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Power politics in King Lear
How king lear a tragedy
King Lear as a tragedy
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Recommended: Power politics in King Lear
In King Lear, it is Lear’s abdication of his throne which acts as a trigger for the eldest daughters. They share the motives of ambition and greed in their quest to rule all of England which is made infinitely easier once their youngest sister, Cordelia, is banished by their father. Goneril and Regan are initially established as a single entity and, therefore, a single evil as Regan confirms early in the play when she declares:
Sir, I am made
Of the self-same mettle that my sister is,
And prize me at her worth (1.1.67-69).
They rely only on each other because they find their father to be a senile old man and their husbands to be useless in the journey to their endgame. They know that separately they do not have the strength necessary to complete their agenda of assuming complete control over the kingdom. This is especially evident in Regan’s case as she must ride her sister’s coattails in all other matter due to the fact that she is the second born daughter. As the ‘extra’ child, per say, she must maintain her position in the good graces of their father by being the one who loves him “more than words can wield the matter” (1.1.53). Throughout the play it is made clear that Regan comes in second to Goneril in terms of both intelligence and cunning, therefore she must make herself stand out in any way possible, even in terms of violence, which becomes evident in later actions.
In Macbeth, Lady Macbeth is motivated by ambition to raise her own status as well as that of her husband. In the letter she receives from her husband he refers to her as his “dearest partner of greatness” (1.5.11). The strength of her marriage to Macbeth is what enables her to have such a great influence over him which then spurs him to action. Just as ...
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... and Regan. As she walks the castle she continuously moves her hands as if miming the action of washing her hands and states, “Yet who would have thought the/ old man to have had so much blood in him?” (5.1.33-34). This is ironic in the way that earlier she called her husband a fool for obsessing over blood which could easily be removed by a bit of water, yet she is having an attack of conscience in seeing her own hands stained with the innocent blood. As she later kills herself offstage, Lady Macbeth can be appreciated as a uniquely tragic character acting as a sacrifice for the power she had actively sought out. Due to the fact that she, as well as the sisters, crossed the gender lines which society had specifically lain out, it can be seen as a sort of poetic justice that they all had to die in order to correct the abominations they had created within themselves.
The'separate' of the'separate'. This humiliating series of questions and answers demonstrates how little respect Goneril and Regan have for their father.
In Shakespeare’s version, Lear is the head of the family. He is the one who makes the decisions and calls the shots. However, he also makes the foolish decision to relinquish his power to his daughters and their husbands. In this household, and the one present in Smiley’s adaption, Lear is the one who holds the power. Even though Goneril and Regan are married, Lear is still the one who is the head of the household. However, once he decides to let go of his power, he struggles to adjust to the shift in power. Smiley utilizes this same struggle in her own novel by having him sign away his farm to Ginny and Rose. This idea of a shift in power signals an end to his reign at the top of this patriarchy even though he still tries to hold onto his place by placing certain rules and expectations on his daughters. If he were to have had sons, they would have taken his throne. This underlying idea is present in both works. It is a comment to the undesirability to have daughters as they do not have much of a role to play. Larry does not speak about his daughters in a positive light. He refers to them as the “whores” that “had sent him out into the storms and that he wished he’d had son” (Smiley 195). Lear does not speak much better of them and calls them “pelican daughters” (Shakespeare 78). Pelican is referring to feeding on a parent’s blood. Lear specifically uses the word
Lady Macbeth was “choked with ambition”. Her infatuation to be queen is the single feature that Shakespeare developed far beyond that of her counterpart in the historical story he used as his source. Lady Macbeth persistently taunts her husband for his lack of courage, even though we know of his bloody deeds on the battlefield. At this point in time, with all her will converging towards seizing the throne, she has shown no signs of remorse or hesitance in her actions and hence preventing the events in the narrative from digressing away from imperative themes and climaxes of the play.
Gonorill. Regan. Cordelia. Those names should ring a bell if you have ever read or seen “The Tragedy of King Lear.” The plot behind this play revolves around King Lear’s relationships with each of these three characters; his daughters. King Lear has a different relationship with each of them. Gonorill, Regan and Cordelia all have very distinct personalities. In this play, King Lear decided it was time to give up and divide his kingdom amongst Gonorill, Regan and Cordelia. He determined who got what based off of their love for him. Each daughter was asked to express their love for their father but, only Gonorill and Regan end up with portions of King Lear’s kingdom.
King Lear gathered his three daughters and was thinking about giving them his kingdom divided equally. King Lear made each daughter take her chance and to express her love for him, before he can give them a part of the Kingdom. After Goneril's sweet deceiving words of extreme love and loyalty and Reagan's Fancy admiring words, Cordelia’s speech seemed bad. Cordelia said the truth, however she was punished by her father.
Macbeth's desire to become king is strongly supported by his wife, Lady Macbeth. Lady Macbeth is a highly ambitious woman who, like her husband, is willing to do anything to obtain power. Shakespeare uses a series of imagery to vividly portray the desire for power in Lady Macbeth's soliloquy: “Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty!” To achieve her ambition, Lady Macbeth urges Macbeth “to catch the nearest way.” This means she wants him to kill Duncan so that he can become king. However, she fears that Macbeth is “too full o' th' milk of human kindness” to “catch the nearest way.” When Macbeth is reluctant to kill Duncan, Lady Macbeth starts attacking his masculinity. “Then you were a man,” she said. Lady Macbeth also uses the power of emotional blackmail to manipulate Macbeth into killing Duncan.
For the rearrangement of the bonds, it is necessary that those based on money, power, land, and deception be to abandoned. In the case of Lear and Goneril and Regan, his two daughters have deceived their father for their personal gain. Furthermore, they had not intended to keep the bond with their father once they had what they wanted. Goneril states "We must do something, and i' th' heat." (I, i, 355), meaning that they wish to take more power upon themselves while they can. By his two of his daughters betraying him, Lear was able to gain insight that he is not as respected as he perceives himself to be. The relationship broken between Edmund his half- bother, Edgar and father, Glouster is similarly deteriorated in the interest of material items. By the end of the play, Edgar has recognized who is brother really is and when he has confronted him says "the more th' hast wronged me...
In the mind of Lady Macbeth, ambition is represented as the ruling motive, an intense overmastering passion, which is gratified at the expense of every just and generous principle, and every feminine feeling (Moulton 516). Lady Macbeth learns, by letter, of the prophecy made by the Three Witches from her husband. She takes this knowledge to be true. Macbeth will one day be the King of Scotland, but she fears he is too kind and compassionate to kill King Duncan. Then, she makes this famous speech to the gods, “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me, from the crown to the toe, top-full of direst cruelty! Make thick my blood, stop up th’ access and passage to remorse; that no compunctious visitings of Nature shake my fell purpose, nor keep peace between th’ effect and it! Come to my woman’s breasts, and take my milk for gall, you murth’ring ministers, wherever in your sightless substances you wait on Nature’s mischief! Come, thick night, and pall th...
Goneril is also a very revengeful person. She gets back a Lear’s favouritism of his daughter Cordelia by taking away everything from Lear and then turning her back on him. The bonus for her was the money and power. However, even after she gained his money, she still indulged in torturing Lear by casting him away with nothing. It was not necessary, for Lear does not take much money to take care of. She could have at least let him sleep in her house as opposed to outside.
As Shakespeare’s tragic tale of ambition unfolds, the two central characters, Lady Macbeth and the title character Macbeth, undergo a dramatic shift of dominance in their relationship. In the beginning of the play the couple act as a team, plotting the death of Duncan to further their mutual bloodthirsty ambition. Lady Macbeth soon shows her power over Macbeth when she questions her husband’s manhood and devotion to her when he gets cold feet. As Macbeth’s confidence slowly grows and the witches proclaim positive futures for him he begins to separate himself from his wife, planning Banquo’s assassination without telling her, and no longer being susceptible to her insults. By the end of the play the roles have completely switched and Lady Macbeth spirals into guilt-fueled insanity as Macbeth prepares to battle to keep his throne. This essay will explore the relationship between Macbeth and his wife, paying particular attention to the scenes previously mentioned.
The relationship between Macbeth and his wife is strong. There is much trust between the two and there is also openness. However, the two butt heads and have opposing views many times. Even so, it is clear that Lady Macbeth is the dominant person in the couple. She is one of the major driving forces of Macbeth. This is shown when they are plotting the murder of Duncan. Macbeth asks her, ?If we should fail?? and she strongly replies, ?We fail! / But screw your courage to the sticking-place, / And we?ll not fail.? Whenever he is backing down she pushes him forward again. This is where a major flaw of our protagonist comes in. Macbeth cannot escape the trap of listening to his wife. He is subject to her commands and he knows it.
William Shakespeare's tragedy of King Lear begins with the King's decision to divide his kingdom between his three daughters. He gathers them all together, and tells them he will divide up the kingdom according to whoever has the most love for him. Goneril and Reagan, the two older daughters, make big declarations of love in order to get the shares they want of the kingdom. The youngest daughter, Cordelia, tells Lear that she loves him, as a daughter should love a father. Lear becomes angry and disappointed with Cordelia's response feeling she has shown a lack of devotion so he takes action and banishes her. When Kent, a close friend of Lear, attempts to defend Cordelia, but as well he is banished by Lear. Cordelia marries the King of France and goes to live there. The kingdom is equally divided between Goneril and Regan. These two daughters are evil and decide if Lear becomes too much of a problem then they will take d...
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
The setting of King Lear is one spoiled with materialism, and is portrayed clearly within the first scene. King Lear is demanding his daughters proclaim their affections towards, in order to divvy up the land of his kingdom upon his retirement. Upon this forcefulness, Regan and Goneril are willing to falsely profess their love towards Lear, with clearly negative intentions. Their deceit is established early in the play. Cordelia, Lear’s third daughter, refuses to comply immediately. She will not participate because she understands the vanity, although her feelings towards her father are the most genuine; she believes that there are no words to accurately express her love. Lear’s inflamed insecurities cause him to dismiss Cordelia, refusing her an inheritance. Her initial refusal is minimal as a means to convey the depth of concern she has for her father, as she witnesses her sisters fake their admiration for material wealth and power.
...e is an authoritative figure who thrives on her ability to rule her husband's life, and watching Macbeth gain independence at her expense eats her up inside and causes her to lose her sanity. She sees the tables of power being turned, and she begins to see herself in the position her husband formerly held, that of a weak, submissive individual. She can not allow herself to live her life that way, and, as it is explained in the last speech of the play, ". . . [Macbeth's] fiendlike queen,/Who, as 'tis thought, by self and violent hands/ Took off her life. . ."(5.8.69-71). Lady Macbeth saw death as the only way she could escape a life of passiveness and weakness which she believed was inevitable once she lost control of Macbeth's actions.