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Critical analysis of Don Quixote
Critical analysis of Don Quixote
Don quixote summary essay
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Shepherding Fallacies
In Cervantes’s novel, Don Quixote, the knight Don Quixote de la Mancha and his squire Sancho Panza accompany a group of shepherds to a funeral. A fellow shepherd by the name of Grisóstomo passed away from a broken heart because his love for the Marcela was unrequited. Don Quixote hears that the shepherds admire and scorn Marcela’s beauty and they compare it to the plague because it brings men to despair. On the funeral day, Marcela addresses the shepherds for blaming her for Grisóstomo’s death and gives Don Quixote more insight to the situation. According to Being Logical, fallacies in an argument occur when structural and/or logical mistakes are present. Although neither side follows the forms present in Being Logical
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and commit formal fallacies, Marcela’s arguments reveal informal fallacies in the arguments made by the shepherds. By focusing solely on Marcela’s beauty, the shepherds’ first and second fallacies are ad hominem and reductionism. Before Marcela has a chance to present her argument, one of the shepherds verbally attacks her and tries to make her look more unfavorable to the audience. This ad hominem fallacy places an unfair advantage on Marcela until she begins to present her arguments without interruption. The shepherds are aware that Marcela chose to become a shepherdess instead of a married woman, but they still berate her for being beautiful and rejecting their advances. Marcela refutes by saying “as the viper is not to be blamed for the deadly poison that it bears, since that is a gift of nature, so I do not deserve to be reprehended for my comeliness of form” (Cervantes 445). The shepherds are attacking Marcela on physical characteristics she has no control of. The only control Marcela has is “to live freely” and to “choose the solitude of the fields” where she can “communicate her thoughts and lend them of her beauty” (Cervantes 445). By targeting one aspect of Marcela instead of the whole, the shepherds are guilty of reductionism. They only see a beautiful woman to court rather than a woman who has chosen to remain unwedded. She is telling them that her intelligence is only acknowledged by nature and she takes care of nature in return. She wants the shepherds to realize that her life choice is honorable, instead, of calling her a basilisk that lures men to their demise. Marcela wishes to be seen as a fellow shepherd and converse among them, but they all misinterpret her cordial behavior. The shepherds fall into their third fallacy by believing Marcela allowed Grisóstomo to romance her.
Marcela tells the shepherds that their desire for her gives them hope when she gives “none to Grisóstomo or any other, and of none of them can it be said that she killed them with her cruelty, for it was rather their own obstinacy that is to blame” (Cervantes 445). Their argument has a democratic fallacy because they support their point with an opinion a majority of them believe. They blame Marcela for Grisóstomo’s death because they think she gave him false hope and stripped it away from him. Marcela explains that they could blame her for that if it were true, but “the thing that killed Grisóstomo was his impatience and the impetuosity of his desire, so why blame her modest conduct and retiring life” (Cervantes 446). The shepherds are too enamored and blinded by her beauty that they don’t listen to her. They mistake her company for an opportunity to court her when she states countless times that she will never love a man. She says the shepherds only have themselves to blame for broken hearts because their desire defeats their logic. At the end of her speech, the shepherds continue to defend their pursuit of her by the actions they …show more content…
take. The shepherds commit another form of reductionism and their fourth fallacy at the end of Marcela's speech. Marcela clarifies that her defense against Grisóstomo’s death “applies to each and every one of those who would have her for their own, and let it be understood from now on that if any die on account of her, he is not to be regarded as an unfortunate victim of jealousy" (Cervantes 446). Marcela summarizes her disinterest in men and her innocence in the matter without insulting the shepherds. She refutes their arguments with dignity and leaves them to digest her words. Some of the shepherds, however, can't respect her desires and “were of a mind to follow her, taking no heed of the plainly worded warning they had just had from her lips” (Cervantes 446). By continuing to pursue her, they ignore her wit and remain cemented in their old way of thinking. They see Marcela as a fire to tame and don’t consider the consequences she laid out for them. As the funeral proceeds, the shepherds use tears as a diversionary tactic to gain sympathy and support for their argument. Marcela’s words are forgotten completely when they are burying Grisóstomo together and the arguments she made are going to be ignored while they are grieving. Marcela’s beauty and Grisóstomo’s funeral work against her because they remind the shepherds that it is not in their best interest to sympathize with her. They are mesmerized by her intelligence, but their desire doesn’t allow them to see past a comely face and they alienate Marcela from the rest of the shepherds. After hearing Marcela’s speech, Don Quixote threatens any shepherd that dares to bother her because he realizes that she is blameless.
He weighs both arguments against the other and despite the formal fallacies in both, he realizes that the shepherds’ arguments contain more informal fallacies than Marcela’s. Their defense for pursuing and despising Marcela contains the ad hominem fallacy, reductionism, the democratic fallacy, and tears as a diversionary tactic. By critiquing her decision to remain spouseless and then verbally calling her names, the shepherds gain an unfair advantage because they shape who Marcela is for the audience before she is introduced. They reduce her to a beautiful woman who lures men and sends them to die of a broken heart. Marcela states that she did not choose to be beautiful and cannot be held responsible for it. She chose to remain unbound to any and if the shepherds are going to hold her accountable for that then they need to realize she is another person and shepherd like them. The shepherds conform to the idea that she gives men hope that they have a chance of claiming her. Marcela says that the shepherds are blinded by their desire for her that they fail to realize she is not giving them an opportunity to court her. The shepherds are mesmerized by her intelligence, but some refuse to respect her wishes by continuing to pursue her. Despite her warnings, their perception of her is still veiled by lust and their attention is diverted back to
the loss of Grisóstomo. Marcela fails to gain the overall sympathy of the shepherds because her arguments are forgotten and overruled by the shepherds’ grieving. By shepherding fallacies in their arguments, the shepherds will continue to fall in love with the appearance of a woman who wishes to tend to a different flock.
The story of Lucretia begins with men boasting about their wives, trying to determine who is the best of them all. It is clear to them that Lucretia is the winner when she is found “hard at work by lamplight upon her spinning” (Livy, 100). She then moves on to be a gracious host to all of these men, again showing success in her womanly duties. Later that night one of the visitors, Sextus Tarquinis, comes into her room, and forces himself upon her, telling her that if she does not comply he will make it look like she had an affair with on of the servants (Livy, 101). She yields to him because she does not want it to seem as if she had an affair and n...
Truman Capote once said, "I don't care what anybody says about me, as long as it isn't true" (Creative). Surely enough, Capote himself kept true to this statement throughout his life. According to Johnny Carson's ex-wife, Joanne Carson, whom Capote lived with near the end of his life, Capote would take her on imaginary trips to Paris, China, or Spain while in her front yard (Plimpton 422). But on a more serious note, Carson claims that Capote would lie about the simple facts about a party or an outing they had gone on (Plimpton 304). When confronted by Carson, Capote replied, "If that's not the way it happened, it's the way it should have happened" (qtd. in Plimpton 304). Eventually, Capote's lies caused his own friends to become his enemies when he published his book Answered Prayers that openly criticized them (Plimpton 338). But why did Capote lie so often? Was lying a disease or did he lie merely for entertainment purposes? Because of his lying patterns, one may easily infer that Capote was a pathological liar. But was he really?
Marcello became a conformist to conceal his homosexuality. He is sexually awkward with his very attractive wife and compensates for it by bragging about his sex life with male companions, such as Italo. When Italo asks Marcello why he is marrying the simple-minded woman, he tells him “normalcy, stability, and security”. When Marcello spoke with the priest about how he’s pursuing a normal life he told the priest he is marrying a woman who is “all bed and kitchen”. He knows he is different from others and this
Within the many layers of Montag lay several opposite sides. For example, Montag is a fireman who burns books for a living but at home, spends time reading novels, poetry, and other written material. Although Montag could be called a hypocrite, he does not enjoy both the reading and the burning at the same time; he goes through a change that causes him to love books. Humans have the power to change and grow from one extreme to another, sometimes for the better and sometimes for the worse. In addition, when Mildred is with Montag, Montag does not have feelings for her but thinks of her as she is killed by the bombs. He possesses both the knowledge that Mildred does not love him and the heart that truly cares, but he knows not how to deal with this. His feelings are oppressed; it takes a major event (the bomb) to jolt them from hibernation.
The problem we find in this story, and in puritanism, is that it presents contrasting views of love. Attachment to earthly possessions, to other people in fact, is discouraged, because everything physical leads to temptation and damnation, and ultimately hell, while the road to salvation of the individual wanders through a spiritual discipline, rigour, austerity. A man should not love his wife more than he loves God; in fact, it is recommended that he not derive pleasure from his wife, but rather seek suffering, in order to redeem himself from his earthly condition, his impure state.
and Mrs. A, who has lost their marriage due to Mr. A leaving his wife to pursue someone else that will cause him to be happier than he was before with his wife. Claire, the woman speaking to Lewis on the subject, provides a perspective that Lewis is presenting to his audience that people may have the right to be happy in any way that is right in the eyes of the law but doesn’t make it morally right. This opens up the comparison Lewis makes that a right to happiness makes as much sense as the right to be six feet tall. This proceeds Lewis’s thought and argument against Claire. Lewis presents this allegory in order to show a real life situation to present to his audience how the world has become based on the law of the state rather than moral law. Claire believes in the idea that Mr. A had the right to pursue this new life with Mrs. B; although, Lewis exposes this belief with adding the thought that Mr. A could very well leave Mrs. B to pursue happiness with someone else. Mr. A and all others spoke of previously, including Claire, in this story never have an impact as Lewis only speaks of them; This leads me to believe that all of these characters Lewis has spoken about our fictional, in the efforts to present a common moral law that people tend to break. This allegory excellently opens up the persuasiveness argument that Lewis then begins to speak about that is the base of this entire argument that humanity must change their ways in order for us not to become morally
...ironic use of manipulation before and after the wedding, Petruchio is able to tame Kate. Or so he thinks. The only real change is that Kate agrees with him, but she only does this to get her way. Therefore she is manipulating him by pretending that he has been able to tame her. He has not tamed her, because she also utilizes the art of manipulation. Before, Kate’s only defense against patriarchy is to be outspoken; now, she negotiates her own sense of power within patriarchy by using manipulation. Shakespeare’s critic of the patriarchal social structure is therefore just, because not only are women denied the same legal power as men, but their manipulative power is also disregarded and considered a weakness. Therefore women are not to be blamed for utilizing this powerful form of control, because that is what the patriarchal social structure forces them into.
To the Vicario family, Angela’s virginity is more than a delicate flower that should only blossom to the right seed; it is a symbol of the family’s honor. As the youngest child and the last to be married, Angela must be protected at all costs so that the family’s honor is not shamed. Marriage is God’s approval for sex in the Roman Catholic religion; the only way for the family’s honor to not be shamed is if Angela marries a respectable man and has sex with this man. However, Angela loses her virginity prior to sex. Her virginity was taken unlawfully so the family’s honor was stolen in the process. The only way to redeem the family honor was to seek vengeance on the man that stole Angela’s virginity, Santiago Nasar.
It is Thea’s ‘don’t care’ attitude and the way in which everything always turns out fine for her that really gets to Hedda. In the beginning, Thea arrives at the Tesman’s house and explains how she ran away from her husband in pursuit of Løvborg. When asked what she thinks others will say, her reply is quick and to the point: “God knows they’ll say what they please” (240). Thea has found true love with Løvborg. Hedda, being terrified of scandal herself, can not bare the fact that Thea does not care what others say. Løvborg used to be her love and now Thea has won him over and made him better--Thea was the one that helped him recover from alcoholism. This is one of the catalysts that leads Hedda to explode in her revenge and commit a terrible act: burning the manuscript that Løvborg and Thea had worked on. Consumed with the evil deed, she exclaims, “Now I’m burning your child, Thea! You, with your curly hair! Your child and Eilert Løvborg’s. Now I’m burning--I’m burning the child” (288). Once again, her jealousy of Thea’s hair resurfaces. Yet, that is not all of what easily comes to Thea. She does not even try, but manages to somehow win over George’s mind with saving the manuscript. Thea’s influence is invisible, yet very potent, causing George to say, without thinking, that he will give up his whole life to rewrite that script (297). Therefore, Thea is unknowingly taking away two people
Secondly, Emilia mentally challenges the social norm of chastity by condoning women that deceive their husbands. Although Emilia does not explicitly state whether she has ever cheated, she does say that she would not cheat for small, material wealth, but any woman would cheat in order to make her husband king: "Who would not make her husband a cuckold to make him a monarch? (4.3. 77). Furthermore, Emilia explains that the reason women cheat is because their husbands "slack their duties" and "break out into peevish jealousies (4.3. 87, 89). In essence, Emilia accepts the "abuse" of men by women because she feels that it is the husband's flaws that evoke the women to cheat.
She does not spew out all the reasons why she loves Othello or say that she is unavoidably attracted to him as she could have. Instead, she picks a practical reason –
Don Quixote, our most noble of nobleman was blinded by his passion for devotion. He often came to the point of losing his reason. Don Quixote became a traveling caballero, or a knight errant. He did not travel far before it occurs to him that he had forgotten his squire, not that he ever had one. Though he knew he was without a squire he felt it was necessary to turn back. As the journeys travel on we see that Don Quixote has previously been termed the reasonable one. He is often very foolish along with a foolish squire, who becomes not only the voice of reason but allows Don to live in his fantasy as long as possible.
Most often is it human nature to blame our problems on something or someone else. For example, the cliché excuse of “my dog ate my homework.” It is very hard to accept our own faults but very easy to blame others for it. Similarly, Angela Vicario blames Santiago Nasar for taking her virginity, though most likely, he did not. On pages 46-47, of the novel Chronicle of a Death Foretold by Garcia Marquez, the narrator creates an overall mood of misery and brutality to show how bad situations can cause people to resort to blaming others for their own guilt.
Hortensio goes through the process with many other suitors to try and get Bianca’s hand in marriage. Despite, Bianca developing feelings for Lucentio, she pays no attention to Hortensio that he eventually gives up. He proclaims his defeat by moving on to someone else saying, “I will be married to a wealthy widow / Ere three days pass, which hath as long loved me” (4.2. 37, 38). The widow and Hortensio are both in desperate need of someone to accompany them, which brings them together because they both can not find someone else. They share the common goal of finding someone of high social standing to marry, to then fit in the puzzle of society. From a social perspective each relationship affects the other by means of influencing or harming. The widow shares her experience by stating, “Your husband being troubled with a shrew / Measures my husband’s sorrow by his woe” ( 5.2.29, 30). Petruchio is constantly projecting his suffering of taming Katherine onto Hortensio, affecting the Widow’s and Hortensio’s marriage. The constant need that the men have for power over their wives leads them to impact other marriages and disregard the true meaning of marriage; love.
In of Lazrillo de Tormes the speaker commonly makes a case that he is a morally good person, while simultaneously undermining his high moral status. This is a theme that continues throughout the novel as the speaker continuously manipulates his knowledge of Christianity to dismiss any unethical actions from his past. The speaker’s tricky tactics are first seen, in great detail, during the Prologue of the novel. The speaker begins by stating that it is “a good thing” that he is telling the story of the “important events” he has gone through in his life (3). By doing so the speaker is saying that he himself is a good and important person. The speaker continues commenting on his story stating that “everybody should have the chance to read it”