From Book One how does Hardy link the character of Eustacia Vye with
the landscape of Edgon heath.
From Book One how does Hardy link the character of Eustacia Vye with
the landscape of Edgon heath? You should make reference of the
appearance of both and what this tells the reader about the
personality of Eustacia. The response should include a number of
quotes to support your thoughts.
I think that the first prominent feature of The Return of the Native
is Hardy’s description of the landscape. Egdon Heath is portrayed not
simply as a surroundings to the action, but a actual character in
itself, passionate, The Return of the Native it is frequently dark,
dangerous, and wilful. It is appropriate that the book opens with a
description of the heath, for the heath permeate the atmosphere of the
novel, and it shapes the lives and attitudes of its residents. The
characters themselves seem to act either as embodiments or outgrowths
of the heath itself, as Eustacia Vye’s physical appearance and
volatile emotions suggest its willful wildness. Furthermore,
Eustacia’s physical activity is characterized by lengthy periods of
indolence punctured by brief, spontaneous periods of energy, as the
heath oscillates between periods of placid beauty and savage
harshness.
Hardy’s description of Eustacia is especially telling: like the heath,
her hair is wild and untamable ("to see her hair was to fancy that a
whole winter did not contain darkness enough to form its shadow.") and
her eyes are the eyes of a pagan goddess (tellingly, they are not eyes
of placid Christian virtue). Like the heath, Eustacia holds dark
The author in this novel has very subtly used the settings to build up the atmosphere of adventure and suspense. For example, ‘Damall’s island rested on stone, Boulders edged the island, and rose up out of the ground in unexpected places all across it. the harbor beach was made up of stones as sharp as shells, as if a giant had brought his hammer down on the boulders, and shattered them. (page 3-4)’.This description of Damall’s island instantly makes the readers visualize the island and makes them curious to carry on. The mention of the stones and the boulders shows the ruggedness of the terrain and at the same time implies the hard life that the boys have to live there. It acts as imagery to show the cruelty of the Damall and his tyrannical behavior towards the boys. In conclusion
The author also referred to the hair of Zeena and Mattie quite often. Zeena had only “thin strands of hair”, and she wore a “hard perpendicular bonnet” above her head. The sight imprinted in the reader’s mind is not a pleasant one. Zeena appears to be stern and rigid. On the contrary when Mattie’s hair was described, it is more appealing. Ethan remembers her “smoothed hair and a ribbon at her neck”. A ribbon is more appealing to the reader than a “hard, perpendicular bonnet.” Mattie’s hair was also described as looking like a “drift of mist on the moon”. Unlike Zeena’s uninviting hairstyle, Mattie’s hair had a soft and silky quality to it. Mattie seemed to walk about the house with a halo of light surrounding her, almost like an angel. The conflicting hairstyles of the two women represented an overall difference in personalities. Mattie was a feminine young girl, while Zeena was an old hag who made no attempt to better her appearance.
Alice Walker’s short creative nonfiction, Dreads uses imagery to convey her narrative about a hairstyle that was inspired by singer, Bob Marley. Dreads are defined as a “hairstyle in which the hair is washed, but not combed, and twisted while wet into braids or ringlets hanging down on all sides”, according to howtogetdreads.com. Imagery was chosen for this paper by the depth of Walker’s illustration of beauty that natural hair has that might seem to be abonnement or not professional by society standards. This reading sparks interests just by the title a lone. That people have mixed feeling about dreads, some might see it as being spiritual; or as a political statement. However, Walker loves the way her natural hair is supposed to form without
She also used a comparison, “Like a little girl, she smooths back her dirty hair and proudly puts it on” (5). She used the comparison to make the reader realize that although she is homeless, she is not any different than anyone
For Gerald of Wales, religion was one of the most essential aspects of being a civilized human being. Therefore, when he wrote, The History and Topography of Ireland, he portrayed its inhabitants as subhuman and barbaric during his apparent travels to Ireland. As a colonizer, Gerald picked a far away place in which many had not been to, in order to establish them as the “other”. Unfortunately, for Gerald, he may have ridiculed the Irish for their lifestyle conveyed in his writing, but his exploitation of them most likely was done because he could in fact relate to them. In the book, The Postcolonial Middle Ages, Jeffery Jerome Cohen’s analysis in his chapter, “Hybrids, Monsters, Borderlands: The Bodies of Gerald of Wales”, closely focuses on Gerald’s cultural hybridity, which mirrors his accounts of the Irish. Although he deemed the Irish as barbaric, they were also hybrids, thus he also shared a feeling of displacement with them. Nonetheless, he still held himself to a higher degree because they did not properly celebrate Christianity, ultimately leading them to make other unpleasant decisions.
she was pretty and that was everything” (225). This captivation with herself along with the constant looking in the mirrors and thinking her mother was only pestering her all the time because her mother’s own good looks were long gone by now (225) shows a sign of immaturity because she believes everything revolves around whether or not someo...
...again, her hair was cut short, making her look like a girl, with a vague resemblance to those angels in colored church windows- sort of tragic and serene” (Faulkner 31).
In African American culture we take pride in our hair, especially African American women. Due to the fact that the quality of your hair and your hair style pretty much represents you as a person, hair is taken very seriously. For example, in the song “Don’t touch my hair” Solange says “Don’t touch what’s there when it’s the feelings I wear.” What she means is don’t play or mess with her hair because in doing that you are playing around with or messing with her feelings. I believe she is implying hair is an imperative part of her culture which is black culture. Solange also says “Don 't touch my soul when it 's the rhythm I know. Don 't touch my crown they say the vision I 've found don 't touch what 's there when it 's the feelings I wear.” Solange subtly but heavily implies that a black woman’s hair is a form of an extension her being and also a declaration of her Black pride. Her hair is not for the judging, sideshow or entertaining of white people. When Solange says
After Elizabeth took the throne and became the ruling monarch of England she wanted to relieve the tension between the Protestants and the Catholics. Elizabeth decided on a compromise between the two religions, one that would have characteristics of both, this new religion was called Anglicanism. The factors that caused Elizabeth to make this decision were her personal religious preferences, the views of the Marian Bishops and the opinions given to her by the parliament. However this compromise did have consequences. These include the dissatisfaction from both Protestants and Catholics, The Vestiarian Controversy and the Catholic opposition the settlement.
"She had a fine rounded head and short-cropped black hair that always stood straight ...
...o. Yet another example of how Daisy easily influenced by her surroundings, is like a feather in the wind.
beautiful and lively, “jealous he was and kept her in a cage . . .”
...at night, I loved my hair, every single strand of it. I loved her ability to be straight or curly, sleek and sexy or fun and bouncy. I found myself brushing my hands through my hair, and she cherished the affection. I bought every hair product Pamela used in my hair, hopeful I could shape my hair myself. And, although it took a few weeks to learn Pamela's styling techniques, my hair and I quickly found a rhythm.
During an interview with Channel 4, Chimamanda Ngozi Adichie said that “hair is a political thing”. Indeed, the way people wear their hair tell something about them. As the author said, if a black woman wears braids, people will have a certain image of her, as a radical, an artist, a traditional African woman and so on. It opens the debate on what society consider as beautiful. Most of the time, straight hair would be considered as beautiful and professional. In Americanah, Ifemelu has an
“A girl in a high-necked dark dress with cameo brooch at the collar. Her dark hair was swept