According to Stoker Wessel, author of "Shifting Views of Transcendence in Philosophy, Theology, Art, and Politics,” Transcendence is something that alienates a human from everyday life, but also something in which he or she can never be separated. It is known as immanent transcendence, meaning both realities are viewed as being closely involved with each other (Wessel). When reading Alice Walker's “Everyday Use,” you are presented with a story that explores the relationship between transcendence and everyday life. The three main characters give their audience a view of life in the rural South during the 1960s and the struggles of accepting their heritage. Symbolism and themes play major roles in understanding what Alice Walker is trying to …show more content…
Literature criticism author Helga Hoel said, “During the 1960s Walker criticized the tendency among some African Americans to give up the names their parents gave them names which embodied the history of their recent past for African names that did not relate to a single person they knew. Hence, the mother is amazed that Dee would give up her name for the name Wangero. For Dee was the name of her great-grandmother, a woman who had kept her family together against all odds. Wangero might have sounded authentically African, but she had no relationship to a person she knew, nor to the personal history that sustained her” (Hoel). Furthermore, Dee's name change to Wangero reflects her rejection of her family's history and her desire to embrace her African roots. This change symbolizes her attempt to distance herself from her upbringing and assert her individuality. In contrast, Maggie's name remains unchanged, symbolizing her continuity with her family's heritage and her acceptance of her roots. Her name reflects her humility and her connection to the everyday traditions passed down through generations. Even Mama's name, which is not explicitly mentioned in the story, represents her role as the maternal figure who holds the family together and preserves their heritage. Overall, the names of the characters serve as symbols of their identities and relationships to their heritage, highlighting the themes of tradition, authenticity, and cultural pride in the
Helga Hoel states in her essay “Personal Names and Heritage: Alice Walker’s ‘Everyday Use’”, “These important names Dee bases her new-found identity on resemble Kikuyu names, but at least two of them are misspelt” (Hoel). Hoel states that Wangero’s names are an unlikely mixture of names from various African ethnic groups, and that “ [Wangero] is confused and has only superficial knowledge of Africa and all it stands for” (Hoel). Wangero is losing sight of her true heritage, but the heritage she is trying to push upon herself is one she barely understands. This detail is important because, although it does require research to discover, it adds another layer of irony to the character of Wangero in which can be seen an indicator of how Walker
To begin with, in Walker's Everyday Use, the conflict is a result of clashing cultural values and of cultural point-of-view. Dee, who has adopted the Islamic culture and name the Wangero, returns to her African-American family for a reunion. While there, she asks that a pair of quilts from her deceased grandmother be given to her, not her sister, Maggie. Dee claims that her sister will ruin them through "everyday use." In fact, she charges during a discussion, "[Maggie would] probably be backward enough to put them to everyday use" (89). To these charges, her mother, the story's narrator, says, "I reckon she would [use the quilts daily] ... God knows I've been saving (the quilts) for long enough with no body using 'em. I hope she will" (89). Dee counters by saying, "You just don't understand ... your heritage" (90). She charges that her mother does not understand her heritage and therefore should give the quilts to her since she will preserve them. This conflict...
Another reason I had feelings of anger for the character Dee, was that she was uneducated. Not the usual education, such as in college, because she had that, but the education of her heritage, or past. The second statement to her mother was when her mother says "Dee", Dee replied saying her new name Wangero, followed by the statement that Dee is dead and that she could no longer bear the name of the people that oppress her. At no point during the story was Dee oppressed or even mentioned being oppressed in the past. Then she tries to track back where her name came from, to show her mother it was a slave name or something along those lines. Her mother tracked it back as far as she could remember and no such thing was pointed out. To move on to another situation where Dee made herself look foolish and uneducated is, when they are leaving, she tells her mother that she just doesn't understand.
Self-confidence comes from within. In “Everyday Use” Alice Walker shows how being self-confident and self-love will revile itself when you least expect it. “Everyday Use” is about a mother wanting on the arrival of her oldest daughter Dee, who comes home for the first time in years. During Dee visit she brings her boyfriend and a new attitude for her African heritage. While visiting Dee want to take the butter churn and two of her grandmother handmade quilts. Her mother refuses to give her the quilts because she promises them to Maggie. In the story, Dee and Maggie have different points of view on life and what is important to them. There is a nonexistent relationship between Dee and Maggie, because of their differences in confidence, self-esteem, values and love for each other.
Velazquez, Juan R. “Characterization and Symbolism in Alice Walker’s ‘Everyday Use’.” Lone Star. N.p, n.d. Web. 17 Mar 2014.
Momma asks Dee what happened to her name and she says, “She’s dead. I couldn’t bear it any longer, being named after the people who oppress me”. (27) Dee has no idea her name comes from her own heritage. Momma explains to Dee, “You know as well as me you was named after your aunt Dicie. Dicie is my sister. She named Dee. We called her ‘Big Dee’ after Dee was born” (28). Wangero is very well educated and is only trying to understand the African portion of her heritage, but she in blind to the heritage from her family she grew up with. She looks down on her momma and younger sister, not realizing they are the most important parts of her
Alice Walker's "Everyday Use," explores Dee and Maggie's opposing views about their heritage by conveying symbolism through their actions. Maggie is reminded of her heritage throughout everyday life. Her daily chores consist of churning milk, helping mama skin hogs on the bench which is the same table her ancestors built, and working in the pasture. On the other hand, Dee moved to the city where she attends college. It is obvious throughout the story; Dee does not appreciate her heritage. When Dee comes back to visit Mama and Maggie she announces that she has changed her name to Wangero. Dee states "I couldn't bear it any longer, being named after the people who oppress me" (89). Her stopping the tradition of the name Dee, which goes back as far as mama can remember, tells the reader that Dee does not value her heritage. Another symbolism of her lack of appreciation for her heritage demonstrated through her actions is when Dee asks Mama if she can have the churn top to use it as a ce...
While reading this there were some animosity toward Dee because of what type of character she was. The animosity was caused by the numerous comments and actions that occurred in the story. She was very selfish, uneducated, and very unappreciative of where she came from. Dee carried herself in a very ridiculous way. Among Dee’s family she is the object of jealousy, awe, and agitation, meanwhile she searches for her purpose and sense of self. Dee and her judgmental nature has an effect on Mama and Maggie, her younger sister. Although she across as being arrogant and insensitive, Mama sees he strive to know more and do more. Dee also portray as being a condensing type person because no matter where Mama and Maggie lived she still kept her commitment to come and visit. When Dee comes to visit she tells Maggie and Mama that she has changed her because Dee had died when she left for college. Dee changed her name to Wangoero, which come across as being an attention seeking ploy who still keeps the selfishness of Dee. With Dee changing her name to Wangoero she wants to reclaim her heritage and honor
Walker shows that in mother and daughter relationships adaptation to change can be hard in a variety of ways. First, Dee, Mother's oldest daughter, comes home to visit her mother and little sister Maggie. When she shows up, she introduces herself as "Wangero Leewanika Kemanjo" (416). Her mother is confused about why she wants to change her name, since it was the one that was passed down. Dee explains that the other name did not suit her. Now even though Mother reluctantly goes along with this new name, it is obvious that she is not used to changing names, especially if it is one of great family importance. Another character that that has a hard time changing along with Mother is Maggie. When Mother sent Dee to a good school where she could get a very good education, Dee used to come back and try to teach her lowly, uneducated family members. Maggie and her Mother were not used to this, and they were happy with the education that they had. Instead, Dee "read to us without pity; forcing words, lies other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice" (413) and tried t...
Alice Walker’s “Everyday Use” is a short story about a mother and two very different daughters set in rural Georgia during the late 1960’s. The plot is centered around on the two daughters, Dee and Maggie, and focusing on the differences between the two and who will gain possession of two hand-made quilts that are seen as a coveted trophy by Dee and are viewed as everyday items Maggie. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Momma, who is never given a first name in the story, is a strong black woman with many man-like qualities. “In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day.” (DiYanni 744) Momma is a tough woman and has had to be both father and mother to the daughters although the story never comments on the absence of the father. The story revolves around a visit home by Dee who has been away at college and has recently discovered the true meaning of black heritage with her adoption of ideas and practices from black power groups while simultaneously rejecting her own upbringing. Upon arriving home, Dee announces that she has changed her name to “Wangero” in defiance of her white oppressors and to embrace her newly found African heritage with a more appropriate black name. Dee and Maggie are complete opposites in appearance, education and desire to escape their childhood surroundings. Maggie has little education and no noticeable desire to improve her situation and prefers to be left alone in the shadows where she can hide her physical and emotional scars from a house fire when she was a child. Hand sewn quilts become the objects of Dee’s desires; objects ...
this popularization itself can actually turn into a form of exploitation. By telling the story from the mother's point of view, Walker's representation of Wangero is seeped in irony, and therefore Wangero's love of her African. heritage becomes an exploitation of it. Because the mother is so closely related to the characters in the story, her perception of them is biased. Walker uses this point of view to her advantage, because the reader is familiar with Wangero's somewhat stereotypical "blacksploitive" personality, this one.
How does the difference between the way Dee (Wangero) and Maggie would use the quilts represent their two different ways of defining and treating their family’s heritage? Does the narrative give approval to Dee’s way or Maggie ’s?
1.19. Many elderly people have trouble remembering words, people’s names, and recent events. Imagine a memory-aid product. What features would it have? What technologies would you use if you were designing it?
Cultural capitalism is having assets that give an individual social mobility (Szeman & Kaposy 88). Such as, with knowledge and/or education, embody speech and personality and objectified: one’s belongings and/or clothing. Through the rise of the Civil Rights Era, Dee becomes more aware of the culture she came from through her surroundings and begins to “embrace” it. She visits Mama’s house to collect some the ancestral quilts in which she denied before. Dee attempts to get more in touch with her African roots by going as far as changing her name to Wangero Leewanika Kemanjo. When arriving at her mother’s house she shared the news of the name change. When Mama quickly questions her, “what happened to Dee?”, Wangero exclaims, “she is dead” (Walker 924). Wangero (Dee) goes the extra mile to her name to make a statement to those around her and becomes noticeable becomes Afrocentric. Mama explains to Wangero the deep family meaning to her name, Dee she nullifies her mother’s answer and explains to her that the name “Dee” originates from slaves given by white slave owners. In the process of Dee Wangero’s transformation to her “deep roots”, she dating an African American Muslim named Hakim-a-barber. With Dee Wangero changing her name and reclaiming her culture she offends her mother through the process but little does she know she is hurting her
Every possible type of character is displayed in this short story. Dee starts out the story as a stereotypical light-skinned black person. Feeling as though she was better than everyone else was because her: waist was small, skin was light, a nice grade of hair, and she was somewhat educated. Dee was in a hurry to get out of the country and never come back. She wrote to her mother saying "no matter where we choose to live, she will manage to come see us. But she will never bring her friends" (Walker 63), letting everyone know that she thought she was too good to continue to take part in her heritage. Maggie was portrayed as a flat character. The reader is not told much about her, and she never changes throughout the whole story. The mother would be the static character. She is seen as an older women set in her ways from life experiences, and from what she had been taught growing up black in the south. She made up her mind that the two family quilts would go to Maggie and she did not give it a second thought. Dee is also the dynamic character round. She is dynamic when she returns home to the country. She had previously said she would not bring any of her friends home, but when she gets there she is accompanied by a gentleman. Other aspects of her dynamics are displayed when she changes her name to "Wangero Leewanika Kemanjo". She went from dyeing and hating her upbringing to wanting to take a piece of it with her back to the city. To show off where and what she comes from. Dee is truly a round character. Walker did an excellent job with these characters especially Dee.