Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Development of Christianity
History of gospel music essay
Development of Christianity
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Development of Christianity
Gospel music was birthed to this world by a man named Thomas A. Dorsey, born in Atlanta in 1899 and moved to Chicago as a teen. If it wasn’t for the tragedies that he faced, we would not have this glorious sound of music upon us today. While on tour with Ma Rainey, he was informed that his wife, and child, had passed away during childbirth. “My wife died, and the baby died, and I had my life’s hope in the baby. I lost quite a bit of trust. I lost a lot of confidence in the Lord or somebody. It was quite a while before I could get myself together.” Dorsey stated. After much devastation, Dorsey put aside the blues and poured his musical gifts into writing many songs of faith. Being that he had taken part of religious music before, it became more …show more content…
During the late 1800s, many African-American churches in the Southern United States began to include various styles of music into their worship services, including hymns, and sacred songs. This style of music is mainly sung in church, backed up by hand-clapping and foot-stomping. The heart of gospel music tradition was the use of the choir, as seen on movies like The Blues Brothers, Sister Act 2, and First Sunday. (Booth) Gospel music continued to change throughout the late 1900s. There are four distinct types of gospel music: quartet style, traditional gospel, contemporary gospel, and praise and worship. Quartet style is a small group of male singers who sings together with tight harmony, traditional gospel features a more basic sound suited for a singing by a choir, contemporary gospel is more focused towards solo singers, and praise and worship is a combination of of contemporary and traditional gospel in which the praise leader has a small group to help them sing and lead the congregation in song. …show more content…
Country music was one of the first genres of music modern American music. In the Southern Eastern states of the USA as a mix of folk music from the British Isles, church music and African American blues, it was developed. Country music is often played on instruments such as acoustic guitars, mandolin autoharp, fiddle, and banjo. One style of country music is Western Music. This style of sound often had horse-like clip-clop rhythms and songs about lovesick cows and gun-fighting outlaws. It became popular in the 1930s and 40s as cowboys began appearing in Hollywood, popular cowboy movies, known as “Westerns”. (History of Country Music, Country Music 1930-1960) To add on, I often listen to Gospel more than the three genres that I have mentioned. Not only because of my belief in religion, but because it helps me through situations that I face on a day to day basis. Jazz is often played when we have small gathering at my house, a relaxing, soothing like setting, and Country music is heard when I’m simply in the mood to listen to it. No specific emotion on mood that I have to be in for me to listen to it . In closing, all there genres of music are all good genres. Being a music lover, if you have not yet heard any song that falls into the category of any of these genres, it is highly
In conclusion, Appalachian music can be defined as old time music, Appalachian folk music, country music, back woods country music and American Folk Music, but this type of music is and has been a staple in our society and has survived decades and with the beauty of the music it will hopefully continue for all time.
This aspect of culture was very significant as blacks learned that everyone was equal in God’s eyes. At these churches, the introduction of gospel music generated self expression and thus, these black churches were a representation of social cohesion among blacks. Gordy established this aspect of culture and incorporated gospel music from churches into the soul sound Motown was successful for. Moreover, the formation of African American neighbourhoods was a very important aspect of their culture due to its link to the history of segregation. Although many associated these black neighbourhoods or ‘ghettos’ with negative connotations, for blacks, it signified ‘home’, a place that represented black identity, also including the passion and emotion from overcoming the struggle and suffering of being black.
Southern, Eileen. The Music of Black Americans. 2nd ed. 1971. New York: W. W. Norton & Company, 1986. 367, 404-5, 407, 430, 437. Print.
Black and white gospel music are similar in the sense of they are singing about. They differ most in the sound of music. Black gospel music has a more smooth and soul sound to it, while white gospel music has a more modern sound. I think the distinction between the two is necessary because they do have similarity, but just like hip hop and pop are similar they still are different genres because essentially they sound different.
People were imagining and seeking a way out of the chaos. From this, came the singing cowboy idea into Hillbilly music. Fans adored the idea of the singing cowboy: the free feeling, being one’s own boss, no worries, and the vast country-side absent from the rest of the chaotic world. People saw that these cowboy artists had beautiful women, loved singing, played the guitar and were quickly becoming famous. The cowboy/western trend quickly spread across Hillbilly music. In Nashville, the industrial center for Southern music, the Grand Ole Opry was formed. The Opry’s vast broadcasting helped to disperse Hillbilly music to the nation. It stands as a monument to the original upbringing and tradition of country music still today. The Opry began using this cowboy/western trend to show fans that Hillbilly music was about the working-class family. They used hay bells, overalls, flannel clothing and boots in most of the performances. This gave fans, still mostly Southerners, a sense of pride and acceptance of who they were and what they stood for in society. They no longer had to feel any less than their Northern brothers and sisters. The Southern, lower-class people took on the role of certain pastimes and traditions that would last throughout American
Soul music was developed in the late 1950s from African American church music called Gospel music. After slavery ended in1865, African American were not welcomed in the church of White Americans, so they built their own churches and sang Christian songs with African American vocal styles and rhythm. As the civil rights movement, staged bigger and bigger demonstrations and increase in African American pride “Soul music” became more than party music for young blacks: it became a rallying flag for the Black nationalist movement. Soul music was born thanks to the innovations of continuous post-war musicians who essentially turned Gospel music into a secular form of
Let's go back to the beginning. It all started on November 28, 1925, on the fifth floor of the National Life & Accident Insurance Building. The room was Studio A. WSM Radio was created for advertising promotions, but also played music. In the interest of trying something new, WSM Barn Dance began with the first live performer, a fiddler by the name of "Uncle" Jimmy Thompson. It was something that was known to the Southerners as honky tonk or western music. As more people started listening to this style of music, it became known as country music. In this small studio in Nashville, Tennessee, music of all kinds was being broadcast to a world which was fighting a war and coming out of a depression.
Country rock and classic country are two separate things. Classic country gets it roots from a combination of early 1900’s western music and mainstream country music. Classic country gained popularity when played on the radio with a “honky-tonk” sound. Nashville,
Many would argue that country music isn't country anymore; straying too far from the older generation of fiddles, violins and guitars by incorporating a "pop" feel and focusing more on the beat than the content. Pop music is typically viewed as up-beat and differs from the sad, lonesome sounds of country from the past. I would agree that today's country has a very different sound than previous years, however, still incorporates the down-to-earth feel many of us can relate
...erself expanded gospel’s exposure when she appeared twice on “The Tonight Show with Jay Leno.” Meanwhile, television producer Bobby Jones reaches four and a half million viewers each week with his BET program, “Gospel Explosion.” However, the test for Gospel music reflects one that all Christian musicians must wrestle with: Can Gospel continue to increase its fortune in the mainstream marketplace while still maintaining its spiritual base? Despite what you believe the answer to be, African American Religious music will continually evolve. Since Thomas Dorsey first stretched the boundaries to create gospel music, choirs, quartets, and power vocalists have been singing the same song, albeit in different styles and places. As African American religious music continues to grow beyond even Dorsey’s expectations, one can only hope that it will be embraced regardless of how it is labeled by everyone who needs to be reminded of the good news it represents.
this time, gospel music was a sacred folk music with origins in field hollers, work songs,
...he country as very prominent musical genres. At the end of World War II, vocals-focused classic pop replaced big band/swing, although orchestras often accompanied the vocalists to provide depth. Around 1955, Mitch Miller began to set the course for the development of pop music (6). Incorporating many traditional genres, such as country, R&B, and folk music, into the standard popular music, Miller had many of his label’s most famous artists produce songs that adhered to the style of pop traditions. Miller himself often employed innovative arrangements that featured orchestral instruments or non-traditional sound effects. As a result, Miller’s work helped to maintain the popularity of the more traditional musical genres of the time. Another extremely prominent pop artist was Patti Page (7), whose music would eventually become some of the decade’s more popular songs.
It should be brief but comprehensive, as it may also be the introduction of the music to teachers as a study guide before or after an in-school presentation, or they may include this information in a history of social studies discussion if a program presentation is not possible. Bluegrass Music: The Roots. The street balladry of the people who began migrating to America in the early 1600s is considered to be the roots of traditional American music. As the early Jamestown settlers began to spread out into the Carolinas, Tennessee, Kentucky and the Virginias, they composed new songs about day to day experiences in the new land. Since most of these people lived in rural areas, the songs reflected life on the farm or in the hills and this type of music was called "mountain music" or "country music." The invention of the phonograph and the onset of the radio in the early 1900s brought this old-time music out of the rural Southern mountains to people all over the United States.
Country music was brought over by the first European settlers. In medieval times, storytelling was a tradition that allowed history to be recorded when few were able to read and write. When the first British settlers came to America, they brought this tradition with them, along with songs that they had learned in Europe. The people who settled the Appalachian Mountains and the West did not have an easy life and their music gave them an outlet to express their hardships.
more upbeat songs. Instrumentation is key to how the overall feel of the song should be. But