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In the era that Shakespeare lived, there was a universal hierarchy that men were superior to women. In his play, Othello, this social hierarchy that was in place at the time was challenged. Othello’s wife, Desdemona, does not follow this assumption that women are not independent. She is not a wimp; she is a soldier’s wife and fit to be so. In Othello, Iago is frustrated with his commanding officer, Othello, who promotes Cassio over him and plots to ruin Othello’s life. Iago appears honest and trustworthy, but through his actions causes Othello’s misery, suicide, and death of his wife, Desdemona. Despite the status of women at the time, Desdemona exhibits maturity and independence, expresses her own ideas, and stands up for herself to Othello.
Regardless of the status of women, Desdemona demonstrates independence and maturity. She makes her own decision to marry Othello without her father’s permission. When her father, Brabantio, discovers of the wedlock of her and Othello, she defends her decision by saying, “here’s my husband. And so much duty as my mother showed to you, preferring you before her father, so much I challenge that I may profess due to the Moor my lord” (I, 3, 213-218). Desdemona does not just succeed in defending her decision, but she exhibits her independence from her father and that he cannot restrict her from marrying Othello. In addition to her independence, her maturity is shown by the fact that she has no racial prejudice. This level of racial tolerance she displays differs from the insults to Othello from Iago and Rodrigo, as well as the subconscious bias of the rest of the characters. While explaining her love for Othello to her father, Desdemona explains that she “saw Othello’s visage in his mind” (I, 3, ...
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...as I am a Christian…be a strumpet, I am not” (IV, 2, 95-98). He repeatedly calls Desdemona a whore and she is devastated, but stands up for herself. She says she is an honest Christian and is not a whore. Desdemona gathered the strength to stand up for herself to Othello despite his awful remarks. She has the strength to stand up to Othello, even when he is in a dangerous and threatening mood and few people would care to confront him.
Shakespeare makes Desdemona a prime counterexample to the status of women at the time. She is strong, mature, and independent and demonstrates those aspects of her character throughout the play. She is the general’s wife and is deserving of that. Desdemona’s character is a window to women today and can be used to show the change in the status of women through history. Women now our strong, opinionated, and independent like Desdemona.
William Shakespeare is known to be the greatest writer in the English language, and till this day Shakespeare upholds the title of being the start of English literature. Something every reader has possibly observed is how Shakespeare portrays women. The majority of William Shakespeare’s plays objectifies women and in some ways shows his underline feelings towards women, and their roles in society. This is clearly shown through out Shakespeare’s play ‘Othello’. The society of Othello is completely controlled by men who are the military and political leaders of their homeland. Furthermore women are seen as powerless second-class citizens, who are in place for nothing more than to serve their men. But the horrendous actions and intense downfall of the men in Othello show how men are not nearly as authoritative and powerful as they seem. The boldness of the female characters proves that they are much more capable of just serving. Furthermore, by the end of the play, I admit the men of Othello are not the ones who perform courage and power instead; this title is given to the women in the play.
Othello, by Shakespeare, involves two women; Desdemona and Emilia. These two women have a lot of things in common. Both have husbands who are full of adventure and physically powerful. Desdemona is the wife of Othello, the Moor of Venice. Emilia’s husband is Iago, is youngest of the two men, employed as a confidante to Othello. Iago is filled with so much guilt towards Othello; he wants total revenge and makes Othello’s life a living hell for him and anyone he loves. Othello doesn’t know any of this revenge and confides in Iago and trusts him with everything, because he is “the most honest” (2.3.6). While all this deceit is going on around them, both women are oblivious to it, and Emilia doesn’t
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
In the novel Othello, written by William Shakespeare, there are a variety of ways in which women are portrayed. There are strong willed women such as Emilia, who stands up to the men, especially to her husband. If he is wrong she would openly admit that he is incorrect. There are also women who are thought to be a possession as well as extremely submissive to their husbands such as Desdemona. She is the type of woman that will obey her husband to the day she dies. Desdemona believes that her husband is always right and he will never do anything that will lead her into the wrong direction. Many of the women in this time thought the same way. They are viewed as house workers, cooks, and teachers to the children. In addition to those qualities women obtain, having no authority in marriages is also added to the list. In this novel, there is judgment against women because they are “unequal” to men. They are not allowed to do the same as men for the reason that they do not possess the same qualities as men. Men were considered to be superior to women. Women were treated as their “slaves.” In contrast, today’s time women now have power. They have the right to vote, run for office, and even work outside their homes. Women now play the part as the male and female figure in the households. They are considered independent women, not relying on a male figure. Even if they are married now, they do not listen to everything that their husbands tell them to do. It states in the Bible that a male figure is the head of the households; however women today have strayed away from that view that they had back then. They want to be the dominate figure. Times have really changed from the past to the present. W...
that completely destroys his life”("Othello"). Othello is shown he is a good man within the first few scenes of the play: “She wished she had not heard it; yet she wished That heaven had made her such a man” (1.3.162-163). This line in Act I spoken by Othello, is an indication that he is a good person although it may appear that he has stolen Desdemona away from her father. Othello speaks that although he has taken Desdemona as his wife without Brabantio’s consent, he is a good person for stating his reasons for his actions as well as standing his ground. After Othello’s marriage to Desdemona, the conflict is started when Iago insinuates t...
Throughout the play women are treated as objects to be toyed with by men. The only power women have is their sexuality, which is thought to be something that is vile and intrusive. “ ...honest exchange between the two women on the subject of sexual morality...they lightly discuss, in less than an hour, both these women will be dead... about a subject their husband won 't talk about” (Grennan 280-281). For married women to speak of sexuality casually it alludes to their inevitable death. The only time a woman is left unchecked by a man, she is killed a few moments later by her own husband. However, women begin to feel more empowered when they are able to speak freely which is why they are supposed to be kept silent. With two out of the main three women dying in the play, it is clear that woman had a lesser role than men. Even Desdemona goes on to state how she knew she was an object, but then goes on to say how even objects can have meaning. Referring to Grennan “In this world, objects also carry symbolic weight, transmitting meaning beyond their apparent significance. Here the worlds seem to offer a glimpse into the deep interior of Desdemona’s mind...” (Grennan 278). We learn that Desdemona seems to be content with being an
The true test of strength in a person is marriage. Throughout the play Othello, Desdemona is regarded as a strong, independent woman with a sharp tongue and the ability to stand up for herself. She defies the stereotypical mold of a wife during the 17th century, and is not merely an obedient servant of Othello, but a strong life partner with her own ideas and personality. Her passionate, yet rushed relationship to the Moor, Othello, gives readers the opportunity to discover whether or not Desdemona’s strength allows her to achieve her superobjective in the entire play: to maintain a happy, loving relationship with her husband, or if her strength becomes a hindrance.
While there have been a great number of changes in the world since Shakespeare wrote Othello, there are a few truths about humanity and society that remain true. Othello is notorious for it’s examination of race, but is not given enough credit for its observations of gender. Iago embodies masculine gender roles in a severe and exaggerated way, allowing his desire for proving his masculinity to corrupt him morally. Iago then turns and uses his own fears of inadequacy against Othello as the root of his revenge and to improve his own self-image. Desdemona is hurt most by the need for gender roles, which ultimately ends up in her death. The characters in Othello are severely harmed by the gender roles they feel the need to adhere to.
In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.
Desdemona's actions make it evident that the female characters in Othello are weak minded. Emilia allows herself to be abused by Iago, making her a weak woman. While she does have good intentions throughout parts of the play and is a kind hearted woman, she never defends herself to her diabolical husband. Iago constantly makes hateful and degrading insults towards Emilia. Come on, come on, come on.
Since women are possessions and are supposed to obey their husbands every command, one could assume that women were also weak and submissive, Desdemona is seen as the epitome of the downtrodden woman by some modern day feminists, and there is a sufficient amount of evidence to support this claim. Desdemona herself states 'I am obedient' (III...
The play Othello is presented as a male-dominated society where women are only recognized as property; objects to own and to bear children. Women in the Elizabethan society and in Shakespeare society were not seen as equal to men and were expected to be loyal to their husbands, be respectful, and to not go against their husbands judgements or actions. Shakespeare presents Desdemona, Emilia , and Bianca as women in the Elizabethan time where they were judged based on their class, mortality, and intelligence. Shakespeare makes his female characters act the way they would be expected to act in an Elizabethan society. The role of these women in Othello is crucial because they show how women were treated and how unhealthy their relationships between men really were in both Elizabethan and Shakespeare's society.
In Othello, Desdemona is the embodiment of the perfect female: obedient and graceful. However, this obedience to marriage and to her husband is what causes her eventual death. She does not fight for her right to live because society dictates that she should be completely subservient to men. Because of how society views women, Desdemona has to shift the blame to herself rather than her husband. This is because she, as a woman, is in the wrong as she must only be a servant to man.
Shakespeare’s views of these expectations are contrary to the standard view of women’s roles during his play, for he demonstrates his malaise over the way gender relationships were so often represented, as his female characters demonstrate their capacities to rise to power and how women can be courageous in a male dominated society.... ... middle of paper ... ... Shakespeare uses both Desdemona and Emilia as symbols of defiance against the Elizabethan era, as he develops their characters to function with adjusted roles in culture.
The society in which Othello takes place is a patriarchal one, where men had complete control over women. They were seen as possessions rather than being just as equally human and capable of duties performed by men. All women of the Elizabethan were to obey all men, fathers, brothers, husbands, etc. Which leads me to the most reliable and trustworthy character of Desdemona, whom goes through many trials just to satisfy her love. Shakespeare brings the thought of Desdemona into the play by Barbantio, her father, “It is too true an evil. Gone she is....Oh, she deceives me Past thought! …” (1.1.163)(1.1.168-169), whom has just found she has taken off with Othello and firstly suspects they have been hitched. Shakespeare gives reader the impression Desdemona is a devious imp full of disrespect towards her father. However, surpassing normal tradition of asking of her fathers’ permission to wed, Desdemona ran off and did marry the moor. This in a sense was her emancipation of her father’s possessiveness and oblivion of Othello’s dominance over her. Othello replies to Barbantio’s accusation, sedating or using black magic on his daughter, by saying, “My very noble and approved good masters, That I have ta’en away this old man’s daughter. It is most true.” (1.3.79-81), which brings me to the claim that Desdemona’s character in this tragedy, was only to become and to serve as Othello’s private possession rather than a typical beloved daughter or wife as in modern time. Shakespeare bases this tragedy on the foundation of Desdemona’s character by the symbol of the discrimination of women in the Shakespearean time era. Desdemona even for the first and only time within the play stands up and challenges her inferiority under her father’s aut...