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Throughout the ages, there have been different forms of performances entertaining the world, each filling its own little definition. One of these is the zarzuela, a Spanish lyric theater drama, featuring a mix of spoken and sung scenes, popular, operatic and orchestral numbers, as well as dance. It was considered an innovative style of drama, giving function to the musical numbers within the story to advance the plot. Within zarzuela there are two main genres, Baroque and Romantic, which are then split into other sub-genres, mainly género grande and género chico (usually shorter and lighter). Zarzuela’s origin is not unclear, and allegedly originated near Madrid at the Palacio de la Zarzuela (zarzuela meaning zarzas, brambles, which supposedly grew all around the lodge.) Baroque zarzuela was popular from 1630-1750, with themes largely revolving around traditional mythological or historical stories and characters. Early zarzuelas can be very closely compared to the Italian opera seria. The Baroque time of zarzuela was the Golden Age of the genre and its most important period of development. The first known performance was in 1657, and was a comedy by the name of El Laurel de Apolo, written by Pedro Calderón. It was performed in the Palace of Zarzuela Complex, and is recognized as the birth of La Zarzuela. Baroque zarzuela’s popularity began to wane after roughly a hundred years due to Italian influence, until, with an influence of nationalist rebellion, Carlos II resurrected zarzuela in 1759. His reign opened the floor for artists to rebel against these traditional Italian influences and brought back zarzuela. In the 1850s, Romantic zarzuela began to appear, and was mostly the same as traditional zarzuelas, with com...
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... One of the most striking differences is in the content of the stories portrayed. In most zarzuelas, there is very little tragedy, and the drama is not as
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over the top. Most zarzuelas include a good amount of comedy, many times with comedic love affairs, and happy endings are a standard that is kept. Although, Calderón, the writer of the first Zarzuela, defined the show this way: “It’s not a comedy, just a little fable at the manner of Italy, where there is singing and acting.” Zarzuela’s differences from opera are no mistake, opera was already around for half a century when zarzuela emerged, and it was still expanding. But many Spanish people didn’t care for recitative. It was considered something affected, unnatural: “if you speak, you speak, but if you sing, you sing.” This can be considered a main clash found between opera and zarzuela, Italy and Spain.
...ition to costume, language and dialogue is what fixes the atmosphere and the action. In a manner very similar to Shakespeare, Calderón weaves description of the scene and of what is occurring into the main thrust of the play. In this sense, he is more than a poet, he is a dramatic craftsman who predominantly through his verse alone, creates a drama in its own right. All the clues to the plot and its themes lie in the text; the use of staging, costume, music and props can be used to enhance what lies in the script. What they give to the play is a fuller and more entertaining dramatic production. Thus, if used sensitively and intelligently by a director, these factors can increase the dramatic power of the work. The primary focus, however, remains the language, which relies on a high standard of acting in order to do justice to the subtleties of the play.
...ng style for these stories are how Marquez placed magical realism within them. In the first story there is an angel, and in the next there is a dead giant. In the first story the people mock the element of magical realism and in the second they praise and honor him. Marquez wrote these two stories differently, to fit their needs.
Junot Diaz’s “Otravida, Otravez” postulates a perspective of life where one’s present and future always reflects their past in some way. Diaz incorporates symbolic figures to convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken.
Valle-Inclán and Lorca have both been very influential and important figures of the twentieth century Spanish theatre. During their time, the theatre was mainly made up of bourgeois theatregoers who did not enjoy thought provoking plays, but preferred a theatre that was conventional and contemporary. Both Valle and Lorca departed from convention and showed freedom in their style of writing, therefore earning their reputation of dramatists of utmost importance, respect and originality, who not only brought new trends to the Spanish theatre, but also embodied the signs of change and hope for the Spanish stage.
It holds such power over captives and captors alike that they cannot help but feel enamoured to the life it brings. Cesar especially feels the beauty of music “Oh, how he loved to hear the words in his mouth… It didn't matter that he didn't understand the language, he knew what it meant. The words and music fused together and became a part of him” and through music, he discovers his latent talent for singing (224). Based only on Roxanne’s previous arias, Cesar’s potential is outstandingly bright when he sings for the first time without any training whatsoever. Not only do the others learn to appreciate his gift, but Roxanne herself recognizes how promising he is or she would not have bothered to waste her time tutoring him. Beforehand, Cesar is nothing remarkable, just another one of the terrorists who detains them, but the opera transforms him into a separate person. Like the mansion enveloped in the garua, Cesar is heavily shrouded by serious self-esteem issues and fear, but after his breakthrough, his worries suddenly disappear and his life becomes a reservoir of joy. If “life, true life, was something stored in music”, then Cesar has lived a deprived life; his passion for music was just unfolding, but fate robs the world of who “was meant to be the greatest singer of his time” (5,
April 9, 1948, was a tragic day in Colombia’s history. On this day, Jorge Eliécer Gaítán, a candidate for the presidency of Colombia, was assassinated. In the 10 hour period that followed the assassination, angry mobs marched throughout the city of Bogota, looting and burning down over 100 buildings. Before the night would end, nearly 3,000 people would die in the streets. This terrible event in Colombia’s history is today referred to as the Bogotazo. This paper examines some of the underlying reasons contributing to the outbreak of this violence and the events that transpired during the Bogotazo. The paper concludes that the events leading to the violence of the Bogotazo are still present in Colombia today and will hamper its prospects for peace in the future.
The extraordinary pyramid you are currently looking at was created by the Zapotec. The amazing pyramid is located in Monte Albán. The pyramid was created during the 700s BCE. This pyramid is large and has alot of terraces. This pyramid also contains deep stone stairs. It's thought that this pyramid was used for storage, mostly valuable items. Also, people thought that this pyramid was used sometimes for a home of rulers of the land.
There’s approximately 25.6 million of teens in the U.S. Only 40% of teens say they save
Before discussing the future of opera, it is imperative to examine traditional opera and some modern trends. The primary focus of traditional is on the actors’ and actresses’ singing and acting. Apart from vocal performance, opera also puts emphasis on movement and expression. Movement and expressions are exaggerated so that audiences sitting far away can see. The movements are theatrical. Opera is performed on live stage with sets and costumes designed especially for the performance. For example in Tosca, The actors and actresses all dressed in the costume of the Napoleon era. Males have waxed hair, and they wear breeches and long coats with tall standing collars. Females wear dresses that ar...
Great civilizations rise and fall throughout the course of history. From the Romans and Greeks to the Aztecs and Maya, every society has its own great achievements and miserable failures. The discovery of the Americas in the late fifteenth century leads to the creation of many great empires and the demise of others. In particular, the Spanish expand their empire into the Americas and conquer any people that stand in their way. The Inca are one of these people. To the Spanish, the Inca are mere barbarians lacking a written language, iron forging abilities, and other European customs and practices. Despite the absence of qualities the Europeans consider to be necessary for an advanced society, the Inca are able to achieve immense accomplishments within their empire. One of the greatest accomplishments can be seen in the ancient city of Machu Picchu. The drainage engineering and hydraulic engineering techniques at this site prove that the Inca are no less primitive in their abilities than the Spanish during the time of the American conquest.
Opera in the Romantic Period was a time when opera changed drastically, especially in the country of Italy. The recognition of singers as being important, almost irreplaceable, in the art of “bel canto” opera changed the idea of a vocalist in opera forever. A singer’s voice was prized and Italian composers, like Rossini, Donizetti, and Bellini, wrote operas and works to showcase the voice, it’s color, range and agility. These Italian composers were moving away from the normal style of composition of the time, and the composer Rossini, who set the stage for many other followers. Many of the operas written during this time are still performed today and are highly acclaimed.
What is opera? Opera is a theatrical work that was set to music for people to sing. People that sing regular music probably never tried to sing opera because the singers never had a microphone to use and the opera houses that they did the operas in was big so they had to reach the outer portions of the room. Opera houses were built for the extra space they need to put on the shows that they were doing. With extra space and more seats there need to be a change in how opera were done. Operas started to become more romantic and have more passion than ever before. With that came a style of singing using full rich broad tones and smooth phrasing, which is called bel canto style. The style is defined by beautiful singing.
Operas as a form of art became popular in society around the mid 17th century. Originating from Italy, people viewed the opera as a combination of poetry, dance and music. At the time, people were quick to be awed by the ability of the opera to combine all three forms of art into one show of theatre. Obviously, the opera was quick to spread and develop in other countries. The one destination the opera soon gained popularity and fame in was no surprise. As Oscar de la Renta once said, “If you want to establish an international presence you can’t do so from New York. You need the consecration of Paris.”
The story "Zaabalwi", written by Nagub Mahfouz, is about a narrator 's quest for the Islamic mystic Zaabalwi. The story takes place in Cairo and the narrator looks high and low to find this mysterious character. The people of Cairo see Zaabalwi as a saint of sorts, who possesses physical healing and religious salvation. In all regards, it is an obvious symbol that has significance relating to spirituality.
Written by Georges Bizet, a French composer during the romantic period, Carmen quickly became a smash-hit because of its vibrant themes of seduction and heartbreak. The masterpiece was composed and preformed at the end of the romantic period in 1875 (metopera.com). Along with Bizet, Ludovic Halévy and Henri Meilhac assisted in writing the original French text used to this day. However, the DVD recording I watched provided English subtitles so I was able to track the plot. The production of Carmen found in the Northwestern Library was directed by Peter Hall with the assistance of the London Philharmonic conducted by Bernard Haitink. Barry McCauley and Maria Ewing played the major protagonist roles of Don José and Carmen respectively, while Marie McLaughlin and