Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Similarities and differences of Apollo and Dionysus
Apollo versus Dionysus
Art as mirror of society
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Similarities and differences of Apollo and Dionysus
Art as a Reflection of Life in Death in Venice
Death in Venice explores the relationship between an artist, namely Gustave von Aschenbach, and the world in which he lives. Aschenbach, destined to be an artist from a young age, represents art, while his surroundings represent life.
As the story unfolds, Aschenbach endeavors on a journey in an attempt to relinquish his position in society as an artist. Aschenbach wants to experience life, as opposed to merely reflecting upon it, as he has done for so many years. This attempted change of lifestyle can also be interpreted as a transition from the ways of Apollo to those of Dionysus, an archetype dating back to Nietzsche's Birth of Tragedy. Aschenbach's journey throughout Death in Venice can be seen as an artist's attempt to live life free from artistic interpretations. In the end, however, Aschenbach fails and his death shows that art is transient. Because of Aschenbach's failure to step down from his position as an artist and to become a part of life, it can be concluded that art is purely a reflection of life.
Aschenbach's journey commences upon his encountering a stranger on a portico. "He was obviously not Bavarian." (Mann, 4) Aschenbach, never having ventured far from home, is intrigued by this foreigner who fails to give him the respect and reverence that he is used to as a renowned artist. For the first time in his life, Aschenbach is challenged. "So now, perhaps, feeling, thus tyrannized, avenged itself by leaving him, refusing from now on to carry and wing his art and taking away with it all the ecstasy he had known in form and expression." (Mann, 7) Aschenbach, acknowledging the challenge, resolves to travel. The new territory upon which he is to embark, t...
... middle of paper ...
...be an artist is shown throughout his life, including in his last moments on the beach when he fears Tadzio's death. The irony of Ashenbach's demise emphasizes that art, as a reflection of life, is transient. "And before nightfall a shocked and respectful world received the news of his decease." (Mann, 73) Aschenbach has earned his place in history as an artist. But like all artists, he is replaced by his successors. Aschenbach's transition from an Apollonian way of life to a Dionysian one shows that art reflects life. In his case, art is nothing more than a reflection, and although beautiful and appreciated, it is not an essential element of life itself.
Works Cited
"Mann, Thomas." Microsoft(r) Encarta(r) 98 Encyclopedia. 1993-1997.
Mann, Thomas. Death In Venice. New York: Vintage Books, 1989.
http://philos.wright.edu/Dept/CLS/wk/204/DV.html
TJ is not only thoughtless, he is also quite sly and knows how to get
...es Art an inner power struggle. Subsequently, Art becomes resentful. Art’s resentment towards Vladek does not allow him to emotionally mature. Yet through writing Art forgives his father and becomes a man.
In conclusion, T.Ray’s character is in consistent with the decision that he made to leave Lily with the Boatwright sisters because he is careless, unloving and prideful.
Cry, the Beloved Country is such a controversial novel that people tend to forget the true meaning and message being presented. Paton’s aim in writing the novel was to present and create awareness of the ongoing conflict within South Africa through his unbiased and objective view. The importance of the story lies within the title, which sheds light on South Africa’s slowly crumbling society and land, for it is the citizens and the land itself which are “crying” for their beloved country as it collapses under the pressures of racism, broken tribes and native exploitation.
More specifically, Apollonian art forms tells stories through images and are rooted in dreaming. Much like dreams, apollonian art encourages one to continue living. While contemplating apollonian images, an individual is temporarily detached from her normal sense of self and daily struggle. Here, Nietzsche once again references ancient Greece. The Iliad and the Odyssey illustrate idealized illusions of war with great heroes. The language used is able to idealize a bloody war scene and turn it into something more desireable. Similarly, when one gets a tattoo to cover up a scar, they are transfiguring the reality to create something ideal. But the scar and the world do not disappear by these transfigurations and the objective harshness remains. However, our attitude towards the real thing is changed. We see the world in a more hopeful and positive light. As beautiful art is placed in front of the terrors of everyday life, reality may seem less awful and thus art makes life worth living. But Nietzsche realized the limitations of apollonian art. For once we see reality again, the illusion art created breaks and reality seems worse than it appeared
what they to know to us but these can only show the way to attain our
Cry the Beloved Country, by Alan Paton is a novel inspired by the industrial revolution. Paton describes in detail the conditions in which the Africans were living during this time period, 1946. This story tells about a Zulu pastor who goes into the city in search of his son and siblings who left in search of a better life. The pastor sees this immense city where a ruling white group is oppressing the black population. This novel is more than just a story, but it depicts the effects imperialism and the Industrial Revolution had on South Africa. Although the government has intervened to protect the people, some of these effects are still present in our societies.
As the young boy grew, he began to have a love for art and wanted to become an artist, but his father, however, did not have a care of his son’s dreams, but instead wanted him to grow up, following in his footsteps; in which Adolf rebelled against.
It appears to me that pictures have been over-valued; held up by a blind admiration as ideal things, and almost as standards by which nature is to be judged rather than the reverse; and this false estimate has been sanctioned by the extravagant epithets that have been applied to painters, and "the divine," "the inspired," and so forth. Yet in reality, what are the most sublime productions of the pencil but selections of some of the forms of nature, and copies of a few of her evanescent effects, and this is the result, not of inspiration, but of long and patient study, under the instruction of much good sense…
An architect, poet, sculptor, and painter are some of the terms that define Michelangelo di Lodovico Buonarroti Simoni. Michelangelo was one the of the most influential artists of his generation. He was born in Caprese, Italy on March 6, 1475 and died in Rome on February 18, 1564. Michelangelo’s early life and work consisted of him becoming an apprentice to Domenico Ghirlandaio, a painter in Florence, at the age of 13, after his father knew that he had no interest in the family business. The painter then moves on and joins Lorenzo de’ Medici’s household, where he learns and studies with the painters and sculptors that lived under the Medici roof. As a sculptor Michelangelo carved magnificent statues, he was invited to Rome
A fresh artist began to emerge from this new society. As a whole, the bourgeoisie class was indiffere...
The invention of the printing press helped the people understand more about their religion and God. Most people do not know that renaissance means rebirth. The renaissance was the one thing that started everything that people know and believe in today’s society. During 14th and 16th centuries most of the people did not know about religion, church, or God. There was so many pastors telling the people false information on the Bible. The advance technology of the Renaissance led the way for the Protestant reformation. The Renaissances took on many forms, such as a movement called humanism. Humanism was the belief that stressed potential value and human beings, emphasis on human needs. And ways of solving human problems. So there was
The mood of the narrator seems to be mystical yet powerful. By reading the translation of the poem, the narrator’s experience of beauty and spiritual movements is not something to easily understand. The narrator describes the idea that although a sculpture or an object is incomplete, there can still be different approaches to analyze the meaning(s)
Death in Venice by Thomas Mann, is a story that deals with mortality on many different levels. There is the obvious physical death by cholera, and the cyclical death in nature: in the beginning it is spring and in the end, autumn. We see a kind of death of the ego in Gustav Aschenbach's dreams. Venice itself is a personification of death, and death is seen as the leitmotif in musical terms. It is also reflected in the idea of the traveler coming to the end of a long fatiguing journey.
Amongst the several intellectual and artistic Renaissance individuals, this figure “saw the angle in the marble and carved until he set him free.” Artist Michelangelo Buonarroti learned his art while young and under the occupation of Lorenzo de Magnificent; his talent was pooled in different directions, but he applied himself to traditional religious matters with great devotion, although he had been increasingly attracted to the classical legends he heard at home. Michelangelo was born with talents beyond artistry; he is mostly known as being a painter and sculptor, but Michelangelo was also an architect, poet, and engineer.