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Dualism philosophy theory
Greek art influence on western civilization
Dionysus and Apollo
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Recommended: Dualism philosophy theory
I enjoyed reading The Birth of Tragedy by Friedrich Nietzsche. In this reading Nietzsche focuses on the aspect of fundamental duality. The focus of this is Apollo and Dionysus, and they represent two separate art-worlds of dreams and intoxication. According to Nietzsche, Apollo is the ruler over the illusion of the inner world and fantasy. Apollonian art had a certain restraint and gave observers a freedom from their erratic emotions. This art provided relief and comfort and was the basis of analytic distinctions. Apollonian art represented a man’s character. However, Dionysian art breaks down a man’s character. This art represented primordial unity through ecstasy. Dionysian art is in both dreams and ecstasies, and the focus of this art is
music because it appeals to man’s emotions. Before Dionysus art was naïve and focused mostly on appearances the observer was not united with the art. This ancient Greek tragedy involves both elements of art. In the text from Thus Spake Zarathustra, Nietzsche believes that God is dead and everyone is destined to live life in a free godless universe. Each individual on earth needs to overcome oneself and the limitations they have set. There are three metamorphoses that can enable an individual to reach a higher state with true freedom and independence. These three metamorphoses are the camel, lion, and child. The first is to become a camel, and become subjected to receive various burdens. This metamorphosis is intended to humiliate oneself in order to discard their pride. The second stage is for an individual to become a lion. By becoming a lion this individual will obtain courage and will, and they will capture freedom and lordship in their own world. The third and final metamorphosis stage is when an individual becomes a child again. This stage represents a new beginning and a chance to apply the new-found wisdom that was obtained and create a better life. If these stages are completed, then an individual becomes strong and free in a godless universe. This individual will find their own truth and goodness. Their spirit will be free of constraints and find the purpose of their life.
Bravery, strength, and leadership are just a few of the characteristics possessed by Theseus of Greece and Romulus of Rome. Plutarch, a Greek historian, explains lives each of these men. These men were different from any of the other men during Ancient Greece and Rome; according to Plutarch, they were descendants of the divine, which ultimately destined them for greatness. Throughout their lives, they would achieve power through various events and establish the societies and politics of two the greatest cities in history. The paths that each took and the events that occurred in their lives molded them into the heroes while also contributing to the legacy they would leave behind.
3 & 4. 27 B.C – A.D 68 by unknown artist, but restored by Pacetti Vincenzo
Theatre is an evolving art form, due to its prevalent themes, in which the creators ‘…express the complications of life through a shared enterprise’ (Lee Hall, 2008). The modernisation of a text whilst maintaining the history relevant to the play has been reinforced by Brisbane based Physical Theatre Company Zen Zen Zo through their 1996 reinterpretation of Eurpide’s The Bacchae, adapted into ‘The Cult of Dionysus’ (Zen Zen Zo, 2016). ‘The Cult of Dionysus’, entails the story of Dionysus, the Greek God of fertility, wine and pleasure, seeks revenge on the ruler of Thebes’ Pentheus, who has just outlawed the worship of Dionysus. The elements of drama have been manipulated to engage the audience, specifically
The idea of duality permeates the literary world. Certain contradictory commonplace themes exist throughout great works, creation versus destruction, light versus dark, love versus lust, to name a few, and this trend continues in Frankenstein by Mary Shelley. The pivotal pair in this text however, is monotony versus individuality. The opposing entities of this pairing greatly contrast against each other in Frankenstein, but individuality proves more dominant of the two in this book.
Dionysius I of Syracuse garnered a reputation as a warmongering tyrant who harmed his people with his oppressive regime. However many surviving sources that explore his rule were written by people who were ideologically opposed to perceived tyrants. It is therefore quite possible that aspects of Dionysius rule where left out or exaggerated to suit the author`s anti-tyrannical agenda. It is the intention of this paper to argue that Dionysius rule did in fact benefit Syracuse more than he harmed it during his lifetime. His domestic and foreign affairs will be explored in order to show how he in fact benefitted the Syracusan state as well as the majority of its people. It will however also be argued that his legacy did harm the Syracusan state but that overall Dionysius rule was beneficial in his lifetime.
Sels, Nadia. Myth, Mind, and Metaphor: On the Relation of Mythology and Psychoanalysis. n.p. 2011. Web. 25 Mar 2014.
While watching the film Gladiator with my girlfriend I realized the striking similarities that heroes share. However, I always wonder who is more of a hero. The definition or hero is a person noted for feats of courage or nobility of purpose, especially one who has risked or sacrificed his or her life. So let us compare the two heroes as the dictionary defines them. In the end I hope to be able to define who is a greater hero.
Hart Crane’s poetry is a perfect example of an Apollonian art with Dionysian qualities. Hart Crane, the American poet and author of “Eternity”, “O Carib Isle!”, and “The Hurricane”, demonstrates elements of destruction and tragedy within his poems. The Apollonian dreamworld is “the father of all the imagistic arts […] [including the] good half of poetry”(Nietzsche, 29). Because poetry is an art form of the Apollonian world Crane’s poems become an Apollonian work. It is through the poems themselves, however, the Dionysian world comes into play. In all of Crane’s poems a major tone of Dionysian qualities are exemplified. Crane’s poem “Eternity” illustrates Dionysian tragedy. The poem describes the people of a town, and the town itself, after
Zorba, who exemplifies the procreation of Dionysus, the Greek god of wine and festivities, only behaves in the pursuit of pleasure. Kazantzakis suggests that once Boss gives up the manuscript, he will be able to adopt the ideas from the Dionysian culture. “I wrote all day and the more I wrote the freer I felt. My feelings were mixed: relief, pride, disgust. But I let myself be absorbed by the work, for I knew that as soon as I had finished this manuscript and had bound and sealed it I should be free” (83). For Boss, the manuscript symbolized an object which is associated with the Apollonian lifestyle, therefore when he finally renounces it; it signifies a change in philosophies. Kazantzakis depicts Boss as one who will never truly attain a life-loving entity, his analysis of the difference between the dichotomy provides the idea of trying to find a midpoint between the opposing philosophies. Zorba says to Boss, “All those who actually live the mysteries of life haven’t the time to write, and all those who have the time don’t live them! D’you see? (235) This is ironic since at the end of the novel Boss continues to write in the book instead of going out to live instinctively. Despite Boss’ best efforts to overcome his intellectual instincts, it is in his nature that he continues to harbour the Apollonian traits. Although Zorba’s
In The Birth of Tragedy, Friedrich Nietzsche puts the Moirai above all knowledge and in control of the destiny of all ...
and went on many great ventures such as the Quest for the Golden Fleece. Theseus
Nietzsche introduces the Apollonian and the Dionysian as being part of the “Greek Life.” The Apollonian was based off of the Greek god Apollo. It represented culture, order, and art. The Dionysian was based off of the Greek god Dionysus. It represented nature, chaos, and feeling. Both the Apollonian and the Dionysian were combined with the creation of tragedy and became the core o...
There are two reasons why The Aeneid is associated with the Shakespearean play Antony and Cleopatra. First, The Aeneid was written by a Roman named Virgil who, among many other reasons, wrote it as a tribute for Augustus Caesar, the leader of the Roman Empire. Augustus Caesar was formally named Octavian and is a character in Shakespeare's play. Secondly, both The Aeneid and Antony and Cleopatra share a common theme of a patriotic, heroic man having to choose between duty to his country and the passionate love of a beautiful, foreign and strong queen. In The Aeneid, the lovers are Aeneas and Dido and Antony and Cleopatra are the lovers in Shakespeare's play.
They had similar beliefs, but also immeasurable differences. It was composed of many meaningful gods and goddesses that all played a part in the everyday life of the average Roman and Greek person of that time.
In this essay the critical approach on (Mythological and Archetypal Approach) played a big role in forming my opinion of the signet classic book, "Doctor Faustus" It is to my knowledge that mythology does not meet our current standards of factual reality, but unlike the 16th century which this play was presented, men like Faustus saw myth as fundamental and a dramatic representation of the deepest instinctual life in the universe.