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Hawthorne's literary style
Impact of puritans in colonial america
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In the short story, The Minister's Black Veil, Hawthorne plunges deep into Puritan Culture by revolving the plot around the horror that spreads throughout this tiny fictional community when anyone strays from the norm. When Mr Hooper, The minister of the community walks into church, everyone is taken aback because a black veil cascades his face, only showing his mouth. While reading the bible, it is as if Mr. Hooper is catching a glimpse of everyone in the church’s deep, dark secrets by Hawthorne expressing, “A subtle power was breathed in his words. Each member in the conjugation, the most innocent girl, the man with the hardened breast felt as if the creature felt upon them,behind his awful veil, and had discovered their inequity of …show more content…
thoughts”(473). In Puritan culture, one goes to church to cleanse their sins and to become a “moral” Puritan.The minister is dressed in a black veil, which represents tragedy, fear and loss. It is because of Mr Hooper’s appearance that make the churchgoers feel uneasy, and their fears heightened. Since Mr Hooper has a devilish, dark veil on his face, and especially the fact that his facial expressions are hard to discern, the churchgoers feel as if the minister has been taken over by a strange, unholy presence and is peering into every sin or bad thought that they’ve had. After the church service, the minister attends a funeral. As soon as he walks in, the community feels a dark cloud of disquietude. Hawthorne describes it as, “The only thing that their eyes rested on was that black veil, which only brought deeper gloom to the funeral” ( pg 475). In Puritan culture, blackness and death are connected. They are both the heart that pump the blood of fear, uncertainty and doom in one's veins. Mr Hooper's veil symbolizes this blackness, thus adding to the gloominess of an already tragic situation. Mr.Hooper's appearance and strange demeanor also makes the funeral goers believe that his devilish, toxic presence is preventing the young woman's soul from peacefully transitioning to heaven. The result of The Ministers strange appearance is his isolation from his congregation members. Since the fear of darkness and the unknown has been forced among the people in the Puritan society since they were young, the siting of the changed appearance of Mr.Hooper is pure logic.
As the minister was reading the bible to the church goers, Hawthorne examines their feelings by stating, “ They longed for a breath of wind to blow aside the veil, almost believing that a stranger's visage would be discovered” ( pg.472). In Puritan culture, a minister represents heavenliness, light and purity. Mr.Hooper's appearance is the opposite of that, which only sparks panic within the community, making them hope that this is not their beloved minister. Since the principles used in Puritan culture have been drilled into Puritans, they don't know anything other than these principles, thus creating their responses to the Minister's different persona mostly logical. The parishioners responses after the church service are full of hushed voices, shock and fear. The community has never seen anything out of the normal before, so it is a natural reaction uncertainty and tension begins to rise. Once the minister arrives at the wedding, it is if a wave comes in, crashing on this happy occasion. Worry is their first instinct when they seeing him. His simple black veil creates a sense that the husband and bride’s marriage will be doomed because it is dark, which represents death. After the wedding, there were attempts to confront the minister as to why he was wearing this black veil. After the delegation failed, the attempts were mostly done by his wife, Elizabeth. After learning that he can not take the veil off because he is bound to wear it in lightness and darkness, she eventually gives up. Hawthorne explains , “ From that time, no more attempts were made to remove the minister's black veil; and the minister could not walk about with a peace of mind.” ( pg.480). Once the news of the Minister's black veil begins to simmer down, the community begins to forget about the
minister, but are still weary when they see him. The minister will always be isolated from the community because it is an instinct for the community to disown anyone who does not fit in with their strict, pure ways. If the community’s responses were emotional, then their feelings of uneasiness would fade away and welcome the minister back into their hearts. Since the response is logical, the minister will always be an outcast; just because he is wearing a black veil.
In Nathaniel Hawthorne’s short story “The Minister’s Black Veil”, the reader is introduced to Parson Hooper, the reverend of a small Puritan village. One Sunday morning, Hooper arrived to mass with a black veil over his impassive face. The townspeople began to feel uneasy due to their minister’s unusual behavior. When Parson appeared, “Few could refrain from twisting their heads towards the door; many stood upright….” (Monteiro 2). Throughout the story Hooper does not take off the black veil and the townspeople, including Reverend Clark from a nearby village, treat him as if he were contagious disease. A veil typically is used to represent sorrow, but in this story it is used to represent hidden sins. No one exactly knows why he
“Sinners in the Hands of an Angry God” by Jonathan Edwards and “The Minister’s Black Veil” by Nathaniel Hawthorne are both 1700s Puritan works of literature with similarities, as well as differences, from their theme to tone and to what type of literary work they are. Edwards and Hawthorne are both expressing the topics of how people are all sinners, especially in regards to their congregation and that questions their congregation’s faith.
In “The Minister’s Black Veil,” for example, Hawthorne describes how, “perhaps the palefaced congregation was almost as fearful a sight to the minister, as his black veil to them”(2). This directly contrasts the “light” faces of the members of the congregation with the darkness of the minister’s veil. By stating that the minister was just as afraid of the people as the people were of him, Hawthorne indicates that the people fear the minister due to the abrupt reveal of his mysterious sin, but the minister also somewhat fears the people and the secrets they hold deep within their hearts. The people of the town are supposedly pure and innocent, yet it is clear that many of the citizens carry the burden of their own evils. Although the minister boldly comes forward with his own sin, he still feels the pain of the loneliness, scorn, and spite that has come with his statement. Hawthorne represents the discomfort the guilty townspeople feel when in the presence of Mr. Hooper when he describes how they were, “conscious of lighter spirits the moment they lost sight of the black veil” (3). Once again, this use of light and dark imagery supports Hawthorne’s argument that people, even those who claim to be pure and innocent, are capable of sin. The townspeople in Mr. Hooper’s community feel the burden of their own sins when they come in
This short story reflects the Puritans’ lifestyle in the early colonial stage by using the black veil of Reverend Hooper to guide people through the sinful and struggling life of the Puritans. “The Minister’s Black Veil” is only one of the great stories written by Nathanial Hawthorne, and there are more Romanticism books like The Scarlet Letter and The House of the Seven Gables, and they also talk about the changes and struggles of human
Mr. Hooper in “The Minister’s Black Veil” puts on a veil to symbolize “those sad mysteries which we hid[e] from our nearest and dearest, and would fain conceal from our own consciousness, even forgetting that the Omniscient can detect them” (Hawthorne 310). From the moment the townsfolk see the black veil they become very frightened and intimidated by Mr. Hooper, the citizens felt that “the black veil seemed to hang down before his heart” (Hawthorne 308). People became very frightened even the “most innocent girl, and the man of hardened breast” (Hawthorne 312) Mr. Hooper puts this crape on as a “symbol of a fearful secret between him and them” and because of this society chastises him and makes him out to be a...
Father Hooper wears a black veil over his eyes and nose, never revealing the reason of the veil to a soul. At times the sexton would insinuate a reason behind the veil but never revealing the answer to the mystery. Father Hooper is a very imaginative and creative individual to innovate the idea of wearing a black veil to express an idea. He is angry towards the response of the veil to his parishioners, since they treated him differently with the veil compared to without it. Most of the parishioners are clueless to why he wears it and some try to imagine why he would ever want to wear it, but there are only ideas and arguments to why a minister would wear it.
In “The Minister’s Black Veil” Mr. Hooper shocks his townspeople by putting a veil permanently on his face. The veil is a paradox of concealment and revelation (Carnochan 186). Although it is concealing Mr. Hooper’s face, it is made to reveal the sins in society. The townspeople first believed that the veil was being used to hide a sin that Mr. Hooper had committed. Mr. Hooper says that the veil is supposed to be a symbol of sins in general, however the townspeople ignore the message and still focus on his sinfulness. The townspeople know that they have sinned, but they use Mr. Hooper as their own “veil” to hide their sins. Because the townspeople are so caught up on his sins, they fail to figure on the message behind Mr. Hooper’s action and
Hawthorne's parable, "The Minister's Black Veil," uses symbols to illustrate the effect of shame and guilt. In the story, Mr. Hooper represents the average Christian with a deep longing to be holy, and have fellowship with man. However he allows the cross that he bears to come between himself and the latter. His secret is represented by the veil he wears. The veil itself is black, the color of both secrecy and sin. Spiritually, the veil embodies the presence of evil in all of mankind. In the physical realm it serves as emotional barrier between himself and everyone else (Timmerman). During his first sermon after donning the veil, it is observed that, "... while he prayed, the veil lay heavily on his uplifted countenance. Did he seek to hide it from the dread Being whom he was addressing?" (par 10). The veil made Mr. Hooper a powerful preacher. But even the people his messages touched the most would shudder when Mr. Hooper would move close to comfort them, his veiled face making them tremble (par 45). His personal relationships all but ceased to exist. Outside of church, he was seen as a bugbear, or monster. (par 44). Seemingly, the only one that did not fear the veil was his loving fiancée, Elizabeth. Elizabeth symbolizes purity. She is innocent and...
His lover, Elizabeth, leaves him, because he refuses to take the veil off. The plot to the story is that Parson Hooper tries to overcome the gossiping of the town, and make people accept him. However, his plan backfires and they reject him. “ Mr Hooper had the reputation of a good preacher, but not an energetic one: he strove to win his people heavenward, rather than to drive them thither,” states Hawthorne. The sermon he gives with the black veil on his face, is the same style and manner he gave the last sermon.
Nathaniel Hawthorne in “The Minister’s Black Veil” is able to show the hypocrisy and the overemphasis of the Puritan people and their beliefs by engaging the reader in this short story by using “a gentlemanly person” (409) who decides to start wearing a black veil over his face. As Milford’s finest gather on “the porch of [the] meeting house” (409) and enjoy the hope of another Sunday service, the townspeople’s sunny disposition and picturesque setting soon changes as Parson Hooper emerges with a “simple piece of crape” covering his face. This unusual appearance of the Reverend to the townspeople even has some of them feeling faint and forcing some women “of delicate nerves to leave the service” (410). Even though Parson Hooper’s demeanor and his polite and gracious behavior is the same as always, and his preaching is much more interesting and entertaining, the townspeople perceive their minister far differently. As Parson Hooper continues to don the veil, people start to stare at him and rumors begin to fly, especially since his sermon dealt with the topic of secret sin. As the people make him a social pariah, Parson Hooper becomes a representation of hidden sin and an object of dread. Even as death knocks on his door, Parson Hooper still will not allow himself to be unveiled, in fact, Hooper finally reveals that no one should be afraid of him, but of one another because “men avoided me, and women shown no pity, and children screamed and fled” (417) all because of a simple black veil. Through the use of symbols, Hawthorne is able to use this short story to prove that the community people and the Puritan’s religion and their beliefs are hypocritical and over zealous.
Nathaniel Hawthorne, a well-known American novelist in the Romantic era, wrote and published the short story, “The Minister’s Black Veil,” in 1836. The story provides an intriguing case of the moral and psychological facet of a religious man and his community during New England and Puritan Age. The tale begins with the villagers gathering on the front porch of the Milford meeting-house to wait for Reverend Hooper. Parson Hooper arrives, and to their astonishment, wearing a black veil obscuring his face. The villagers wonder among themselves and follow him into the meeting-house where he speaks on secret sin. The crowd is greatly affected by the veil, and leave confused of its significance. After the sermon, a funeral is held for a young woman, and his veil now becomes “acceptable”. After a few prayers, the funeral ends and someone mention that it seems “the minister and the maiden’s spirit were walking hand in hand”. He attends and brings gloom into a wedding the same night. His wearing the veil and refusal to remove it leads to the village isolating him, his fiancée leaving after an offer of redemption, and a life as a good clergyman. When it comes time for his death, he once again refuses to take off the veil, and accuses everyone to having a black veil. As Daniel Webster said, “There is nothing so powerful as truth, and often nothing so strange.” Character, symbolism, and solemn tone create a theme of rejection, socially and psychologically.
The Minister’s Black Veil, written by Nathaniel Hawthorne in 1836, is a parable about a minister, Mr. Hooper, who constantly wears a mysterious black veil over his face. The people in the town of Milford, are perplexed by the minister’s veil and cannot figure out why he insists on wearing it all of the time. The veil tends to create a dark atmosphere where ever the minister goes, and the minister cannot even stand to look at his own reflection. In Nathaniel Hawthorne 's literary work, The Minister 's Black Veil, the ambiance of the veil, separation from happiness that it creates, and the permanency of the black veil symbolize sin in people’s lives.
Nathaniel Hawthorne's "The Minister's Black Veil" embodies the hidden sins that we all hide and that in turn distance us from the ones we love most. Reverend Hooper dons a black veil throughout this story, and never takes it off. He has discerned in everyone a dark, hidden self of secret sin. In wearing the veil Hooper dramatizes the isolation that each person experiences when they are chained down by their own sinful deeds. He has realizes that symbolically everyone can be found in the shadow of their own dark veil. Hooper in wearing this shroud across his face is only amplifying the dark side of people and the truth of human existence and nature.
In the short story, “The Minister’s Black Veil,” Nathaniel Hawthorne tells the Mr. Hooper’s black veil and the words that can describe between him and the veil. Hawthorne demonstrates how a black veil can describe as many words. Through the story, Hawthorne introduces the reader to Mr. Hooper, a parson in Milford meeting-house and a gentlemanly person, who wears a black veil. Therefore, Mr. Hooper rejects from his finance and his people, because they ask him to move the veil, but he does not want to do it. In Nathaniel Hawthorne’s “The Minister’s Black Veil”, Mr. Hooper’s black veil symbolizes sins, darkness, and secrecy in order to determine sins that he cannot tell to anyone, darkness around his face and neighbors, and secrecy about the black veil.
"The Minister's Black Veil" by Nathaniel Hawthorne is a short story that was first published in the 1836 edition of the Token and Atlantic Souvenir and reappeared over time in Twice-Told Tales, a collection of short stories by Nathaniel Hawthorne. The short story narrates the events following Reverend Mr. Hooper's decision to begin wearing a black veil that obscures his full face, except for his mouth and chin. Mr. Hooper simply arrives one day at the meeting house wearing the semi-transparent black veil and refuses from then on to take it of, leading to the loss of his fiancée and isolation form the world. He is even buried in the black veil. Yet, what is important to note are Mr. Hooper's last words to those surrounding his deathbed. He tells them namely in anger that all of them wear black veils: “I look around me, and, lo! on every visage a Black Veil!”. This declaration underlines the meanings of the veil in the story as symbolic of sin, darkness, and the duality within human nature. Thus, "The Minister's Black Veil" by Nathaniel Hawthorne is a literary work of art that demonstrates the author's use of allegory to highlight the psychological angle of the story and characters.