Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysing film techniques - pleasantville
Film cinema and literature
Analytical interpretation of film
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysing film techniques - pleasantville
Evaluation of The Silence Of The Lambs
The film which I am evaluating is called "The Silence of the Lambs"
and is based on Thomas Harris' novel and is directed by Jonathan
Demme. The film was shot in Pittsburgh and is set in West Virginia. In
the making of this film careful research was carried out in bringing
each character to life especially Jame "Buffalo Bill" Gumb. This
included the actors being at crime scenes and viewing files about
previous serial killers in order to fit into their characters
properly. Jonathan Demme cleverly blended together different
characteristics from other mass murderers in order to make Buffalo
Bill realistic and fearsome. In the film "Psycho" Norman Bates uses
mirrors to see himself. A hallmark used in the film by Buffalo Bill.
Ted Bundy another well known serial killer who used charm and wit to
gain women's trust and sympathy before abducting them, another trait
which is used in the film when he claims to have a broken arm whilst
struggling to put his settee in his van and a woman passer-by helps
him then gets bundled in to the back of his van before being
slaughtered. Finally, Demme used Gary Michael Heidnik characteristics
of how he kidnapped women and tortured them in his basement. This is
also used in the film when Buffalo Bill puts a woman down a shaft in
his lair.
From the very moment when they started filming, this film had
realistic content and enough shocking and powerful images to make it a
highly controversial thriller. "Silence of the lambs" is about a
psychopath known as Buffalo Bill who was capturing and murdering young
women in a vicious scenario of this evil brute's mind games. Th...
... middle of paper ...
... The fact that you know he can't get
to Clarice but he is still frightening from behind the glass builds up
suspense and tension as it shows how scary and threatening he is. The
close up shot also made it look like he was looking straight at me
from the audience and as though he could get out of his cell.
I think overall the suspense and tension is built up very well
throughout the film and is cleverly put across in different ways
through their symbolic characters. I think this is the best thriller I
have ever seen as it has a sense of realism about it without being too
unbelievable and because the actors fit into their roles so well it
only adds to the story. Clarice Starling's character is a work of a
genius and how they risked using a woman as the more dominant
character in the film really makes it so much better.
One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry browns and yellows enhance the audience’s impression of the desperation of the characters and the time period. Brown is a prominent color shown not only in the overall appearance but in the specific image of the dry brown of the dirt which also clings to the clothes of the three main characters: Everett, Pete, and Delmar....
There first invention produced was the Technicolor System 1 Additive Color, which I’m sorry to say flopped massively due to the unfortunate screening of The Gulf Between in 1917 which only a few frames remain of this film today. This was the first public premier of the technology and was disastrous. The film was captured through two separate filters red and green and the light through those two filters was captured on a single reel of film, when processed this negative had red and green information captured on a black and white reel, when this was processed the reel was placed into a projector and then threw red and green filters. To project the image an adjustable prism that had to manually lined up by the projectionist as two separate images formed on the projection screen this did not work as planned as the projectionist failed to line up the images correctly.
"...the Nazi persecution of the Jews is a perilous subject matter since it can so easily elicit automatic reactions of moral outrage, personal horror, religious self-righteousness and dramatic extremes, not to mention severe depression", (McCarthy, 1993)
Schindler's List, by Steven Spielberg is an award-winning masterpiece - a movie which portrays the shocking and nightmarish holocaust in a three-hour long epic. The documentary touch re-creates a dark, frightening period during World War II, when Jews in Nazi-occupied Krakow were first deprived off , of their businesses and homes, then placed in ghettos and were then forced to labor for no consideration in camps in Plaszow, and finally they were resettled in concentration camps for execution. The violence and brutality of Nazi’s treatment towards Jews is a series of horrific incidents that are brilliantly showcased.
The story of “Precious” provides an excellent example of how a person can become lost in the system, and also how one can begin to turn things around by utilizing available resources. Precious’s mother, Mary, has been taking advantage of Precious to help her manipulate the system so Mary can continue to receive welfare benefits. Precious ultimately meets with the social worker, Mrs. Weiss, who begins to help her move forward in life. It is my understanding that Precious initially met with Mrs. Weiss for welfare benefits, but this relationship seemed to change as the movie progressed. I was admittedly taken aback by the conditions of the office in which Mrs. Weiss worked, how she interacted with Precious initially,
The movie is set within a short space of time (almost real time) in which we see Four of the Six active members of a jewelry heist gone wrong dealing with the repercussions of their crimes. Amongst them is Mr. Orange, or, Undercover Cop Freddy Newendyke, as he’s revealed to be toward the end of the movie. He is the Undercover Cop, The Rat that everyone is talking about. Orange single handedly destroys their operation and essentially Joe Cabot’s criminals-for-hire business seeing as he died by gunshot in the end. However the operation costed Orange his life, or presumably so. That’s something I’ll get to later.
*Hunt for the Wilderpeople* builds on Waititi 's drama/comedy combination and further cements his auteur status. *Wilderpeople* is about an orphan boy who moves from one foster family to another, generally being a delinquent. This causes him to earn the title of "a real bad egg". The majority of the film takes place as Ricky Baker is on the run through the vast forest. While structurally different than *Boy*, both films deal with coming-of-age, parents, and loneliness. Unlike *Boy*, *Wilderpeople* is divided up into ten chapters and an epilogue. Despite this, *Boy* is the more episodic film. Since *Wilderpeople* relies more on a causal narrative, it seems more like a standard Hollywood film at first. But Waititi finds a way to make it his own.
On November 17th approximately 30 people and I congregated to the OSU College of Nursing to watch The Anonymous People, a documentary film about American’s who are living in long-term recovery from alcohol and other drug addiction. The film addressed the stigma related to alcoholics and drug addicts, including their experiences to the track of recovery. Applicable to what we have discussed in class, I was able to understand more into the healthcare stigma and healthcare disparities that people around us deal with daily. The eye opening video provided an example into the lives of people, famous or not, being mistreated and judged due to their life choices. As a group frequently misunderstood, the film tries to teach the audience to a new view
Quentin Tarantino has proven time and time again to be one of the most confusing directors to understand when attempting to unravel the personal ideologies in his films. Each of his films deals with race, sexuality, and gender to some extent, and it is often difficult to know whether or not Tarantino is making a commentary on these things or if he truly believes much of the problematic discourse found in his films. Kill Bill Vol. 1 and 2 are a testament to this understanding of Tarantino’s films, as they appear to be extremely feminist films at surface level yet, upon deeper inspection, have some very problematic qualities. Looking at Kill Bill Vol.’s 1 and 2 through both a feminist and anti feminist lens can allow the audience to better
As stated by _____, humans seem to have an odd and very salient fascination with the open body which initiates the desire of viewing horror films. The first person camera work of the horror films Friday the 13th and the Blair Witch Project convey the intimacy between the characters and the audience, allowing each individual to identify with the characters of the film in some way. Not only is the audience enabled to experience the horror first-hand, but they are allowed to satisfy their curiosity through the medium of movies.
The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane has achieved the status of greatest film ever made.
culture. Initially slasher films don’t seem to break the barriers of American Cinema; they still
It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her point by saying that “the Disney Magic reinforces and reproduces bigoted and stereotyped views of minorities and women in our society” (Lazarus 117). She makes comparisons such as elephant graveyards are like ghettos (Lazarus 118). Other lines of reasoning Lazarus gives us are about Whoopie Goldberg using inner city dialect, the villain Scar being gay, and only those born to privilege can bring about change (118).
First off rating at number 5 is Halloween that came out in October 1978 with director John Carpenter and its screenplay written by John Carpenter and Debra Hill. Halloween starts out with the Killer Michael Myers at the age of 6 kills his sister Judith on Halloween in 1963. After being sentenced and locked away for over 15 years. But on October 20, 1978 on his way to a court date, now 21 years old Michael Myers escapes a steals a car. He returns to his hometown of Haddonfield, Illinois to look for new victims. This movie rated number five due to even though included a somewhat good backstory it lacked qualities that many good horror movies of its time included.
In his book, Horror and the Horror Film, author Bruce F. Kawin remarked “horror itself resists formulation and can be difficult and unpleasant to contemplate.” This year was a phenomenal year for both horror and contemplative movies. Two prime examples: Get Out and mother!. Despite being both horror films with subliminal messaging and allegories, they had drastically different reactions and box office performances. To understand why this happened, it is imperative to analyze marketing, storyline, climate, and audience interpretation.