Fortunato appears with a sick looking “He had on a tight-fitting parti-stiped dress, and his head was surmounted but the conical cap and bells” (165). He dressed like a jester, and soon there was a big joke played on him. “Amontillado!”(165). Fortunato was very excited about tasting the rare wine and continued to search for Amontillado. But little does Fortunato knows, Amontillado is something that was made up by Montresor to set Fortunato up for his unfortunate death. But Fortunato is the one person that thinks Amontillado exists in the vaults of the Montresor family. Fortunato refers to Montresor as his friend. He almost forget what coldness feels like “The cold is merely nothing” (166). and he is right. The coldness will not have any effect on his health in the future because his death is near. He toasts many humans buried in the catacombs, but he does not know that very shortly, he will become one of them. Dramatic irony is used heavily throughout the story, creating more interesting, humorous effects to the story. The death of Fortunato was predicted several times, be never realized it. To him, his enemy Montresor is his dearest friend, and the imaginary Amontillado is just what he has been dreaming for a while. Everything from his perspective is almost perfect, except the
In ‘The Cask of Amontillado,” Edgar Allen Poe uses different methods on Fortunato to lure him into going to the catacombs where he would leave him for death. The Carnival was where Montresor started his evil plan by using alcohol, reverse psychology and the testing of Fortunato’s ego by comparing Luchresi connoisseurship to his. Montresor’s plan was to manipulate and play with Fortunato to let him gain his trust as a friend and then murder him.
Montressor is concerned and ask Fortunato if he wanted to go back but Fortunato says the cough is nothing and wants to go on. This proves thesis by Fortunato being ignorant of, and has no other thought towards the condition of his health, or what the cough is. In Poe’s “The Cask of Amontillado” the character Fortunato brings out the theme because he is tempted by his thought that sway him into doing something foolish, with the outcome of death.
Fortunato is revealed to be an extremely arrogant man. Not only is Fortunato richer than Montresor, with a more prosperous lineage, Fortunato believes that he is more sophisticated than most. Fortunato insists on going into the tomb, despite Montresor’s half-hearted protests. When Montresor mentions that he could ask someone else to ensure that the wine is indeed the rare Amontillado, Fortunato arrogance shines through. He says, “As for Luchresi, he cannot distinguish Sherry from Amontillado” (Poe, 109). Fortunato thinks of himself as better than others in tasting differences in wine. Fortunato is tricked into walking to his death by Montresor’s claim that he bought a cask of a rare wine. Once the pair reaches the tomb where the wine is supposed to be, Montresor chains Fortunato up and begins to build up a wall. Fortunato reacts with thinly veiled panic and attempts to talk out of the situation: “Ha! ha! ha!- he! he! he!- a very good joke, indeed - an excellent jest. We will have many a rich laugh about it at the palazzo- he! he! he!- over our wine- he! he! He!” (Poe, 113). However, despite Fortunato’s pleads, Montresor throws his dying torch into the now closed off alcove, sets the last brick in the newly built wall, and leaves his friend to