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Mary shelley on knowledge
Mary Shelley exploring the idea
Mary shelley on knowledge
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My collage is an eclectic mix of images and quotations that convey central themes within Mary Shelley’s Frankenstein. To begin, Shelley emphasizes the dangers of pursuing knowledge and science throughout the novel, drawing attention to the immensely destructive tendencies of Victor Frankenstein’s creature. Frankenstein labors relentlessly to assemble the monster, attempting to quench his unyielding thirst for discovery. However, he neglects to acknowledge the potentially disastrous repercussions of his creation, which ultimately wreaks havoc upon Victor’s life. Victor Frankenstein’s excessive experimentation and application of science is represented by the yellow picture containing a multitude of laboratory equipment and mechanic head. The atomic bomb explosion and light bulb containing fire …show more content…
symbolize the consequential risks of science and obsession with acquiring wisdom. Although science led to the development of nuclear weapons, these catastrophic bombs have ravaged entire nations and brutally murdered many civilians. Moreover, because light bulbs typically represent innovative ideas and intelligence, the fire challenges the positive connotation commonly associated with wisdom. The fire suggests that superfluous knowledge generates conflict, and Victor, the “modern Prometheus”, is ironically punished repetitively for his developments just as Prometheus suffered because of fire. Although the consequences of Victor’s actions are blatantly obvious to the reader, he immaturely chooses to deflect blame for his wrongdoings and even ignores his mistakes entirely.
This secrecy is evidenced by the picture depicting a man shielding his eyes and mouth. Victor Frankenstein similarly disregards his monster’s pleas, threats, and warnings, remaining silent as William, Justine, and many innocent individuals are murdered. The collage also touches upon the internal conflict that ravages the monster’s mind and inspires him to seek vengeance upon Victor. The creature’s inevitable agony, although constantly present throughout the novel, is highlighted during the scene that describes its tormented reaction to its reflection in a small pond. Despite the grotesque physical appearance of the monster, he is initially gentle and kind hearted. However, its inability to assimilate into society and experience companionship slowly imbues spite within the creation, causing it to declare, “If I cannot inspire love, I will cause fear!” These significant detrimental effects of the creature’s exterior are brought to attention by the photo containing the hideous monster in the
mirror. The sporadic placement of comic titles displaying “Monster” also emphasizes the demeaning reaction of the public to the creature’s appearance. Additionally, the emotional insecurities carried by the creature gradually infiltrate and dominate its thoughts, eventually rendering it evil. This mental battle that occurs inside of the creature is symbolized by the image of a man whose head is filled with controversial, mind-consuming topics. He internally struggles due to insecurities and alienation from humanity, expressing his pain, “Satan has his companions, fellow-devils, to admire and encourage him, but I am solitary and detested.” Finally, the duality of man is illustrated by the picture portraying the head with combined features of Victor Frankenstein and his creation. The half depicting Victor represents our docile humanity, dishonesty, and fundamental desire to form relationships with others. On the other hand, the monster half represents our qualities that society outcasts and rejects, those that we carefully keep hidden from others. But it will eternally be impossible to discern which entity encompasses good versus evil; both man and monster have possess flaws.
The monster tells Frankenstein of the wretchedness of the world and how it was not meant for a being such as himself. At the end of his insightful tale the creature demands a companion of the same hideous features but of the opposite gender to become his. Victor only has the choice to make the monster or suffer a lifetime of horror his creation would bring upon him. Which the creator ultimately agrees to make the female monster to save the lives of his family but gains a conscious that fills with guilt of all the destruction he has created and creating. When the monster comes to collect the female he tears her apart and the monster vows to destroy all Victor holds dear. The monster’s emotional sense is consumed with rage against Victor, murdering Frankenstein’s best friend. Though when the monster’s framing ways do not work to lead to Victor being executed, he then murders Frankenstein’s wife on their wedding night. This tragedy is the last for Victor’s father who becomes ill with grief and quickly passes within a few days, leaving Victor with nothing but his own regret. Shelley doesn’t give the audience the monsters side of the story but hints that the remainder of his journey consisted of being a shadow to that of his creator. It is at the graves of the Frankenstein family when the creature makes an appearance in the solemn and
Butler, Marilyn. "Frankenstein and Radical Science." Reprinted in Mary Shelley's Frankenstein. Norton Critical Edition. 1993; New York: W. W. Norton, 1996. 302-313.
The plot deals with the conflict that is inside Victor Frankenstein, who produces a monstrous creature. Victor is disgusted at the site of the creature he has created. "I had gazed on him while unfinished; he was ugly then, but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived"(43). After Victor rejects the monster, he meets a family that brings out his sensitive side. When these people reject him, the creature destroys everything in sight. "I was like a wild beast that had broken the toils, destroying the objects that obstructed me and ranging through the wood with a staglike swiftness"(121). The innocent Justine is accused of a murder, committed by the creature, and dies, therefore increasing Victor's feelings of guilt and his need for revenge. Victor makes it his mission to destroy the monster, who has been ruining his life. The monster threatens to be there with Victor on his wedding night. Victor interprets this as a threat against his own life, but instead finds his wife, Elizabeth, murdered. "She was there, lifeless and inanimate, thrown across the bed, her head hanging down and her pale and distorted features half covered by her hair"(179). The next paragraph discusses how loss of innocence was portrayed through setting.
As a tragic hero, Victor’s tragedies begin with his overly obsessive thirst for knowledge. Throughout his life, Victor has always been looking for new things to learn in the areas of science and philosophy. He goes so far with his knowledge that he ends up creating a living creature. Victor has extremely high expectations for his creation but is highly disappointed with the outcome. He says, “I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart” (Shelley 35). Frankenstein neglects the creature because of his horrifying looks, which spark the beginning of numerous conflicts and tragedies. At this point, the creature becomes a monster because of Victor’s neglect and irresponsibility. The monster is forced to learn to survive on his own, without anyone or anything to guide him along the way. Plus, the monster’s ugly looks cause society to turn against him, ad...
The creature displays his hatred toward Frankenstein for leaving him immediately and not providing guidance and protection in this harsh, new world by murdering his family and friends. While seeking his creator, the creature first murders Victor Frankenstein’s youngest brother William and exclaims, “I too can create desolation; my enemy is not invulnerable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him” (Shelley 144). The creature wishes for Victor Frankenstein to suffer taking his own companions away, forcing him to be miserable as well by destroying his personal relationships with others by murdering loved ones. Through the rejection of the creature because of his physical appearance, he learns what is accepted as well as how you can treat another being as he succumbs to his anger and proceeds with his crimes. The creature tells Frankenstein, “your hours will pass in dread and misery, and soon the bolt will fall which must ravish your happiness forever.
The Creature was born capable of thing such as love and sympathy though he lost these capabilities as a result of how he was treated. The creature’s heart was ‘fashioned to be susceptible of love and sympathy’ but wrenched with misery to ‘vice and hatred’. On a cold night in November, Victor Frankenstein brought his creation to life. This creation has thin black lips, inhuman eyes, and
...e seeking help and strength to take care of problems in their lives. Victor Frankenstein is a man with a loving and caring family. Family and friends are an important part of his life. He has his whole life in front of him, when creates his monster. He creates the monster in the likeness of man with same need of love and affection as man. Although, this is his creation, he lets the monster down and does not care for him. The monster begins to feel neglected and lonely and wants desperately to have a human relationship. The monster turns angry and revengeful because he is so sad and abandoned. He wants Victor to feel the way that he does, all alone. The monster succeeds and Victor ends up losing all the important in his life and his own life. In the end, the monster dies and the need for human relationship becomes the destruction for both the monster and Victor.
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Rather, it is others who alienate it because of its grotesque appearance. The monster is quite literally ‘born’ into perpetual isolation beginning with Victor’s abandonment of it. He denies it domestic safety when he flees to his bedchamber. Victor disregards the monster’s utterance of “inarticulate sounds while a grin wrinkled his cheeks,” then escapes its outstretched hand “seemingly to detain [him]” [Shelley 49]. Examining the monster’s body language as though an impressionable infant, its actions can be read as a child-like plea for its father though the absence of speech not yet learned. Instead, its unattractive appearance causes Victor to run, leaving the creature alone with no information about himself or his surroundings. Therefore, Victor’s abandonment is a crucial justification of the monster’s negative experiences with society and nature and actions in desiring community. The monster’s alienation from family is the missing first school of human nature, and the first lesson where he learns he does not belong. The creature leaves into the wilderness to learn about the world and himself on it own, only to understand his interactions are
The popular 1931 version of Frankenstein, based on Mary Shelly’s Frankenstein, depicts an anti-exploration and anti-intellectual philosophy. In Frankenstein there are criticisms for the immoral behavior that is involved with progress, the natural tendency for humanity to attempt to be greater than God and the pursuit of knowledge. Frankenstein, the doctor, aims to create a man in his own image. His personal ambitions drove him mad and into isolation. He leaves school in pursuit of better facilities and free rein to test, create and revise.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Since its publication in 1818, Mary Shelley's Frankenstein has grown to become a name associated with horror and science fiction. To fully understand the importance and origin of this novel, we must look at both the tragedies of Mary Shelley's background and her own origins. Only then can we begin to examine what the icon "Frankenstein" has become in today's society.
...luding intelligence, compassion, and emotions. The monster attempts to make friends with his peer humans, despite his continuous rejection. His efforts show that even the monster experiences vulnerability and desire for companionship. The monster proves his intelligence as he devises a plan to learn the English language by observing his neighbors. Meanwhile, Doctor Frankenstein lacks the human quality of intelligence as he fails to foresee the effects of taking creation of life into his own hands. The doctor also lacks compassion when he abandons his creation, the equivalent of a parent leaving his child. Frankenstein flees from his monster because he actually fears the monster as much as the rest of society due to its frightening stature. Doctor Frankenstein and his creation exemplify the qualities people should exude to consider themselves members of the human race.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
In the Romantic novel Frankenstein by Mary Shelly, the selection in chapter five recounting the birth of Dr. Frankenstein’s monster plays a vital role in explaining the relationship between the doctor and his creation. Shelley’s use of literary contrast and Gothic diction eloquently set the scene of Frankenstein’s hard work and ambition coming to life, only to transform his way of thinking about the world forever with its first breath.