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Women in literature
Portrayal of Antigone in ancient greece
Women in literature
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Recommended: Women in literature
Nina Cardinale
Ms. Randinelli
English II Honors
Antigone Essay
Block 2
Feminism: the advocacy of women’s rights on the grounds of political, social, and economic equality to men. It has been a major topic around the world for hundreds of years. Feminists generally seek to bring about change by fighting for what they believe in, and are often considered to have personal strength and integrity. Although women have gained most rights they did not have before, there are still some drawbacks to our special rights that make us weaker than men. For example, men's products are cheaper than women's products at most drugstores. Also, men are paid more in their minimum wage amount than women. In this play, Antigone has many qualities of feminist literature due to her belief in the way she was treated and her actions.
It was certainly unusual of a typical ancient Greek woman to rebel against a male
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authority. Creon, the current ruler of Thebes, declares Polynices as a traitor, and a man of dishonor. Because of this, a proper burial of Polynices is forbidden. The play shows that Antigone has a deep concern for her family, which is a major characteristic that contributes to feminist literature. This is because it shows how nothing can stop her, even it is illegal, to protect her family. Antigone always put her family before herself, which showed how brave and strong she was for a woman. Antigone is a very strong and defiant leader, which comes out as another characteristic of feminist literature when she is compared to her sister, Ismene. Ismene is the perfect example of a stereotypical female in this time of history. When talking to Antigone in the prologue, Ismene shows that she believes women have to be subjugated to the wills of men when she says, “Think how much more terrible than these our own death would be if we should go against Creon and do what is forbidden! We are only women, we cannot fight with men, Antigone!” Ismene says that it is better if women don’t try to compete with men and just stay in the shadows. Antigone completely disagrees with this statement. She believes that she can do all of the same tasks a man can do, so she ignored her sister and went with her beliefs. Antigone took responsibility for her actions, and did not try to hide the fact that she was rebelling. At the end of the story, when Antigone is locked up in jail for burying her brother, she eventually kills herself as a sign of not letting Creon think he is stronger than her.
The fact that Antigone commits her own death at the end shows her unwillingness to accept male conquer. Creon loses his right of authority in Thebes after she commits suicide because the citizens see that she was trying to do what was right in the eyes of the gods while Creon opposed her. All of her beliefs, actions, and all of the things that she is subjected to make the play a strong piece of feminist literature.
In conclusion, Antigone is a story that embodies what feminist texts are. Its strong and defiant female lead champions the fact that men aren’t the only ones who can be powerful, respectable, and the ones who make a difference. Antigone's strong feminist stance shows how her individual ideas and actions can be very effectual. Antigone's story is very influential and inspirational to many women around the world, and more people should look up to her, rather than down upon
her.
... do, for all your crown and your trappings, and your guards—all that you can do is to have me killed”( Sophocles190 ).This kind of bravery ultimately proves that Antigone is courageous and willing to stand up to man and do so openly in pride. This kind of courageousness was rare for women of that time. Antigone dies bravely and in loyalty of her brother and because of this she is a model of a strong female protagonist as she clearly did not abide do gender expectations.
The character must decide whether or not to allow the employee’s cousin to work in their restaurant. The cousin must provide for his family through the cold winter or they will become homeless. The character also knows that the law requires him to check the citizenship of all employees and forbids him to hire anyone who is in the country illegally.
Antigone, a resolute and heroic female protagonist, pits her individual free will against the intractable forces of fate and against the irrational and unjust laws of tyrannical man like Creon.
The first fault of our male antagonists that concludes with the demise of our female leads Antigone and Nora is the large amount of “hubris”, or pride, that each character possesses. For instance, at the beginning of Antigone, Creon makes a decree that is flatly and purposefully disobeyed by his niece, Antigone. Even though over the course of the play many wise and gifted men try to reason with him that what she has done might have been the will of the gods, Creon refuses to give in to their insight purely based on the fact that he will not allow himself to be put to shame by backin...
The purpose of this short essay is to justify Antigone’s position during the story and to conduct an analysis from the other readings to defend my interpretation. I will take in consideration the similarities and differences of all three other readings Civil Disobedience, Machiavelli and Socrates.
Antigone is almost hailed to a god like status, as Oedipus was before her. She is extremely strong and unbelievably willing to sacrifice everything in the name of honor and pride. She so easily makes her decisions and chooses to die willingly without a second thought. The minute Creon questions her on breaking the law, she states: “Die I must, -I knew that well (how should I not?)-even without thy edicts.” What is even more is that Antigone was a woman, a woman in a time of extreme male domination. This makes her even stronger of a person in the play and shows the growing strength of the gender that we know of today.
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
The play, Antigonick, gives an ancient Greek tragedy a twist of modernity. This modernity throughout the play allows the audience to get a sense of the most pressing issue that Antigonick attempts to bring up in the mind of the audience. To me, the play of Antigonick addresses the modern day issues surrounding the political sphere in the United States. The political overtones throughout the play directly symbolize the struggle between President Trump and women. Antigone, the ill-fated heroine throughout the play, represents women’s struggle in the political sphere. Currently, women are fighting for equal rights, such as equal pay and right to birth control. This directly relates to Antigone’s fight for what she believes is right, which is to
In merely looking at the surface, one notices right away that both plays are significant in that they avoid the social temptation of using a man as a protagonist. Looking deeper into the stories, however, one can see that in even more contradiction with society, the female characters go against men. Both Antigone and Nora step into the spotlight as the female hero who has been put in a compromising situation and is forced to decide whether it is more important to follow what society dictates, or go with what they feel is moral and just.
From her tenacity and personal strength in defying the law to her tragic death, Antigone captures the audience’s pity and sympathy. She is the tragic hero.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
between her duty to God and her duty to the State, Ismene, in the third
Antigone is Sophocles Greek tragedy where we see a woman as the main character. Antigone is part of the “saga of Thebes” that deals with Oedipus Rex and Oedipus at Colonus. Produced around 442 B.C., we see the children of Oedipus deal with what fate has brought them. Antigone deals with the conflict of her burying her brother which would be in defiance of an order given by an egotistical ruler, Creon. In Antigone, one s...
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Eleanor Roosevelt once said, “A woman is like a tea bag. It's only when she's in hot water that you realize how strong she is.” This is very evident in both Antigone and a Doll’s House. Antigone is a Greek play by Sophocles about a young girl who decides to take on the task of burying her traitorous brother to honor the gods even though her tyrannical uncle Creon has outlawed the burial. A Doll’s House by Ibsen follows Nora Helmer, a housewife who has borrowed money without her husband’s knowledge or consent for the purpose of taking him to Italy for medical reasons. It outlines the internal and external conflicts she experiences in the final days of her secret. It is important to understand the roles of women in both plays because during the time periods they were written, women were held to very different standards and were far more oppressed than men. There are many examples of nonconformity of women in Antigone and A Doll’s House in the ways that the main characters rebel against what is expected of women. Nora and Antigone are headstrong, sharp-witted, and willing to break the law for love, three character traits that were uncommon and almost frowned upon by society for women in history.