Growing up in the late 60’s as an African American in the South, Alice Walker has had to withstand many of the oppressions black people faced at the time. Her direct experience with the torment of being prejudiced by her skin color and the national movements against this, have been the fundamental basis to the themes in her writings. In her story “Everyday Use,” she depicts the different understandings of culture between a literate daughter, Dee, and her mother and sister who have not been educated and yet live a traditional simple life together. Through a series of events the author explores the adverse views on heritage among the younger and older generations of African-Americans. Within the historical context, it was time where Blacks were raising awareness and striving to ascertain their personal identities through movements like the “Black Power,” “Black Nationalism,” and “Black Pride” which sought to retrieve their African origins and reject their American heritage. Nevertheless, that is precisely what the author criticizes in her story, saying that they cannot simply reject their true nature disrespecting their real ancestors to embrace a culture they barely know. As the story starts, Mama and Maggie are anxiously awaiting the oldest sister’s arrival. Having not seen her for a very long time, they certainly do not know what to expect. As the car pulls over, Mama describes a short stocky fellow along with Dee wearing a long dress so loud it hurt her eyes, long earrings, bracelets and her hair up like a sheep’s wool. According to this description, we can infer Mama had not seen her daughter ever dress that way yet still should have not been bewildered since Dee was well known for her sense of style. On the other hand, Maggie... ... middle of paper ... ...rstanding or knowing its root causes. This is the author’s way of representing how young generations wanted to go back to their African roots, changing the hair, name, clothes disregarding their true American heritage in a very disrespectful way to their real ancestors. Works Cited Hoel, Helga. "Personal Names and Heritage: Alice Walker’s 'Everyday Use'." 2000. Trondheim Cathedral School, Trondheim, Norway. 30 Jan. 2000. Walker, Alice. "Everyday Use." Literature for Composition. Ed. Sylvan Barnet, William Burto, and William E. Cain. 10th ed. New York: Pearson, 2014. 1125-131. Print. Walker, Alice. "Stitches in Time." Interview by Evelyn C. White. N.p., n.d. Web. White, David. “'Everyday Use': Defining African-American Heritage." 2001. Anniina's Alice Walker Page. 19 Sept. 2002. [4/15/2014]
Susan Farrell in her, “Fight vs. Flight: A Re-evaluation of Dee in Alice Walker’s ‘Everyday Use’” writes in response to Alice Walker’s short story Everyday Use. Farrell’s article is published by Newbury College in spring of 1998 in Studies in Short Fiction (179). Farrell in her article writes to argue that although Dee is inconsiderate and egotistical—supporting what she is arguing against— to a certain degree, she offers a way for a modern African American to manage with the harsh society that is, in a few ways more substantial than that described by Mother and Maggie— which is her thesis (179). Most people who have read Walker’s short story Everyday Use are prone to agree that the character Dee is ‘shallow,’ ‘condescending,’ and ‘manipulative,’;
No matter where one is from or where one finds themselves today, we carry with us in some way or another a specific heritage. Certain events and circumstances can lead to someone trying to forget their heritage or doing everything in their power to preserve that heritage. Alice Walker’s “EveryDay Use” was published in 1973, not long after the civil rights movement, and reflects the struggles of dealing with a heritage that one might not want to remember (Shmoop). Alice Walker is well known as a civil rights and women’s rights activist. Like many of her other works she uses “Everyday Use” to express her feelings on a subject; in this case African American heritage. Through “Everyday Use” it can be seen that Alice Walker has negative feelings about how many African Americans were trying to remove themselves from parts of their African American culture during the time of the short story’s publishment. This idea that Walker was opposed to this “deracinating” of African Americans coming out of the civil rights
She went to college after high school and didn’t return home after she graduated. She got married to a Muslim man and she became so concerned with her family’s history. When she arrived, she became so concerned with taking pictures of the farmhouse she grew up in a soon as she got their she didn’t even greet her mother and sister Maggie right away. When she entered the home she immediately began to scan the room for things that she felt were good enough to go into her apartment in the city, she also wanted included things that she felt were good enough to impress her friends and to show her where they are from. When she reached the home, she mentioned a few things that stood out to her which included a butter churn and 2 quilts. The two quilts in particular stuck out to her because the two were hand sew by her grandmothers and aunt , along with her mother. Maggie her sister states, “She can have them, Mama,” She said, like somebody used to never winning anything, or having anything reserved for her. “I can member’ Grandma Dee without the quilts’” (Walker). Maggie her younger sister who still lived at home with her family let her sister know she could have them simply because she knew that it wasn’t the quilts that were going to make her remember she’s remembers the years they spent together unlike her sister who was never really around the house as much as Maggie and this was giving Maggie as sense of pride
Alice Walker, author of The Color Purple, wrote "Everyday Use," which tells a story of a rugged, independent mother of two girls who celebrate their African-American heritage in completely different ways. One daughter, Maggie, celebrates her heritage by enjoying and appreciating the use of family heirlooms whereas the other daughter, Dee, feels it is more honorable to display these heirlooms for artistic show. Walker's use of imagery illuminates the story's theme of family heritage and, quite possibly the most respectful way of celebrating such heritage.
Everyone is raised within a culture with a set of customs and morals handed down by those generations before them. Most individual’s view and experience identity in different ways. During history, different ethnic groups have struggled with finding their place within society. In the mid-nineteen hundreds, African Americans faced a great deal of political and social discrimination based on the tone of their skin. After the Civil Rights Movement, many African Americans no longer wanted to be identified by their African American lifestyle, so they began to practice African culture by taking on African hairdos, African-influenced clothing, and adopting African names. By turning away from their roots, many African Americans embraced a culture that was not inherited, thus putting behind the unique and significant characteristics of their own inherited culture. Therefore, in an African American society, a search for self identity is a pervasive theme.
In Alice Walker’s story “Everyday Use,” symbolism, allegory, and myth stand out when thinking about the characters, setting, and conflict in the story. The conflict is between the mother and her two daughters (Maggie and Dee). There is also the conflict between the family’s heritage (symbolized by the quilt, bench, and butter chum) and their different ways of life. Dee chose a new African name, moved to the city, and adopted a new way of life while Maggie and her mother have stay behind. The quilt (the most important symbol) represents the family’s heritage in that it is made of scraps of clothing worn by generations of family members. The quilt has been sewn by family hands and used on family beds. It has seen history and is history. Maggie and her mother see that that history is alive but Dee thinks it is as dead as her name. Dee does not see that name as part of her heritage. By analyzing these symbols, a number of possibilities for a theme can be seen. Walker could be suggesting that to understand the African-American heritage, readers have to include the present as well as the past. However, the theme could be that poverty and a lack of sophistication and education cannot be equated with ignorance. Lastly, she could be telling her readers that dignity or self-respect rise from and are virtually connected to one’s entire heritage- not just a selected part of it.
Everyday Use, a short story about the trials and tribulations of a small African American family located in the South, is an examination of black women’s need to keep their powerful heritage. It speaks on multiple levels, voicing the necessity and strength of being true to one’s roots and past; that heritage is not just something to talk about but to live and enjoy in order for someone to fully understand themselves. A sociological landmine, it was written to awaken the concepts of feminism as well as the civil rights movement, while being able to focus on just three women and their relationship to one another. Everyday Use give its black female characters an identity of their own, each in their own right, and observes the internal conflicts of two sisters who have made two very different life choices, all the while scrutinizing the underlying sibling rivalry between them.
When we meet our narrator, the mother of Maggie and Dee, she is waiting in the yard with Maggie for Dee to visit. The mother takes simple pleasure in such a pleasant place where, "anyone can come back and look up at the elm tree and wait for the breezes that never come inside the house." (Walker 383) This is her basic attitude, the simple everyday pleasures that have nothing to do with great ideas, cultural heritage or family or racial histories. She later reveals to us that she is even more the rough rural woman since she, "can kill and clean a hog as mercilessly as a man." (Walker 383) Hardly a woman one would expect to have much patience with hanging historical quilts on a wall. Daughter Maggie is very much the opposite of her older sister, Dee. Maggie is portrayed as knowing "she is not bright." (Walker 384)
In “Everyday Use” by Alice Walker, we hear a story from the viewpoint of Mama, an African American woman, about a visit from her daughter Dee. Mama, along with her other daughter Maggie, still lives poor in the Deep South while Dee has moved onto a more successful life. Mama and Maggie embrace their roots and heritage, while Dee wants to get as far away as possible. During her return, Dee draws her attention to the quilt. It is this quilt and the title of the piece that centers on the concept of what it means to integrate one’s culture into their everyday life.
In “Everyday Use”, Alice Walker is exploring the concept of heritage as it applies to African-Americans. It appears to be set in the late ‘60s or early ‘70s. This was the time when African-Americans were struggling to define their personal identities. Many blacks who had stories of pain and injustice wanted to rediscover their African roots, and they were denying their American heritage to do so. In “Everyday Use,” Alice Walker argues that an African-American is both African and American.
Alice Walker’s “Everyday Use” is a short story about a mother and two very different daughters set in rural Georgia during the late 1960’s. The plot is centered around on the two daughters, Dee and Maggie, and focusing on the differences between the two and who will gain possession of two hand-made quilts that are seen as a coveted trophy by Dee and are viewed as everyday items Maggie. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Momma, who is never given a first name in the story, is a strong black woman with many man-like qualities. “In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day.” (DiYanni 744) Momma is a tough woman and has had to be both father and mother to the daughters although the story never comments on the absence of the father. The story revolves around a visit home by Dee who has been away at college and has recently discovered the true meaning of black heritage with her adoption of ideas and practices from black power groups while simultaneously rejecting her own upbringing. Upon arriving home, Dee announces that she has changed her name to “Wangero” in defiance of her white oppressors and to embrace her newly found African heritage with a more appropriate black name. Dee and Maggie are complete opposites in appearance, education and desire to escape their childhood surroundings. Maggie has little education and no noticeable desire to improve her situation and prefers to be left alone in the shadows where she can hide her physical and emotional scars from a house fire when she was a child. Hand sewn quilts become the objects of Dee’s desires; objects ...
Alice Walker's "Everyday Use," is a story about a poor, African-American family and a conflict about the word "heritage." In this short story, the word "heritage" has two meanings. One meaning for the word "heritage" represents family items, thoughts, and traditions passed down through the years. The other meaning for the word "heritage" represents the African-American culture.
In Alice Walker's "Everyday Use," the message about the preservation of heritage, specifically African-American heritage, is very clear. It is obvious that Walker believes that a person's heritage should be a living, dynamic part of the culture from which it arose and not a frozen timepiece only to be observed from a distance. There are two main approaches to heritage preservation depicted by the characters in this story. The narrator, a middle-aged African-American woman, and her youngest daughter Maggie, are in agreement with Walker. To them, their family heritage is everything around them that is involved in their everyday lives and everything that was involved in the lives of their ancestors. To Dee, the narrator's oldest daughter, heritage is the past - something to frame or hang on the wall, a mere artistic, aesthetic reminder of her family history. Walker depicts Dee's view of family heritage as being one of confusion and lack of understanding.
“Everyday Use” is a story based in the era of racial separation between communities of diverse ethnicity. “Everyday Use” by Alice Walker merely scratches the surface of racial heritage and the elimination of previous ways of living. This discontinuation of poverty driven physical labor shines through Dee as she grows to know more of her heritage throughout her years in school. An example of this is when Dee changes her name; this is an indication of Dee/Wangero wanting to change her lifestyle after the harsh truth she is hit with while going to school. Dee learns about the struggles of African Americans during this time, which changes her view on the unforgiving reality of her family’s lifestyle. In “Everyday Use”, the author opens the mind
Heritage is one of the most important factors that represents where a person came from. In “Everyday Use” by Alice Walker, this short story characterizes not only the symbolism of heritage, but also separates the difference between what heritage really means and what it may be portrayed as. Throughout the story, it reveals an African-American family living in small home and struggling financially. Dee is a well-educated woman who struggles to understand her family's heritage because she is embarrassed of her mother and sister, Mama and Maggie. Unlike Dee, Mama and Maggie do not have an education, but they understand and appreciate their family's background. In “Everyday Use,” the quilts, handicrafts, and Dee’s transformation helps the reader interpret that Walker exposed symbolism of heritage in two distinctive point of views.