Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Raskolnikov's psychological development from the murder to the end of the novel
Character of Raskolnikov
Family relationships and crime
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Crime and Compassion
Professor French said “The soul without compassion,without love, becomes an object, a thing unto itself, without the divine fire that connects it in a living way to all that is outside itself.” and this is true; someone without love, or someone that will not accept love turns on others and themselves. In Crime and Punishment by Fyodor Dostoevsky, Raskolnikov struggles to acknowledge love and sacrifices from those around him because he deems himself not worthy, and because of this, he cannot become self-satisfied or stable until he learns to truly accept the love of his friends and family. If you can not love, or can not accept love, ultimately, you will become an entirely different person, conflicted in your beliefs
…show more content…
With love and compassion, one can even fix their soul no matter the struggles they have been through or the deeds they have done. Some people find this love through the Lord, others find it through themselves, others find love through their friends and family, but most find love through a combination of the above. In Crime and Punishment by Fyodor Dostoevsky, Raskolnikov struggles throughout to feel love and feel loved and he is a conflicted, broken madman because of it! However, as the book progresses, Raskolnikov too makes slight progress in his acceptance of love because of his loyal friends and family that refuse to give up on him and keep loving him even though he is a complete mess, is going slightly insane and murdered two women with an axe. By the epilogue, after spending almost two years in Siberia as punishment for his crimes, Raskolnikov completely changed. While before, he seemed repulsed by even the simple act of holding Sonia’s hand, when Sonia visits him in Siberia and hesitantly holds out her hand, he held on and did not let go then “all at once something seemed to seize him and fling him at her feet. He wept and threw his arms around her knees....[she] looked at him trembling. But at the same moment understood...he loved her above everything else” (520). Raskolnikov went from being “cold and inhumanly callous” (206) to throwing himself at Sonia’s feet weeping with emotion. The insurmountable effort required to produce such a change in someone’s life truly speaks to the power love and compassion have on a person’s
Statistically, over 670,000 Americans are homeless with a growing number. 48 million people go to bed hungry every night. Although we do provide shelters and opportunities in America, millions of people are homeless worldwide. Even on a more minor level there are still hundreds homeless within hometowns. Everyday we encounter the homeless whether by seeing them holding their personal signs at stoplights, confronts with beggars, or viewing them from afar under bridges. In her essay titled “On Compassion”, writer Barbara Ascher uses rhetorical techniques detailing some of her personal homeless experiences within the city life, Asher does effectively use logos, pathos,
Often times in literature, we are presented with quintessential characters that are all placed into the conventional categories of either good or bad. In these pieces, we are usually able to differentiate the characters and discover their true intentions from reading only a few chapters. However, in some remarkable pieces of work, authors create characters that are so realistic and so complex that we are unable to distinguish them as purely good or evil. In the novel Crime and Punishment, Fyodor Dostoevsky develops the morally ambiguous characters of Raskolnikov and Svidrigailov to provide us with an interesting read and to give us a chance to evaluate each character.
The following two paragraphs are a summary of Gloria Jimenez's essay Against the Odds and Against the Common Good. States should neither allow nor encourage state-run lotteries. There are five major arguments that people use to defend lotteries. One is that most lotteries are run honestly, but if gambling is harmful to society it is irrelevant to argue if they are honest or not. The second is that lotteries create jobs, but there are only a small handful of jobs that would be eliminated if lotteries were put out of business. Another argument that would support keeping lotteries is that, other than gambling addicts, people freely choose to buy lottery tickets. This is true, however, there are misleading advertisements that may cause people to buy tickets under false pretenses.
A Study of the literary techniques used by Fyodor Dostoyevsky in Crime and Punishment to convey the downfall and subsequent rise of the main character. "Crime and Punishment" by Fyodor Dostoyevsky is the story of a young student Raskolnikov and his need to murder an old woman to prove one of his many philosophies. The book begins with the murder, but the primary focus is on his reasoning and reactions before and after the act. It is set in St Petersburg where the main character, Raskolnikov, appears to be an ex-student living, in poverty, a life of lethargy.
The main character in Crime and Punishment, Raskolnikov, has nihilistic ideas, which ultimately lead to his own suffering. Raskolnikov, an impoverished student, conceives of himself as being an extraordinary man who has the right to commit any crime. He believes that as an extraordinary man that he is beyond good and evil. Since he does not believe in God, he cannot accept any moral laws. To prove his theory, he murders an old pawnbroker and her step sister. Besides, he rationalizes that he has done society a favor by getting rid of the evil pawnbroker who would cheat people. Immediately after the murders, he begins to suffer emotionally. Raskolnikiv “[feels] a terrible disorder within himself. He [is] afraid of losing his control…” (Dostoevsky 95). He becomes ill and lies in his room in a semi-conscious state. As soon as he is well and can walk again, he goes out and reads about the crime in all the newspapers of the last few days. The sheer mention of the murder...
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
Dostoyevsky’s Crime and Punishment explores the themes of guilt and the consequences of committing immoral actions. Of all the deep, thought-provoking concepts put forth in Crime and punishment, the idea that guilt can be an adequate punishment more valid than any punishment executed by society as a whole is the most far reaching and supported by the novel. Crime and Punishment follows Rodian Raskolnikov’s life from just a few days before he commits two brutal murders to when he confesses his crimes and is convicted and sentenced to several years in prison. Initially, Rodian had successfully gotten away with the murder of two people. Raskolnikov’s guilt-driven madness has given him an immunity and even investigators he confesses to think he couldn’t be guilty. As a result, his guilt continues to feed on his conscience to the point where he is constantly miserable. Raskolnikov’s true punishment is the futility of his attempt to escape the guilt of his actions without confessing and feeling adequately punished.
In Crime and Punishment, we see Raskolnikov caught between reason and will, the human needs for personal freedom and the need to submit to authority. He spends most of the first two parts stuck between wanting to act and wanting to observe. After he acts and murders the old woman, he spends much time contemplating confession. Raskolnikov seems trapped in his world although there is really nothing holding him back; he chooses not to flee and not to confess, but still acts as though he's suffocation (perhaps guilt?)In both novels defeat seems inevitable. Both characters believe that normal man is stupid, unsatisfied and confused. Perhaps they are right, but both characters fail to see the positive aspects of humans; the closest was the scene between the narrator of Notes from the Underground and Liza. In this scene he almost lets the human side show, rather than the insecure, closed off person he normally is.
Dostoevsky's 1865 novel Crime and Punishment is the story of an expelled university student's murder of an old pawnbroker and her sister. The idealistic ex-student, Raskolnikov, is ultimately unable to live up to his own nihilistic theory of what makes a "Great Man" and, overcome by fits of morality, betrays himself to the police. Exiled to Siberia, suffering redeems the unfortunate young dreamer. Crime and Punishment is similar in many ways to Balzac's Pere Goriot, especially in respect to questions of morality. In Balzac, the master-criminal Vautrin lives by an amoral code similar to Raskolnikov's theory of Great Men--unrestrained by conscience, Vautrin holds that laws are for the weak, and those clever enough to realize this may overstep any boundaries they wish and dominate the rest of mankind. But where Balzac's characters act on this idea without repercussion, Raskolnikov makes a transgression and then begins immediately to question it. The result is a psychological inner battle between rationality and sentimental moralism which is as much a contest between Empiricism and Romanticism as it is a contest between good and evil, or God and the Devil.
It is apparent that the love between Sonia and Raskolnikov plays a crucial role in Crime and Punishment, pushing Raskolnikov in a direction he otherwise would not have gone. Dostoevsky uses their relationship as a tool to develop the philosophical themes in the novel and prompt profound changes in Raskolnikov’s character. Through their love, Dostoevsky demonstrates the importance of human relationships in finding and maintaining happiness. He also seeks to condemn nihilism and disprove the idea that one cannot make one’s own meaning in life by having Raskolnikov adopt Christian existentialism and find his purpose through Sonia.
Within the tortured mind of a young Russian university student, an epic battle rages between two opposite ideologies - the conservative Christianity characteristic of the time, and a new modernist humanism gaining prevalence in academia. Fyodor Dostoevsky in the novel Crime and Punishment uses this conflict to illustrate why the coldly rational thought that is the ideal of humanism represses our essential emotions and robs us of all that is human. He uses the changes in Raskolnikov's mental state to provide a human example of modernism's effect on man, placing emphasis upon the student's quest for forgiveness and the effect of repressed emotion. The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzschean superman, and illustrates that all humans have a desire for morality.
The poverty-stricken conditions of Russia during the time of which Crime and Punishment was written was a vital factor in bringing out the main protagonists from the novel and revealing the true nature of the protagonist. Further more, his apartment and its desolate condition serves as a metaphor to the poor conditions of Russia. The transformation of Raskolinokov from his false sense of thought of being superior or the urbermensch of the society was all brought out due to the desolate conditions of which the book took place in, proving that such background knowledge of the poor conditions is an essential contributor in character development in the novel.
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.
By the end of Dostoyesky’s Crime and Punishment, the reader is no longer under the illusion of the possible existence of “extraordinary” men. For an open-minded reader, and even perhaps the closed-minded ones too, the book is a journey through Raskolnikov’s proposed theory on crime. It is a theory based on the ideas that had “been printed and read a thousand times”(313) by both Hegel and Nietzsche. Hegel, a German philosopher, influenced Dostoyesky with his utilitarian emphasis on the ends rather than the means whereby a superman existed as one that stood above the ordinary man, but worked for the benefit of all mankind. Nietsche’s more selfish philosophy focused on the rights to power which allowed one to act in a Hegelian manner. In committing his crime, Raskolnikov experienced the ultimate punishment as he realized that his existence was not that of the “extraordinary” man presented in his theory. In chapter five of part three in Crime and Punishment, this theory is outlined by its creator, Raskolnikov. Such an innovative theory would clearly have placed him in the “extraordinary” category, but when he fails to meet its standards, by submitting to the common law through his confession, the theory crumbles right before the reader’s eyes.
We are all affected by crime, whether we are a direct victim, a family member or a friend of a victim. It can interfere with your daily life, your personal sense of safety and your ability to trust others.