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Around the world, people are acting upon thoughts of revenge. In Edgar Allen Poe's "The Cask of Amontillado", Montresor seeks revenge on Fortunato. Montresor spends his time luring Fortunato into the trap he has set. Once they are in Montresor's catacombs, he buries Fortunato alive. Fortunato was an easy target for Montresor to kill because he was foolish, he had to much pride, and he was too trusting. One reason Fortunato was an easy target for Montresor was that he was foolish. Fortunato and Montresor are on their way to the Amontillado. "In niche, and finding an instant he had reached the extremity of the niche, and finding his progress arrested by the rock, stood stupidly bewildered" (p. 3 li. 55-60). This shows that Fortunato was foolish
A main theme presented in “The Cask of Amontillado” by Edgar Allan Poe is that Montresor shows obsession with the murder of fortunato. This is exemplified by Montresor’s precise planning, carefulness and slowness of speed in the process.
Have you ever met someone so clever, determined, and cruel to leave a man to die over an insult? Montresor is the perfect example of these character traits. In “The Cask of Amontillado”, by Edgar Allan Poe, Montresor uses all of these character traits to get revenge on Fortunado for insulting his family name. Montresor’s clever planning, determination for revenge, and cruel murder are the perfect combination for his unequaled revenge.
In "Cask of Amontillado", Montresor is the narrator. "The thousand of injuries of Fortunato he has borne as he best could; but when he ventures upon insult, Montresor vows revenge" (Poe 528). As the story unfolds, "Montresor's idea of perfect revenge" is "characteristically precise and logical in detail" as to how he commits his crime (Delaney 1).
Poe's, The Cask of Amontillado is a story about fear and revenge. The story begins with Montressor's vow of revenge, foreshadowing future actions. "The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult vowed revenge..." Montressor had to be sure not to raise suspicion of what he was going to do Fortunato. Montressor knew that Fortunato had a weakness that he could use towards his advantage.
In Edgar Allan Poe’s “Cask of Amontillado,” Fortunato makes himself an easy target because of his persistence, gullibility, and foolishness. In the “Cask of Amontillado,” Fortunato makes himself an easy target by his willingness to do anything to get his hands of the Amontillado: “Come. We will go back.” Fortunato was already drunk and ill and he didn’t take his health into consideration. His need of the Amontillado is what killed him. Persistency wasn’t the only trait that caused Fortunato’s death; he was also very gullible: “‘As you are engaged, I am on my way to Luchresi. If any one has a critical turn it is he. He will tell me -- “‘Luchresi cannot tell Amontillado from Sherry.’”
In The Cask of Amontillado, the theme of revenge is established at the start of the story, when the narrator states that he suffered irreversible insult by his associate, Fortunato, thus he vowed to avenge this action. This is evident in the following statement in the opening paragraph of the story, “The thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge” (Poe 7). Therefore, it is apparent to the reader from the onset of the story that revenge is a major driving force for Montresor for him to dreadfully murder his acquaintance,...
Edgar Allan Poe's "A Cask of Amontillado" is perhaps the most famous tale of terror ever written. Montresor, the story's narrator, leads the reader through his revenge on Fortunato. Montresor entices Fortunato into the dark recesses of the family catacombs with the promise of a very fine wine. At the climax of the story, Montresor shackles Fortunato to a wall and seals him away forever behind brick and mortar. In all of Poe's short stories he attempts to convey "a certain unique or single effect." "A Cask of Amontillado" expresses its dark view of human intention by using elements of irony, foreshadowing, and metaphor. The first person point of view also lends itself to an exploration of the inner secrets of Montresor.
“The Cask of Amontillado” starts out with the narrator, later discovered to be Montresor, positioning himself as a victim of Fortunato. In the opening line, he states, “The thousand injuries of Fortunato I had borne as I best could” (714). Instantaneously one feels sympathetic towards a person that has withstood a thousand inflictions. Montresor goes on to tell a parable of sorts about vengeance, and “when the avenger fails to make himself felt as such to him who has done the wrong” (715) he has lost. In this instance Poe has set Montresor apart from being at the least an unsuspecting
The Cask of Amontillado” by Edgar Allan Poe describes how Montresor confesses the sequence of his well-designed or nearly flawless murder or revenge against Fortunato due to he is a threat to him. In his confession of a perfect crime, Montresor, who “vowed revenge” because of Fortunato’s “thousand injuries,” first say that his “heart grew sick” and then immediately add, “ it was the dampness of the catacombs that made it so because he believes Fortunato insults him many times that his hatred against him become bigger and bigger. This makes him cannot stand for Fortunato’s behavior anymore as well as the setting completely makes everything prefect as he believes Fortunato deserves the punishment. The nature and family hold a significant role
The perfect revenge is an action so many scorned have attempted and what so many more have lusted after. Apt punishment for the offender, success without being discovered and fulfillment without regret are all elements for satisfactory vengeance. All were present in "The Cask of Amontillado." However, despite Montresor's actions seeming to be perfect, he does not fulfill the criteria for flawless revenge. Poe doesn't quite allow readers to feel convinced of his main character's peace of mind. Subtle indications are strewn throughout the story that suggest otherwise. Though Montresor intended to cleanse his honor of Fortunato's insults, it may very well be that he only succeeded in creating, for himself, a guilty conscience, forever depriving himself of the sweetness of revenge.
The theme of revenge in “The Cask of Amontillado” is the driving force for the entire short story. The main character, Montresor, vows to take revenge against the other main character, Fortunato, because of an “insult” that Fortunato has apparently made against Montresor (Baraban). This is evident in the opening line of the short story when the narrator Montresor states, “The thousand injuries of Fortunato I had borne as I best could, but when he ventured upon insult I vowed revenge (Poe 1612). This opening line makes it obvious that the insult is what directly led to Montresor’s insatiable desire for revenge, but there are also some underlying factors that could have indirectly led to this revenge as well.
Would you go to a catacomb to find a fine wine? in Edgar Allen Poe's short story “Cask of the Amontillado” Fortunato is tricked by Montresor to follow him into his family's catacomb to find the “Cask of the Amontillado” but in reality he is going to his death bed. Montresor is tired of being insulted by Fortunato; so he plots his revenge. As readers we witness Fortunato as he is lured into the catacombs and buried alive. Fortunato makes himself an easy target for Montresor because he is drunk, too prideful, and insensitive.
In Edgar Allen Poe’s The Cask of Amontillado, Fortunato, upon realizing that his demise is certain shouts “For the love of God!” to which his murderer, Montresor responds “Yes! For the love of God!” What may appear to be a moment where the murderer is merely tormenting his victim by mocking his desperate plea, may actually be a sudden exclamation of hope that Fortunato is about to redeem himself thus preventing his demise. Of course Fortunato does not. It would be a serious error for Poe to not allow the horror to proceed. However, if we consider that the name Fortunato is the masculine of Fortuna who is the goddess who spins a wheel and controls the rise and fall of man’s fortune. In addition to the fact that the concept of fate as an
Should we assume that Poe’s text, The Cask of Amontillado, is no more than Poe’s own personal repertoire on revenge then near the beginning a thesis should be found. At the end of the introductory first paragraph we find Poe’s own rule to revenge. “It (a wrong) is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.” Now, disregarding the literal implication this has on Fortunato at the end of the story- think about the personal implications this has on any victim of the revenge. In the story Montresor is a prideful fellow, coming from a fairly wealthy family and desired to inflict revenge because of petty insults? Montresor must have something else pushing him to commit such a heinous crime. You see Montresor was all alone, noting how the Montresors “were a great and numerous family (page 6).” It is only stated that he ever only had one friend in the entire story, Fortunato (page 3). Meanwhile, Fortunato had already been married and engaged in happy celebration in the time of Mardi-Gras. Montresor was envious of his friend desiring the one thing that kept them separate, a social life. Due to this and due to such a clear reflection between the two of what inhabited the rest of their lives he could not bear any longer the separation. The needing to feel a whole connection with him that he inflicted the literal version of his pain of
Poe starts out with a man, by the name of Montresor, wanting revenge on another man, named Fortunato. Most of the story takes place deep in the Montresor family catacombs. As Montresor lures Fortunato into the catacombs, he chains Fortunato up to a small hole in a wall, bricks it over, and leaves Fortunato to die. Even through the traits of anger, hatred, and revenge, as the story progresses on, Montresor, the main character in “The Cask of Amontillado”, starts to show signs of feeling guilty for wanting to murder Fortunato.