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In The Conformist, Bertolucci’s sheds light on complex issues such as psychological effects of fascism and why one might conform to such a government. The film follows the complicated character of Marcello, a homosexual man with a traumatic homosexual experience in his childhood, which results in him becoming ashamed of his sexuality and begins to fear being shunned by society for it. Marcello deals with this shame by shutting down any homosexual desire he may have and becomes his idealized figure of normal; which at this time was a loyal and disciplined Fascist. Marcello learns how to conform perfectly by becoming a Fascist spy, but two significant people in Marcello’s life disrupt his path to becoming ‘normal’.
Marcello became a conformist to conceal his homosexuality. He is sexually awkward with his very attractive wife and compensates for it by bragging about his sex life with male companions, such as Italo. When Italo asks Marcello why he is marrying the simple-minded woman, he tells him “normalcy, stability, and security”. When Marcello spoke with the priest about how he’s pursuing a normal life he told the priest he is marrying a woman who is “all bed and kitchen”. He knows he is different from others and this
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The film follows the complicated character of Marcello, a homosexual man with a traumatic homosexual experience in his childhood, which results in him becoming ashamed of his sexuality and begins to fear being shunned by society for it. Marcello deals with this shame by shutting down any homosexual desire he may have and becomes his idealized figure of normal; which at this time was a loyal and disciplined Fascist. Marcello learns how to conform perfectly by becoming a Fascist spy, but two significant people in Marcello’s life disrupt his path to becoming
Mussolini’s population policy was a clear effort to exercise his authoritarian control over the people of Italy, regulating the most personal and private details of their lives. In his bid for complete control, he used new laws, propaganda, and sometimes brutal tactics in order for his wishes to be recognized. It is during the 1920’s to the 1940’s that totalitarian control over the state escalated into full dictatorships, with the wills of the people being manipulated into a set of beliefs that would promote the fascist state and “doctrines.”
To keep her daughter’s “virtue” intact Macaria beats her. In this way the mother establishes complete control over Marcela’s sexuali...
The first people introduced are a couple, Agustin and Marcelo, that has been well established in Chicago, Illinois. Marcelo explained his struggle of being both gay and staying catholic because as a kid he prayed to god for a miracle to change him to be “normal”. Marcelo has accepted himself and continues to practice the religion even though Catholicism prohibits being gay. Another man named David described being teased in his school career for kissing another boy in the third grade because of his sexuality. He moved to New York City to get away from his childhood and to finally be happy in a place where he isn’t judged. This homophobia from young kids instigates violence in school that is learned from parents and from the community of others. The last person introduced in the film was a man who transitioned to be a woman that was rejected by her family and had to move out of her home for coming home with hair extensions. This form of violence caused Gabriela to abuse drugs and alcohol to deal with the pain of rejection. These three examples show how people have overcome the cultural normality, but have experienced all sorts of different
A man of great honor: John Fitzgerald Kennedy once said “Conformity is the jailer of freedom and the enemy of growth.” While conformity is something you can stand against, flouting can lead to downfall. Through the works studied it is evident citizens of different European countries were forced to comply to the expectations of their leader during the time of World War Two. Through characters, and theme it is revealed that conforming to society during this time period was highly influenced. Through the novel Anthony Doerr 's All The Light We Cannot See it is evident characters such as Marie-Laure Leblanc a perseverant blind girl, and Werner Pfennig a boy of many hidden talents are compelled to follow in the path of the citizens of their nature
Adorno et al. (1950) believe that authoritarianism stems from a strict, obedience-centred upbringing. He believed that a child who is raised in a household which structures itself upon core values of respect, discipline and obedience will be shaped by these attitudes in adulthood (The Open University, 2015, p28). These attitudes are what shape an individual’s personality, and following the Second World War, Adorno and his colleagues wished to gain a better understanding of the authoritarianism which was at the heart of the Nazi regime, and more specifically, focused on the attitudes towards Jews within Europe. Adorno et al. believed that
The story unfolds with the increasing limitations on the rights of Jewish people in Italy. Mussolini 's racial laws are beginning to take force on the rights of the Jewish people. Prohibitions such as no servants, no library
In the essay “Beautiful Friendship: Masculinity & Nationalism in Casablanca”, Peter Kunze lavishly explains the magnificence of Michael Curtiz’s 1942 film Casablanca. Kunze focuses on how the movie not only highlights an exchange of relationships, but how the film has an underlying meaning between these relationships. He also implies that there is a more complex meaning behind every character in regards to their gender, economic, and social roles. The overall thesis of his reading is “the patriarchal ideology underlying the narrative commodifies Ilsa, leading Rick to exchange her with other men in an act of friendship and solidarity as well as to dissuade any perception of queerness between the strong male friendships in the narrative” (Kunze
Through David and his perception of the many metaphors contained within Giovanni’s room, James Baldwin is showing a negative interpretation of homosexuality as identified in society. The metaphors within Giovanni’s room are Giovanni’s prison, symbolic of Giovanni’s life, holding the relationship between Giovanni and David, being a metaphor of homosexuality for David and being a tomb underwater. These metaphors are negative and exist to demonstrate to the reader that homosexuality is restricting, punishing, dirty and suffocating. These negative connotations of homosexuality are brought from society and internalized by the characters and builds into self hate.
The film presents the stereotypical behavior of gay men that is evident in our society. Many of the costumes are designed to highlight the characters and the way they live. For example, Bernadette wears long flowing clothes usually white or an off cream. ‘She’ is an older ‘women’ and dresses to look like one with flowing skirts and tops with her hair done up simply.
In Filostrato, by Giovanni Boccaccio, influence plays an essential role in where one person influences the other in many ways. The influence one has over another can be strong or poor. A strong influence where a person does or listens to everything someone says or a poor influence where a person does not listen to anything anyone says. Pandaro, who is a close friend to Trolio and a cousin to Criseida, has a strong influence on both of them to which he gets them to listen to him and use the advice he gives without question.
By the turn of the sixteenth century, the Italian Renaissance had produced writers such as Danté, Petrarch, Boccaccio and Castiglione, each with ideas rooted in the revival of Greek and Roman Classics, localization of the Christian traditions, idealistic opinions of women and individualism. From these authors spread the growth of the humanistic movement which encompassed the entirety of the Italian rebirth of arts and literature. One among many skeptics, including Lorenzo Valla, who had challenged the Catholic Church fifty years earlier in proving the falsity of the Donation of Constantine, Niccolò Machiavelli projected his ideas of fraudulence into sixteenth century Italian society by suggesting that rulers could only maintain power through propaganda, as seen with the success of Ferdinand of Aragon in Spain circa 1490. Today, the coined term Machiavellian refers to duplicity in either politics or self-advancement. Unlike most philosophers of the sixteenth century, Machiavelli wrote from the perspective of an anti-Humanist; he criticized not only the Classics and the Catholic Church, but also encouraged the deceitful use of religion and hated the humanist concepts of liberty, peace and individualism.1
The film stays in line with classic noir in many ways. The usage of dark sets and high contrast lighting, which creates heavy shadows on the actors faces, makes the movie feel like it all happens at night and in dark alley ways. The story focuses on the inhumane parts of human nature. Each of the main characters experiences some kind of tragedy. For Vargas his tragedy was in dealing with Quinlin who has set out to frame him and his wife. For Quinlin his entire life represented a man consumed with darkness who lives his life with a “Touch of Evil.” Menzies was a hopeful man who looked up to Quinlin but was let down. For the viewer, film noir represents truth, even if it is not a truth that all people would like to hear.
The climax of the story has a few layers of drama that really bring out the problems between the characters. We see Santiago and his half brother Cheche battle about the future of the factory; this affects Santiago's relationship with his wife who doesn't know about all the debt and risks he has taken. Then there's Conchita and her husband Paloma, who are experiencing marital issues which become heightened by the seductive lector Juan Julian. Both couples have personal conflicts with one another as well as external issues that affect their lives. The play had interesting parts to it such as infidelity and abuse of sexual nature. some very sensual parts; like infidelity and sexual abuse but were carried out by the cast with immense care and genuineness. Gomez does a really good job of bringing out emotional performances from the actors. This really took me on an emotional/visual roller coaster. The characters moved from happy to angry and from night to day with great ease. Scenes were so realistic and I found myself really engrossed in the story. Gomez interpreted the script really well and I think he related to the story. The story felt natural and cohesive,like it was his
The businessman, soccer team owner, and politician Roman Abramovich compares greatly with Fascist dictator, Army general and head of state, Francisco Franco. Although the two men are from different countries and different periods—Abramovich was born seventy-four years after Franco—their lives have similar characteristics with many similar undertones. The historical events that both these men affected only provide a glimpse of their personalities. However, these same events expose their moral fiber and general makeup, establishing each man’s level of integrity and reputation. We can see, by comparing these men’s lives side by side, that both men were obviously born of the same principles and inner drive.
...something like this happened. There is also a national historic site which was established in Nova Scotia, Canada that honors Marconi. Visitors are able to see the site of the original radio transatlantic transmission from Europe to Canada and tour the Wireless Hall of Fame. Unquestionably Marconi’s contributions to communications and in particular the radio are still remembered and he ranks as one of the most outstanding innovators of the 20th century.