Popular culture is the new name for “low culture” which is referred to cultural products that have mass standardized production such as television, music and magazines which is shared and known by most people. (Nakayama, 2013). The power of popular culture is enormous as it serves the purpose of social functions such as establishing social norms, identities and gives meaning through shared ritual. Therefore stereotyping a particular race changes the prospective of common people when they interact. As popular culture helps creating social norms, identities, etc. people get used to what they say and produce for consumption and unknowingly get used to those information and acknowledge and even participate in racial activities.
In my essay, I have argued that popular culture is mostly used as a mechanism and/or platform that produce demeaning ideologies and practices towards African-American community that effects prejudice, intolerance, and discrimination and reflects an amalgam of complex, and sometimes contradictory social meanings and relations which definitely is unethical representation of a particular race.
Class, race, culture and age are the creation of popular culture. These distinctions and differences are based on what consumers perceive from the information that is given to them. Showing the differences through color of skin, places people live, habits and norms people share, etc. creates multiple boundaries and puts people in different places according to the mentioned factors. This creates the distinction among people and makes them different from one another. At the same time this distinction creates multiple classes where there is the best elite class which everyone wants to be and goes down the ladder to different l...
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...ulture to change our mind set on these issues, the discriminating idea is deeply rooted into our brains and would need time to get completely over with.
Time is at a premium to take popular culture more seriously as a terrain of academic inquiry and ensuring a significant change in the outlooks of people at large turning it into more of established discipline. Conceptual barriers between so-called high and low culture have broken down, accompanying an explosion in scholarly interest in popular culture, which encompasses all diverse media. The question whether popular culture can actually resist dominant ideology, or even contribute to social change, is much more difficult to answer. A conscious effort by all can not only bring a positive change in attitude and ideas in relation to discrimination, but make huge social changes for a better world in the days to come.
Omi claims that media and popular culture are two of the main culprits for the dissemination of a segregation ideology through music, movies and TV shows (Omi 114). According to Omi, media has the “ability to reflect the dominant racial ideology” and to “shape that ideology in first place” (Omi 115). These two sentences imply that Omi is not just blaming on media, but also on white people, who dominate communications and provide a better image of themselves in order to maintain the status of dominant culture. Moreover, Omi uses the concept of “representation” to claim that even the popular culture, which was supposed to be created by the people, brings segregating ideology on itself and do not contribute to the celebration of cultural diversity (Omi 120). Omi explains this belief of “representation” as a tool of segregation when stating that jokes and songs “reinforce stereotypes and rationalize the existing relations of social inequality” (Omi 121). Media and popular culture are outsiders, meaning that are not racist themselves, but according to Omi they are the main incentive to
Cultural racism is the social production and reproduction of values and standards which privilege one group 's cultural heritage and identity over those of another. Cultural racism includes viewing conformity to the dominant culture as normal and desirable. This bias results in the people from non-dominant cultures and their customs and practices being viewed as unimportant, inferior, or simply invisible("Forms of Racism." - Monash University. Web. 15 Dec. 2015.) Pop culture is a breeding ground for cultural racism, because Today’s popular Black culture, in mainstream media, is a corporate invention: a corporate scheme from narrow minded white executives. They
Besides, in cultivation theory, George Gerbner proposes that heavy users of media treat the content of media as a primary source to perceive the world and assert what they see in media is very similar to the reality (Bryant, Thompson and Finklea, 2013), so there is a high possibility that audience will bring the perception of stereotyped portrayals of African-American from media into the real world. Based on the above unhealthy situations, this paper is going to illustrate how the racial stereotypes in media negatively affect people’s perception, attitude and behavior toward African American in the reality....
The historical study of popular culture is distinct in that it diverges from the elitist perspective that governs much of our reflection on past events. Although, certain groups may face subordination in a given society, that does not imply a deficiency in their cultural achievements. From the Native people of the new world to the uneducated peasants of later years, their inferior social status in society often led their unique cultural practices into relative obscurity; dominant groups were the societal dictators of culture and the practices that future generations would deem as applicable to that time period. However, neglecting outranked cultural practices of past societies deprives historians of a more complete and accurate depiction of past societal realities. Contemporary accounts of early modern popular culture such as works by Ginzburg, Yassif and Bakhtin allow the reader to witness a shift in the earlier Romantic emphasis on the fascination and domination of the subordinate cultures [Herder] to a notion of cultural reciprocity between the elite and popular strata of society.
Racism and discrimination continue to be a prevalent problem in American society. Although minorities have made significant strides toward autonomy and equality, the images in media, specifically television, continue to misrepresent and manipulate the public opinion of blacks. It is no longer a blatant practice upheld by the law and celebrated with hangings and beatings, but instead it is a subtle practice that is perceived in the entertainment and media industries. Whether it’s appearing in disparaging roles or being negatively portrayed in newscasts, blacks continue to be the victims of an industry that relies on old ideas to appeal to the majority. The viscous cycle that is the unconscious racism of the media continues to not only be detrimental to the white consumers, who base what they know about blacks by what is represented in television, but also the black consumers, who grow up with a false sense of identity.
In Stuart Hall’s “What is This “Black” in Black Popular Culture?” the historical implication of popular culture in the U.S is examined and the influence that blackness has in it is deconstructed. According to the text, the departure of European concepts of culture after WWII sparked a hegemonic shift as the United States emerged as a world power. Due to this, the U.S. became the epicenter of global culture production. However, since America has always had a large ethnic population due to slavery, the true face of American popular culture was black American vernacular traditions. Even today, slang that emerge from black ghettos and communities become highly popular with people of other races. In fact, much of black culture is not just our culture,
For decades now, popular culture has been tainted by the perpetual use of racial stereotypes that come to us through music, television, and film. These reactionary stereotypes are often unaddressed and often permeate the minds of those too young to understand what a stereotype is. Therefore the effects of these conventionalized ideas continue to prevail throughout our society as they are repeatedly swept under the rug. However, although seemingly less common, there are also forms of media with goals of bringing attention to toxic stereotypes while still entertaining their audiences. African-Americans, Arabs, and Latin@’s are three of the most prevalent minority groups represented in the media and by analyzing the films Aladdin, Django Unchained, and the television show Devious Maids, one can become much more aware of the racial stereotypes that they are calling attention to.
Culture is a way of life that allows a diverse group of people to interrelate with one another. It is usually passed down from one generation to the next by communication and imitation. The term itself has a set definition, but it normally relates to the behavior, beliefs, values, and symbols that are accepted by a group of people. Culture can also be used to describe the time period and events in history. In the sense of what was deemed as popular during a specific stage in time and its impact on the culture surrounding it. Micro-historian have been dissecting and interpreting the meaning of popular culture and the courses of action that lead up to the events.
On an individual basis, popular culture helps establish and mold the subjective self. It influences the way individuals think, act and respond, and this becomes part of how people develop their personalities, preferences, beliefs, and their overall identity. For example, most people idolize certain fashion statements or fads which determines their preference of clothing. This process of self-formation coincides with both elements of personal choice and the responses and attitudes of others. Furthermore, the identity that an individual asserts is influenced by and helps determine the development of social relationships; it influences the communities and groups to which an individual will identify with and how that identification is processed. In the establishment of communal bonding, mass culture helps with, as Leavis describes, a “leveling down of society” (35). The lines of class distinction have been blurred which, to Leavis is not a good thing, but it unites us nonetheless. Popular culture also promotes unity in that it “blurs age lines” (29). As stated earlier, the products of popular culture are targeted towards a variety of audiences; adults read comic books, children watch adult films, etc. (Macdonald 29). Similarly, teenagers and young adults are brought together through night clubs, fashion, and music; college students come together to enjoy campus events; book fans wait in line hours for new releases, etc. Each of these instances produce feelings of belonging, acceptance and connection with members of society over a common
There are many ways to define popular culture. Many individuals have grappled with the question what is popular culture? And how to critically analyze and deconstruct the meanings. Looking at the root words of popular culture is where to begin. Raymond Williams states ‘popular’ means: “well liked by many people" or “culture actually made for the people themselves (Storey, p.5). This is part with the word ‘culture’ combine to look at how the two words have been connect by theoretical work within social and historical context. John Storey approaches popular culture in six categories, they are as followed: “Popular culture is simply culture that is widely favoured or well liked by many people”, Popular culture is “the culture that is left over after we have decided what is high culture”, Popular culture is “mass culture”, “Popular culture is the culture that originates from ‘the people.” and “Popular culture as a site of struggle
The connection between culture and society are fundamental in the understanding of anthropology. Culture on its own is a huge topic that can be studied for years and years. There is a never-ending stream of new ways culture affects human beings in everyday life. Just walking through the hallway puts culture into use. How we are supposed to interact with people in society and how we actually interact with people is all based on culture. Without culture, a healthy working society would not exist, and without society, culture would be a very difficult concept to pass on and use in daily life.
In the beginning, the relationship between everyday culture and mass media culture are closed but there are some difference between popular culture and traditional culture. The traditional culture is known as ‘high culture’ which refer to literature, art, music etc. However, popular culture is the produced by mass media, may know it as low culture. People used to entertainment or relaxation. It shared and spread rapidly in groups, communities, societies and so on. Some people may say popular culture help us to understand more about the world because of the globalization factor.
Pop culture is a reflection of social change, not a cause of social change” (John Podhoretz). It encompasses the advertisements we see on T.V, the clothes we wear, the music we listen to, and it’s the reason Leonardo DiCaprio has not won an Oscar yet. It defines and dictates the desires and fears of the mainstream members of society and it is so ingrained into our lives that it has become as natural as breathing. Moreover, adults never even bat an eyelash at all the pop culture and advertising that surrounds them since it has become just another part of everyday life. Pop culture is still somewhat seen as entertainment enjoyed by the lower class members of society but pop culture standards change over time.
Culture, defined as the art and other manifestations of human intellectual achievement regarded collectively. This can be anything from human’s paintings to their photography. Or, it could be their films. The endless movies that come out year after year, some even simple remakes of ones made years ago. But, even if they are simply remakes, we pay to view almost every last one of them. Movies impact everyone. And doing so impacts, what was defined prior, culture. In society today, the movies bombards teens with images and trends. Movies show popular culture; what the trends are, what people should be wearing, what they should be listening to, how they should act, and what they should look like. Pop culture, in turn, defines what one should
Recognizing the influence of culture is an important aspect for social workers when working with diverse populations. The client is a 30-year-old single African-American (AA) single woman with a child. Culture identifies a set of values and beliefs in a community and its corresponding worldview. As the AA culture has been forced to assimilate into the dominant culture, their own culture has been slowly forgotten. The client has deep roots to her ancestors and has mainstreamed into a new dimension. The client is reconnecting with her Baptist faith as she has lost the support from spiritual leaders. “African-Americans have developed abilities and coping mechanisms to deal with racism, and they rely on their social systems that have been perfected over the generations” (Marsiglia & Kulis, 2009, p. 187). The client represents a very diverse cultural group and the intersection of social class and gender which contributes to her oppression. The client is a single AA female with a son, living in poverty, lack of education, unemployed, with a felony charge, and receiving cash assistance from the state to support her son.