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The effect of mental illnesses on a society
The effect of mental illnesses on a society
Sociological approach to mental illness
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When defining madness, people often point to the words “crazy” or “delusional,” but when I think of the defining madness, I think of a state of chaos and disorganization. To many characters in the book Station Eleven by Emily St. John Mandel, chaos is just another part of life in their post-apocalyptic world. Characters in the book see this chaos as normal because they have lived in such a chaotic world for years and have become immune to thinking about morals and their previous ways of life. This chaos is heightened though after a man called “The Prophet” is introduced into their lives.
After a flu pandemic breaks out, ninety-nine percent of the human population perishes. Without electricity, transportation, or a cure, the one percent of humanity that is left must fight to survive by
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working together. One man decides that the best way to get what he wants is to force it from people by murdering them, kidnapping their loved ones, or abusing them. Called the prophet by all, he claims “visions and signs,” and prophetic dreams,” guide him (125). However, while gaining power through force and deleterious behavior, The Prophet states that he and his people “were saved not only to spread the light, but to be the light” (60). This blatant lack of respect for human life, and crave for power convey the true amount of insanity that spread through some people’s minds after the Georgia Flu kills ninety-nine percent of the population. Throughout the book, Mandel provides many flashbacks to the years before the Georgia Flu pandemic breaks out to show a contrast between the characters’ ways of thinking in different situations. In one of the flashbacks, a young boy named Tyler (who we later find out is the prophet) talks to a man about how he believes that “people who were good,” and “people who weren’t weak,” (260) are saved from the flu and that is why only 1% of the human population is left. When talking to Tyler’s mother, a man named Clark finds out that she thinks the same thing as Tyler and Clark becomes worried about them both. Clark then speaks to someone about the situation with Tyler and his mother, and the woman that Clark speaks with says, “That kind of insanity is contagious” (261). This time that Clark spends with Tyler shows why Tyler, and later the Prophet, believes that he and his people are “the light.” Although he believes that he is doing good in the world, he is creating madness by destroying groups of people, destroying shelters, and destroying lives. The prophet acts contrarily to his words. Instead of creating peace and awareness, he chooses to create violence and harm toward the people left after the flu pandemic. This behavior seems unreasonable and delusional to most people, but to the people who follow the Prophet, it seems completely normal and right. The Prophet has essentially created a cult in this new post-apocalyptic world by turning people away from their own morals to follow him, and by doing so, he is able to fulfill his own craving for power. The followers of the Prophet seems to almost be brainwashed with the idea that he is wonderful and righteous in everything that he does. They begin to believe that killing and abusive behavior are the way to spread light throughout the world because he believes so. These people see that the Prophet gets everything he could want and they begin to want the same thing so they follow him and do what pleases him in hopes of becoming like him. They are not able to see just how much chaos and unneeded violence that they are causing in their own world. To the people in this post-apocalyptic world, this chaos seems to be almost normal because of how often they are forced to deal with stress and violence. While dealing with their struggle for survival, the Traveling Symphony sometimes have moments when they are able to remember the peaceful and vibrant world while having, “moments around campfires when someone would say something invigorating about the importance of art” (119). This time allows the people of the Travelling Symphony to reflect on who they were before the Georgia Flu came through and to realize that the chaos is not normal at all. The Prophet and his followers only add to the amount of conflict in Station Eleven by causing people to not only attempt to survive in this new world, but to protect themselves from other people who want to hurt them.
Not only do survivors of the Georgia Flu have to live in a world of sickness, no electricity, no transportation, and no medicine, but they also have to live with a group of people who go around murdering and abusing their power to get what they want, while believing that they are doing admirable deeds that need to be done in the world. The people who are not part of the Prophet’s followers see how he is causing complete madness and terror to come over anyone who can see past the lies he portrays to his followers.
This madness that is generated by the Prophet causes the conflict to become even larger and provides a type of madness that is not often talked about today. A madness that is described as being wrong to so many, but right in the minds of a few. The madness in Station Eleven seems to be a new way of life to the characters who must fight the Prophet and his
followers, but ending his life may never end the chaos that came with him and carried out by his
followers.
As seen with the museum of civilization, as well as with many of members of the Traveling Symphony, many of the survivors of the Georgia Flu seek to rebuild what had been lost, rather than to truly move forward. Although it can be argued that the plans to rebuild were pointless, I believe that this shows a point where, to some extent, the desire to be grounded in the past is useful. Although the teenagers at the Museum didn’t understand or appreciate the concept of countries and states, if the final plan for this post-disease world is to create a working world, then it would be logical to base it off of a previous, proven to work
It’s the year 2028, and the world we used to know as bright and beautiful is no longer thriving with light. A disease similar to the plague broke out and caused great havoc. Although it may seem like forever ago, sickness spread only a few years ago. The Road by Cormac McCarthy is about a man and his son who fortunately survived this sickness; although they made it, the struggle to keep going is tough. Before most of the population became deceased, people went insane. They started to bomb houses, burn down businesses and towns, and destroy the environment. Anyone who had the disease was bad blood. Many saw it as the end of the world, which in many cases was true.
Madness, madness, madness. It is but a word, yet those who possess it are capable of doing the most amazing or terrible of things. According to the Merriam-Webster online dictionary, madness is defined as “a state of severe mental illness.” Perry Edward Smith is the best individual to depict this characteristic. Throughout Truman Capote's novel “In Cold Blood” the main character, Perry Smith, as Dr. Jones says “. shows definite signs of severe mental illness” (Capote 296).
Within the article Stephen King continuously states that we humans all have insanity within us. In the article,
For those infected, skin glistens with sweat, hair hangs from the weight of dampness, and faces flush with fever. He shows the dead with a pale green cast, staring straight ahead with vomit drying to their faces. To illustrate the virus’ spread, he frames scenes at hand-level showing fingers pushing elevator buttons, gripping poles on public transportation, passing water glasses, and signing paperwork. This element of cinematography highlights society’s vulnerability to the invisibility of the virus due to its rapid spread via common
The sickness of insanity stems from external forces and stimuli, ever-present in our world, weighing heavily on the psychological, neurological, and cognitive parts of our mind. It can drive one to madness through its relentless, biased, and poisoned view of the world, creating a dichotomy between what is real and imagined. It is a defense mechanism that allows one to suffer the harms of injustice, prejudice, and discrimination, all at the expense of one’s physical and mental faculties.
Madness and Civilization: A History of Insanity in the Age of Reason. Trans. Richard Howard. New York: Pantheon, 1965.
How to Survive a Plague (2012) is a documentary about the story of two coalitions, ACT-UP and TAG (Treatment Action Group). Both groups dedicate their time and energy to stop AIDS from being the deadly disease that it has been for years and is only getting worse. Those affected by the disease were primarily of the LGBT community. Those with AIDS struggled to see progress with research for a cure because of those who held leadership roles had in certain religious views along with a lack of political interest. As millions of individuals were dying from this abhorrent disease, the two coalitions continued to protest and advocate for change. Through their actions, an effective treatment was found for AIDS. Their actions even led to the LGBT community
The controversial topic of insanity manifests itself commonly in Romantic writing, and has been one much disputed over time. Some say that people who seem crazy are so above our own level of thought and understanding that we can’t possibly begin to identify with them and that we can find genius in the form of ordinary lunatics who connect to God and divinity in ways “normal” people don’t comprehend. Throughout works such as “The Cask of Amontillado and “The Castaway”, the authors question insanity with ideas that show the possible outcomes when one looks deep inside themselves for a divine spark or intuition. Both of these stories address madness in different forms, and madness itself is Godly experiences gone wrong; the person who receives the divine vision is unable to handle its raw truth.
Both legal and mental health professionals have long struggled to establish a clear and acceptable definition of insanity. Insanity is a legal term, not a psychological or medical one. The Sarasons prefer to use the term “maladaptive behavior” instead of insane or insanity. Maladaptive behavior is, “behavior that deals inadequately with a situation, especially one that is stressful” (5). Adaptation is the way people balance what they do and want to do, and what the environment/community requires of them. Successful adaptation depends on a person’s stress (situations that impose demands on him or her), vulnerability (likelihood of a maladaptive response), and coping skills (techniques that help him or her deal with difficulties/stress) (5). Consider the recent school shootings as an
History shows that signs of mental illness and abnormal behavior have been documented as far back as the early Greeks however, it was not viewed the same as it is today. The mentally ill were previously referred to as mad, insane, lunatics, or maniacs. W.B. Maher and B.A. Maher (1985) note how many of the terms use had roots in old English words that meant emotionally deranged, hurt, unhealthy, or diseased. Although early explanations were not accurate, the characteristics of the mentally ill have remained the same and these characteristics are used to diagnose disorders to date. Cultural norms have always been used to assess and define abnormal behavior. Currently, we have a decent understanding of the correlates and influences of mental illness. Although we do not have complete knowledge, psychopathologists have better resources, technology, and overall research skills than those in ancient times.
In Saramago’s novel, the government’s commands, instant decisions, and fears about the blind epidemic is what the blind infected, vulnerable characters are terrified about the most. “Look here, blind man, let me tell you something, either the two of you get back to where you came from, or you’ll be shot […] they’re terrified and are only obeying orders” (63). With a large number of people going blind quickly and with no apparent cause, public health officials’ panic and the blind internees are not only afraid for their lives in terms of their sickness, but they are also terrified of the government’s command to shoot and kill the infected internees. The most important things in life is not power and the ability to instill fear on others, it is compassion, love, and understanding. Without these three qualities, we become blind t...
Madness is a state-of-mind were a person loses their sanity, they are mentally ill. In the play Hamlet, Hamlet meets his deceased father in a ghost form only to inform him of who caused his death and wants revenge. Now Hamlet must avenge his father's death, and the only way he can do it in a less obvious approach is by acting mad. But as the play continues, it becomes a lot harder to tell if Hamlet is still sane due to his actions. In the play Hamlet, William Shakespeare makes Hamlet's madness appear real but only to prove that he was only acting as if he were mad.
In the play Hamlet, the author, Shakespeare portrays madness or insanity through most of its characters. What is madness, it is a state of mind in which doesn’t let ones ideas flow normally or think with a clear mind. In this case it is evident that there is something wrong with almost all the main characters. All the characters in the play in some form or fashion display madness either through thoughts, actions or words.
Madness, is how one the characters, an old soldier, describes an uprising by the locals against their colonial masters, demonstrating the author’s blindness to the possibility that there is any injustice in the relationship. One of the novel’s central plots has Kim becoming a secret agent for British interests, quelling rebellion against the Raj and ensuring the Russians do not gain a toehold in the country.