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The play, Antigonick, gives an ancient Greek tragedy a twist of modernity. This modernity throughout the play allows the audience to get a sense of the most pressing issue that Antigonick attempts to bring up in the mind of the audience. To me, the play of Antigonick addresses the modern day issues surrounding the political sphere in the United States. The political overtones throughout the play directly symbolize the struggle between President Trump and women. Antigone, the ill-fated heroine throughout the play, represents women’s struggle in the political sphere. Currently, women are fighting for equal rights, such as equal pay and right to birth control. This directly relates to Antigone’s fight for what she believes is right, which is to …show more content…
The beginning of the play starts in darkness, which immediately gives off a dark and eerie mood. The introduction of the characters and the scene of Antigone burying her brother gave off a mood of intense sadness. Only Antigone is the one that actually cared and give her brother the proper respect and send off to the afterlife. This created a sense of isolation on the stage, as Antigone was the only one participating in the burial even though all the actors were clearly on stage and in eyesight of her act. My mood changed to confusion in the middle of the play as the characters seemingly broke into dance flawlessly at what seemed to be a randome point in the play. My mood finally changed to pity and understanding after Kreon realizes what his actions resulted in. Kreon was unable to see how not burying Polyneikes would affect his family and those he …show more content…
The chorus being a part of the audience allowed for the audience to have a more direct link between what was occurring in the play. However, the chorus itself added a comedic and introspective aspect into the play. For example, the chorus seemed to be one of the few characters that were aware of the situation that the characters were in and the fate of each one. An example of the comedic effect that the chorus adds is when he questions Antigone about whether she remembers doing the entire play with a door strapped on her back because her father wanted her to. This comedic effect seems to lighten the mood during an intense monologue that Antigone is about to give, which addresses the ignorance of Kreon. Also, the wedding between Antigone and Haimon is another high point of the play as all the characters, including Kreon and Eurydike, are in a moment of contempt during the marriage. The low points of the play include Kreon’s realization of his actions and the suicide of Antigone. Both Kreon’s realization and Antigone’s suicide creates a cathartic moment in the audience, as those watching give pity to Kreon and Antigone for dealing with a less than ideal situation. The scene that surprised me the most is the random musical number that was added intermittently in the play. For example, the dancing scene surprised me as due to the randomness in the scene. I would not expect a dance
Dramatic music is played for Creon’s entrance; this immediately communicates to us that he is a man of great importance and power. When Antigone enters after being arrested, the music is dynamic and tense. This conveys the seriousness and desperate atmosphere of the scene. The score is also a representation of the varying moods of the characters. An example of this is when Antigone is anxiously trying to appeal her sentence.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
The play Antigone by Sophocles is about reason and opinion and reveals how people use their voice to be heard. Antigone uses reasoning and opinions to express their moral beliefs and state laws in the play. People manipulate each other by using these terms to get their way by speaking out and standing up for themselves.
“Antigone,” is a wonderfully crafted play by Sophocles, which manifests various psychological aspects of humankind like anger, bravery, jealousy, ignorance, arrogance, deceit, and sacrifice to a greater degree. Out of the many characters that represent these human frailties, Antigone is portrayed as the strongest of all. Antigone, despite being a woman in the era, when the gender of women was considered below the status of men, shows great defiance against the cruelty of the reigning monarchy. People secretly approve the generous act of Antigone burying her brother, Polyneices. But, Haimon is the only other character that shows some courage and fight against Creon. His eloquently put together words are, as compelling as, it could get in his failed attempt to defend Antigone. Antigone’s action becomes more heroic, when she buries her brother, knowing the inevitable death that follows and nobody, not even her fiancé, Hamon, could defend her.
As the tragedy concludes, the chorus issues its final words: "Pray for no more at all. For what is destined for us, men mortal, there is no escape," demonstrating how justice remains impartial to the prejudice of men; those who make imprudent judgments will ultimately suffer from the consequences of their actions. In Sophocles' Antigone, these prejudices notably surface in the form of paternalism as demonstrated through Creon's government, highlighting the importance of gender roles throughout the play. Therefore, analyzing the motif of gender roles and its effect on the definition of justice through the perspectives of Ismene, Antigone, and Creon enables the audience to understand how Sophocles' macroscopic analogy to humanity's prejudiced judgments as well (and ambiguity of justice)
One of the conflicts in Antigone, is the struggle between men and women. Ismene tells Antigone that since birth, women “were not born to contend with men,” (75) displaying women’s obedience and passivity. In the same passage, Ismene says: “we’re underlings, ruled by stronger hands,” (76) a representation of men’s aggressive and “stronger hands” that dominate women and treats them as second-class citizens. The only woman in Thebes who desires to break free from these chains is Antigone, who stands up against Ismene’s passivity urging her to “submit to this,” (77) and defy Creon by burying Polynices. By breaking Creon’s edict, Antigone challenges the traditional gender roles women and men play. In what ways does the theme of gender in Antigone, demonstrate the passion and choices behind Antigone and Ismene’s decisions?
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
Antigone is a play that mainly deals with differences among characters that cause life long drawbacks and threatening resolutions. The drama is portrayed through Antigone and Creon's characters who undoubtedly resemble each other. Although they try to be masters of their own fate and eventually succumb to grieving outcomes, they both seem to have the values of a tragic hero. Although, they have their differences, their battle with one another illustrates them both as moral characters full of pride and arrogance.
In Sophocles play, Antigone, the reader explores many aspects of a Greek tragedy. In this play, a complex family follows a series of mishaps after hearing from a “seer.” After the family thinks they have overcome the worst, they then endure two brothers fighting over both of their rightful places on the throne. In the end, both of them die, but one, Eteocles, was buried a king, and the other, Polynices was left to be untouched a “traitor.” Their sister, Antigone, feels it is her rightful to disobey her uncle, Creon, who sets a decree that declares Policies was to be left unburied. She called this “the doom reserved for enemies marches on the ones we love the most” (Fagles 1984, 59).
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.
Kreon believes that Antigone’s crime is severe, and righteousness should be used to justify her crime. At this point of the play, Antigone realizes she will be put to death, but she does not regret her act of loyalty. In Antigone’s last speech before she takes her own life, she exclaims, “Land of Thebes, city of my fathers… see what I suffer at my mother’s brother’s hand for an act of loyalty and devotion” (Sophocles 57). Here, Antigone addresses the nation’s leaders and declares that they should notice th... ... middle of paper ... ...
In order for a play to be considered a tragedy, it must achieve the purgation of fear and pity. In the play “Antigone”, Sophocles does a great job of bringing out these two emotions in the reader. At the beginning of the play, there is a conversation between Antigone and her sister Ismene. During the conversation, the reader learns the two girls lost their father in battle and both of their brothers at the hands of one another. Then the reader learns that one of the brothers, Polynices, has been left to die without a proper burial.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
The Chorus has multiple functions in the play. In act I, it set the scene and prepared the audience of what to expect. In act II, the Chorus sets the plot for the conspiracy planned against the King. It also brings out one of the major themes that occurs throughout the play, honor. In act III, help out with the plot using imagery to help the audience to picture events taking place. The prologue to act IV sets the scene up for the battle. The Chorus also gives the audience some insight into the character of Henry V as well. The prologue to the last act fills in the lapse in time that occurred since the battle was won up to the point where Henry returns to France. The Epilogue closes the play with the Chorus reminding the audience that the event depicted is hard to present on stage due to lofty subject matter dealing with such a great man as King Henry V.