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Character of media by euripides
Analysis of euripides medea
Character of media by euripides
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Euripides was a man who had become known for his plays over the years and became a well-noted playwright. Writing tragedies that portrayed the realistic problems of his modern life, he was the last of the classical Athen's three tragic dramatists. He was in great company alongside the elder Sophocles and the eldest Aeschylus. Some of Euripides' most recognized plays are Medea and The Bacchae. Euripides’ classics cemented his notoriety for his clever dialogue and stage exhibition.
The life of Euripides is still heavily debated on, however, varying renditions of his life have been recorded. He was born around 485 BC in Athens, Greece. In some versions of history, his mother, Cleito, sold herbs in the local market while others describe him as
being born into a well-off family. The first time Euripides had been chosen to compete in a dramatic festival was in 455 B.C. but his first victory was not until 441 B.C.. Euripides was thought of as one of the more important poets because he portrayed the darkest side of humanity. Most of his characters, unlike Sophocles and Aeschylus, were common place men and woman that often reflected on the doubts and troubles of his time. They had flaws just like everyone else and were not larger than life characters. Their fates were also their own doing instead of dying in battle. Euripides portrayed the characters flaws by creating immoral characters. Of all the 90 plays Euripides wrote, only 18 tragic plays and one satyric play were able to be recovered. The characters in Euripides’ plays were down to earth men and women. All characters in Euripides’ tragedies were played by men. Euripides’ work is also known for being one of the first tragedies to portray a strong female character with a complex personality. His innovations have influenced drama and contributed to making it how it is today. Euripides left Athens in 408 B.C., when the Macedonian King invited him to live and write in Macedonia. Once he came to Macedonia, he never returned to Athens. His plays were known for posing awkward questions, unsettling his audience and creating more suspense within the story by including immoral characters. Most modern plays are created with Euripides’ literature and writing style. Euripides contributed many new, familiar aspects of playwrights in modern times. One of the new aspects that Euripides helped show is women being portrayed as intelligent and strong but also flawed. If Euripides had not created his plays in this style, then women may have not been recognized for their intellect and strength. Euripides questioned everyday life. As a realistic person he placed modern ideas and opinions in traditional characters. Euripides wrote about love, vengeance, and religion. He questioned values, he also investigated philosophical and political issues of his daily life. Euripides cherished Athens and sympathized with the afflicted part of humanity. Some of Euripides’ political plays include, “Heracleidae and The Suppliants”.
This distinction between men and women is emphasized in Euripides’ The Bacchae. It is the women, and not the men, who are allured to follow Dionysus and practice his rituals: dancing, drinking, etc. It is seen as problematic to Pentheus and something must be done: “Women are laving home / to follow Bacchus, they say, to honor him in sacred rites. / Our women run wild upon the wooded hills, dancing to honor this new God, Bacchus, whoever he is” (215-218). There is a sense of lost, a need to retrieve the women, and return them to their place. “Our women run wild” creates the comparison of what their women would do amongst men and their society, as well as a sense of possession of the women (217). Agave recognizes the freedom from her daily confinements of her home when amongst the Bacchantes: “I quit my shuttle at the loom / for a higher calling, the hunting of wild beasts / with my bare hands” (1214-1218). There is a contrast of sitting behind the machine, the loom, and creating, or in this case destroying, by her own hands. Is it this contrast what drives the women of Thebes towards Dionysus? For what better creates a feeling of accomplishment then achieving a finished product by one’s power alone? The women are consequently pushed towards Dionysus because of the freedom he offers.
Euripides’ Bacchae presents a challenge to the identity of the Athenian male citizen. The tragedy undermines masculinity and traditional gender roles by exposing their vulnerability and easy transgression, implicates Athenian ideals of rationality and self-control in the fall of Thebes’ royal household, and complicates the concept of what it means to be a citizen. With Athens’ defeat in the Peloponnesian War looming, Euripides represents the Athenian anxiety as they faced their potential destruction and loss of their city and their identity.
*Although Medea is arguably the most intelligent character in Euripides’s piece, shown in her dialogue with Creon, she has become ridiculed, and viewed as barbarous and less desirable following her separation from Jason. She is no longer a wife to a Greek man. She is simply an outsider, and a burden on a prosperous
Medea's first public statement, a sort of "protest speech," is one of the best parts of the play and demonstrates a complex, at times even contradictory, representation of gender. Medea's calm and reasoning tone, especially after her following out bursts of despair and hatred, provides the first display of her ability to gather herself together in the middle of crisis and pursue her hidden agenda with a great determination. This split in her personality is to a certain degree gender bias. The lack of emotional restraint is "typical" of women, and the strong attention to moral action is a common trait of heroes. Medea actually uses both of these traits so that her wild emotions fuel her ideals, thus producing a character that fails to fit into a clear mold.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
The character Medea is disliked by many that read Euripides' Medea. She is not really given much of a chance. It is difficult to read the tragedy without having negative feelings towards the main character. Some readers are content to just hate Medea, while others want to know what would compel a mother to come to be able to commit these crimes. Sara Warner writes, "Transgression must be built into any system in order for it to survive. For example, patriarchy, for lack of a better word, could not and would not exist if it simply operated on the brutal oppression and domination of the female sex" (Warner p. 159). Transgression is defined as an act, process, or instance of transgressing: as an infringement or violation of a law, command, or duty by Merriam-Webster. Roget's II The New Thesaurus says transgression is a wicked act. Medea's transgressions were all wicked acts. From tricking Pelias' daughters to murder their own father to killing her own children, Medea committed many crimes. Of course there are many other offenses in thi...
Throughout Greek and Roman mythology there are many themes, motifs, and symbols that are consistent amongst the different myths. Some of the more common ones include the abuse of mortals from the gods, the relationship between men and women, and the way in which lust operates in society. All of these are apparent in the writing style of Euripides in his text the Bacchae. This myth explores the battle between Dionysus, who has just returned dressed as a stranger, and Pentheus, who is the current ruler of the state, over the city of Thebes. As one reads this myth they will clearly identify some of the important subjects, however one detail that may not be noticed is the portrayal of Pentheus holding gender identity issues. There are many examples
Euripides. Ten Plays: Electra and Iphigenia at Aulis. Trans. Moses Hadas and John McLean. New York: Bantam Books, 1981.
In Euripides play, Medea the Character of Medes fit the Aristotelian Arc of character development because the arc state that a character must be of a high social standing. His or her actions must fit with that standing, and last the must be humanistic and relatable." Behavior must be in keeping with their social rank, and consistent Protagonist must be a person of high rank or stature We must be able to identify with them – we must recognize we ourselves would do the same in a similar situation" [Darbey slide2].
"Bacchae", by Euripides, talks about Dionysus (also called Bromius, Bacchus, or Evius), son of Zeus and a mortal woman, Semele, who came back to his homeland of Thebes to show everyone that he was a real god. His mother was killed while giving birth to him and her sisters spread rumors that she lied about her pregnancy. Therefore his family does not know about his existence. Dionysus's cousin Pentheus was not convinced that he was god and argued with him in spite of everyone around telling him to stop fighting with Dionysus. At the end of the play, his own mother killed Pentheus while she was at the state of being possessed by Bacchus; not knowing it was her son. Why does Pentheus get killed? This essay discusses three possible explanations for that.
Information about lifes of Sophocles and Euripides are very limited and hard to verify. However, many sources match about following information about their biographies. Sophocles was born at 497 or 496 BCE in Colonus Hippius, now a part of Athens. His father was a wealthy merchant and weapon producer and an important figure in their society. So, Sophocles had the opportunity of taking the traditional aristocratic education and studying art in his early age which was a pr...
Euripides portrayal of women in his plays has been somewhat bizarre. His female characters kill out of revenge, kill out of jealousy and kill because a god possessed them too. In Alcestis and Andromache Euripides does produce classic heroic female characters. The women in Medea and The Bacchae are not your typical heroines but serve to show the same theme of female liberation as the women in Alcestis and Andromache. While Alcestis is straight forward with its message, the other three plays mask their true intentions from the people they are created to oppose. Euripides might have been misinterpreted by his society because it was dominated by the very people he wrote his plays against. Euripides disguises some of his radical ideas to those who might oppose him and in Alcestis, Andromache, Medea, and The Bacchae shows his female characters being liberated from oppression.
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
Throughout Euripides’ Bacchae, there are plot elements which seem out of place for tragedy. However, these out of place plot elements serve as a comedic relief and a way to further the underlying thematic elements of the play. One of these seemingly out of place plot elements is the comedic way Agave handles the death of her child, which indirectly furthers the theme of feminism in the play. Without the comedic elements, such as Agave, the audience would cease paying attention after uncomfortable situations, such as the brutal death of Pentheus. Therefore, the way Agave handles the death of her son emphasizes the underlying theme of feminism, because her behavior helps to refocus the audience’s attention to the play.
Throughout The Bacchae, Euripides uses the Greek myth of Dionysus’s revenge on Pentheus, the king of Thebes, and his mother, Agave, to compare the complex worlds of nature versus man. From the entrance of the royal palace of Thebes there are two paths, the first of which leads east to the wilderness of Cithaeron, while the other leads west to the ancient city of Thebes. Is it possible that these two locations are merely the random setting of this Greek Tragedy, or are they meant to give deeper insight into the delicate balance between rationality and savagery in human society? The answer is clearly the latter. The opposing ideas that these locations represent, along with Euripides’s use of conflict, juxtaposition, extended metaphor, irony, and imagery, help to fully convey one of the overall messages of his work: not only will there always be a place for the irrational within an ordered society, but it is necessary in order for a healthy society or mind to thrive.