In Artie Spiegelman’s novel, Maus, the novel illuminates Artie’s father Vladek’s and his story about his experiences during the holocaust. Vladek’s story consists of the anti-semitic views and poor treatment towards Jews. He uses three ways to establish that the concept that genocide and bigotry is unethical. Artie Spiegelman used imagery, characterization and plot to develop the theme that bigotry and genocide is unacceptable.
Artie Spiegelman uses imagery to input the view that genocide is unacceptable. On page 80, he shows a group of Jews being beaten thoroughly. The next frame he shows another angle of it including a pen-like fence around the area. This fence shows to the reader that the Nazis are treating the Jews like animals and inhuman.
During 1925, Mein Kampf was published by the Nazi Leader Adolf Hitler. In this autobiography, where Nazi racist ideas originated, he depicted his struggle with the Jews in Germany. These ideas sparked World War 2 and the Genocide of the Jews. The tragedy of the Holocaust inspired authors, such as Art Spiegelman who produced a Graphic novel, where both the text and images helped him convey his own ideas and messages. In fact, Art Spiegelman’s graphic novel Maus is an effective medium for telling a Holocaust narrative and specifically his father’s story of survival. Through this medium, he is able to captivate the readers while providing interesting insight into the tragedy of the Holocaust by using the symbols of animals, the contrast between realism and cartoon imagery and the various basic elements of a graphic novel.
By 1945 over 6 million Jews were killed as a result of the genocide launched by Nazi Germany. The Holocaust has been documented and depicted by various visual images revealing the atrocities of this tragic period. The film posters of Roberto Benigni’s Life is Beautiful produced in 1997 and Steven Spielberg’s Schindler’s List produced in 1993 utilize various rhetorical appeals to present starkly different visual arguments about the Holocaust. For the purpose of this rhetorical analysis, viewing these images from the standpoint of a viewer who is exposed to these posters for the first time, with the acute knowledge that these posters are related to the holocaust is necessary. From this standpoint, it is clear to see how images that depict that
By means of comic illustration and parody, Art Spiegelman wrote a graphic novel about the lives of his parents, Vladek and Anja, before and during the Holocaust. Spiegelman’s Maus Volumes I and II delves into the emotional struggle he faced as a result of his father’s failure to recover from the trauma he suffered during the Holocaust. In the novel, Vladek’s inability to cope with the horrors he faced while imprisoned, along with his wife’s tragic death, causes him to become emotionally detached from his son, Art. Consequently, Vladek hinders Art’s emotional growth. However, Art overcomes the emotional trauma his father instilled in him through his writing.
What if you were a holocaust survivor and asked to describe your catastrophic experience? What part of the event would you begin with, the struggle, the death of innocent Jews, or the cruel witnessed? When survivors are questioned about their experience they shiver from head to toe, recalling what they have been through. Therefore, they use substitutes such as books and diaries to expose these catastrophic events internationally. Books such as Maus, A survivor’s tale by Art Spiegelman, and Anne Frank by Ann Kramer. Spiegelman presents Maus in a comical format; he integrated the significance of Holocaust while maintaining the comic frame structure format, whereas comic books are theoretically supposed to be entertaining. Also, Maus uses a brilliant technique of integrating real life people as animal figures in the book. Individually, both stories involve conflicts among relationships with parents. Furthermore, Maus jumps back and forth in time. Although, Anne Frank by Ann Kramer, uses a completely different technique. Comparatively, both the books have a lot in common, but each book has their own distinctive alterations.
In Maus: A Survivor’s Tale, Art Spiegelman presents his father’s Holocaust narrative alongside his own personal narrative, especially with regards to his relationship with Vladek. In Maus, Vladek is dependent on his skills and even his flaws to survive. He comes to make these traits a part of him for the rest of his life as he strives to survive no matter what. While these flaws helped him survive as a young man but these same traits estrange him with those that care about him such as his son. In a way there are two Vladeks in Maus, the one in the past that he speaks about and the one that is actually present.
The Maus series of books tell a very powerful story about one man’s experience in the Holocaust. They do not tell the story in the conventional novel fashion. Instead, the books take on an approach that uses comic windows as a method of conveying the story. One of the most controversial aspects of this method was the use of animals to portray different races of people. The use of animals as human races shows the reader the ideas of the Holocaust a lot more forcefully than simply using humans as the characters.
Art Spiegelman’s graphic novel Maus unfolds the story about his father Vladek Spiegleman, and his life during the WWII. Since Vladek and Art are both the narrators of the story, the story not only focuses on Vladek's survival, but also the writing process and the organization of the book itself. Through these two narrators, the book explores various themes such as identity, perspective, survival and guilt. More specifically, Maus suggests that surviving an atrocity results in survivor’s guilt, which wrecks one’s everyday life and their relationships with those around them. It accomplishes this through symbolism and through characterization of Vladek and Anja.
In Art Spiegelman’s Maus, the audience is led through a very emotional story of a Holocaust survivor’s life and the present day consequences that the event has placed on his relationship with the author, who is his son, and his wife. Throughout this novel, the audience constantly is reminded of how horrific the Holocaust was to the Jewish people. Nevertheless, the novel finds very effective ways to insert forms of humor in the inner story and outer story of Maus. Although the Holocaust has a heart wrenching effect on the novel as a whole, the effective use of humor allows for the story to become slightly less severe and a more tolerable read.
Finally, upon the analysis of the themes, one’s will to survive, faith, and racism in Jackson’s book, her illustration of the Holocaust victims and their choices made her want people to understand what they went through. If anyone likes reading about the Holocaust, this book is the right one for its vivid images, and more of an understanding of the Holocaust, by letting you (the reader) to get into the book and living it.
It shows this through its comic book style drawings on a topic that is difficult to explain. With the illustration throughout the story it shows the true meaning of a picture is worth a thousand words. Compared to any other type of Holocaust book it would be hard for a person who did not go through the Holocaust to understand what was taking place during that time. Most books are just written, no images. It is just a plain book with many descriptions. Unlike those "Maus" took on another type of perception. Humans have the ability to understand and reason things but with all of that it is hard to understand the extent of the Holocaust through just words. So Art decided to included drawings in a comic book form to allow readers to understand what was going on without having to imagine it. His book allowed its readers to see what was taking place while reading it. That is what the main difference is compared to other narratives. Also, his use of symbolism allowed the reading to understand what was going on without drawings of humans but animals. An example of this was the Nazis being represented by cats and the Jews represented as mice. In reality we know that the cat always tries to kill the mouse. During that time Jews were the pest to societies and the Nazis had to fix that. Also, with this in reality it is normal for a cat
The books Maus I and Maus II, written by Art Spiegelman over a thirteen-year period from 1978-1991, are books that on the surface are written about the Holocaust. The books specifically relate to the author’s father’s experiences pre and post-war as well as his experiences in Auschwitz. The book also explores the author’s very complex relationship between himself and his father, and how the Holocaust further complicates this relationship. On a deeper level the book also dances around the idea of victims, perpetrators, and bystanders. The two books are presented in a very interesting way; they are shown in comic form, which provides the ability for Spiegelman to incorporate numerous ideas and complexities to his work.
In Art Spiegelman’s comic series, MAUS, each race in the storyline is analogously depicted as a different animal. This essay will explore the various benefits, drawbacks and their counteractions, that are confounded with author’s choice of this illustration. It can be argued that choosing animals to represent humans, in an event as complex as the Shoah, dehumanizes victims even more. Humans conventionally see species of animals as collective entities rather than individual beings. Thus, by representing all the Jewish people as one type of animal, the reader might unconsciously generalize all the victims’ sufferings and discourses into one coherent image, in order to make sense of things. On the other hand, depicting each race as a certain animal
In Maus, Art Spiegelman does not make any apologies about what he includes or leaves out from his story. Maus is not meant to be a story that encompasses World War II or the Holocaust, but rather, a story about the life of his father, Vladek Spiegelman:
From Hitler throughout the Holocaust, Maus the graphic novel has brought a story of a survivor, Vladek Spiegelman, a Polish Jew. Vladek has been there when the Swastika was a symbol of well-being and the goods. From the start of World War II and sustained until the war ended. Vladek survived the war because of luckiness, after that, being resourceful was the reason he lived. Lost his first born son in the process, moved to the United States. Lost his wife and lived with a fear it might happen all over again, he is a survivor of the Holocaust.
The author illustrated his characters as different types of animals where in the Jews are represented as mice and the Germans as cats. This representation proposes how the Jews facing the Nazis are as helpless as a mouse caught by a cat. The first part for instance, is introduced by a quotation from Hitler in which he deprives the Jewish race of human qualities by reducing them to a mere vermin: “The Jews are undoubtedly a race but they are not human: (Spiegelman I, 4).