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Gender and violence in the media
Gender and violence in the media
Gender and violence in the media
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BDSM, a three part acronym which stands for bondage and discipline, dominance and submission, sadism and masochism (Oxford Dictionary, 2014) has seen a drastic increase in popular culture in the last twenty years (Weiss, p: 104). Since it being brought into the public eye with the Marquis de Sade and Leopold von Sacher-Masoch, BDSM has predominantly been portrayed as a sexual deviance that only those who are sexually violent or those who are mentally unsound participate in. Images of BDSM have existed in popular culture for quite some time. Wearing cuffs, collars and leather are often found in both fashion and mainstream media so much so that many who purchase and wear them may not be aware of their significance to BDSM.
BDSM is highlighted as “bad, abnormal, unnatural, damned sexuality” in the “outerlimits” of Rubin’s “charmed circle” (Rubin, p:153) a sexuality that is both taboo to practice and also to portray in the media. However, in the last few decades the concept of BDSM has come to mean more in the view of the general public, predominantly in the form of media entertainment. BDSM is evident in film, music, and television, including the 2002 film Secretary starring Maggie Gyllenhaal, Rhianna’s 2011 pop hit, S&M and most recently in the popular Fifty Shades trilogy by E.L James which has sold over 10 million copies worldwide. (Deahl, 2012)
Despite its increasing presence in mainstream media, BDSM is still largely viewed as transgressive behaviour. James’ trilogy, while very popular for its titillating content, has been accused of promoting abusive relationships and violence towards women. (reference) When BDSM is represented in popular culture most people only vaguely understand it despite its prominent existence in soci...
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...four peas and as much ice-cream as you’d like to eat” (Shainberg, 2002) the reaction from her parents mirrors the general mainstream perception of her erratic behaviour as “abnormal”.
The film changes its direction slightly from a serious, mysterious slightly odd tone to making fun of the sadomasochist practices between Lee and Grey, from Grey controlling what Lee eats to telling her how to answer the phone to a montage of their “activities” including, Lee on Edward’s desk surrounded by hay with a saddle on her back and a carrot in her mouth raises questions of the seriousness of the film and how it is intended to be received by the audience. (sort out)
Lee starts to take more pride in her appearance and her demeanor as she is aroused by the domination progress and begins to rely on it on a day to day basis. Sadomasochism becomes Lee’s whole life, it controls her.
To sufficiently take a side in the ever-growing debate of pornography, one must first define the concept around which this discourse surrounds itself. A working definition for pornography is a piece of material that has the object purpose of arousing erotic feelings. Radical feminists, however, strictly define it as “the act of sexual subordination of women” (Dworkin 1986).
Mothers, fathers, daughters, sons, aunts, uncles, grandparents, pimps, prostitutes, straight people, gay people, lesbian people, Europeans, Asians, Indians, and Africans all have once thing in common: they are products of sexuality. Sexuality is the most common activity in the world, yet is considered taboo and “out of the norm” in modern society. Throughout history, people have been harassed, discriminated against, and shunned for their “sexuality”. One person who knows this all too well is activist and author, Angela Davis. From her experiences, Davis has analyzed the weakness of global society in order to propose intellectual theories on how to change the perspective of sexuality. This research paper will explore the discussions of Angela Davis to prove her determination to combat inequality in gender roles, sexuality, and sexual identity through feminism. I will give a brief biography of Davis in order for the readers to better understand her background, but the primary focus of this paper is the prison industry and its effect on female sexuality.
Rubin, Gayle. “Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality.” in Pleasure and Danger: Exploring Female Sexuality. ed. Vance, Carole. Pandora: London, 1992.
Arthur’s e-book offers honest facts about the influences on the instruction of sexuality on tv. She discusses how the digital revolution was one of the main agents for sparking publicized sexuality. She than discusses the different theories that people have including feminist theories. She closes her discussion with sexual citizenship in the digital age. She differentiates between the sexual citizen and the sexual consumer by explaining the issues behind the negative issues it causes.
Male violence structure is influenced by Radical Feminist theory which asserts that there is a correlation between patriarchy and sexuality, such theory assumes that male supremacy is based on controlling women’s sexuality and bodies (Brownmiller, 1976, Walby, 134). Furthermore, male-dominated sexuality provokes women oppression and such subordination is extrapolated to other areas; (Walby; 1990, p. 3/118).As Crouch (2001), Mckinnon (1979) and Schultz (1998) theorise sexual hara...
Film scholar and gender theorist Linda Williams begins her article “Film Bodies: Genre, Gender and Excess,” with an anecdote about a dispute between herself and her son, regarding what is considered “gross,” (727) in films. It is this anecdote that invites her readers to understand the motivations and implications of films that fall under the category of “body” genre, namely, horror films, melodramas, (henceforth referred to as “weepies”) and pornography. Williams explains that, in regards to excess, the constant attempts at “determining where to draw the line,” (727) has inspired her and other theorists alike to question the inspirations, motivations, and implications of these “body genre” films. After her own research and consideration, Williams explains that she believes there is “value in thinking about the form, function, and system of seemingly gratuitous excesses in these three genres,” (728) and she will attempt to prove that these films are excessive on purpose, in order to inspire a collective physical effect on the audience that cannot be experienced when watching other genres.
Immoral and unacceptable as it may seem to some, sex information does grab attention and therefore evokes a hardwired emotional response that is linked to species survival. We can’t help our eyes and ears are drawn to it because emotional information has a way of piercing our perceptual fields by rising above other environmental information trying to get our attention (Reichert, 2009). The media is a powerful tool that in the wrong hands can be very dangerous and destructive. Media and its components must always be fully aware of the role it plays in society, for it really has the power to change the world for the good or for the worse of it so chooses. It gives us the message. Now, it is our job to respond with responsibility and in turn, know our rightful place in society without being hampered by
The movie, Fifty Shades of Grey, has a lot of portrayals of sexuality. Basically, there are two main characters. One of them is a female literature student named Anastasia Steele, and the other one is the young male billionaire Christian Grey.
A common trend in the entertainment industry today is the objectification of women in society. Sexualizing women are seen in media such as; movies, advertisement, television show and music video, where their main focus is providing the audience with an image of women as sexual objects rather than a human. This is detrimental to society since the media is producing social stereotypes for both genders, which can further result in corrupted social habits. Objectification in media are more focused on females than male, these false images of women leave individuals with the wrong idea of the opposite sex. As media continuously use sexual contents regarding women, the audience starts underestimating women. Specifically movies, it allows media to shape the culture’s idea of romance, sex and what seems
Prior, Emily . "What is BDSM?." Examiner.com. N.p., 22 June 2009. Web. 14 Nov. 2013. .
The most trending music genre gets a lot of listeners because of its the discrimination. As the songs and advertisements gain followers, it starts to become realized by the citizens. Pop culture artists sing about drugs, alcohol and women. The portrayal of women by these composers is dreadful because it degrades the significance and importance of their existence. Pop culture has always been a home for gender domination and discrimination. It is becoming increasingly “pornified.” As Valenti quotes, “After all, while billboards and magazines ads may feature a ripped guy from time to time, it’s mostly women who make up what sexy is supposed to be. And it’s not just sexy-it’s straight-up sex” (Valenti, 44). The pornography has been a part of the culture and has been accepted by younger women. Feminists have argued that this has increased the inculcation of “raunch culture” in the lives of younger women who fall into it as they feel it empowers them. However, it is a kind of faux empowerment. This illustrates that the media is promoting and utilizing pop culture to change the social norms in an attempt to instruct women on their role in the society. In essence, pop culture with its propaganda desires to change women’s view on nudity until it can become inherent in American culture, and thus eliminating opposition to benefit pop culture in the long run. Valenti persuades her readers by saying, “ the ‘show’ is everywhere. In magazines like Maxim and Playboy. And in the insanity of Girls Gone Wild, with teens putting on fake lesbian make-out sessions so guys will think they’re hot.” Levy also mentions a character, influenced by raunch culture and a reader of Playboy magazines, named Erin who is piqued her curiosity and provided her with inspiration because of this culture. Erin says, “There’s countless times in my life where I know I’ve turned people on just by showing off (by putting on a
Arthur convinces her to go see her mother before she heads out of town, but she is only greeted with coldness. Lee tells her mother she loves her even after she beat her. Her mother is cold and aloof and responds by telling her she will be praying for her. What a tragic, missed opportunity. However, Lee can be at peace knowing she did her part and attempted to remedy the rift. At this time it was not to be, but as we see Lee smile while looking out onto the road ahead of her, one can’t help but see that renewal is in the air and life has just begun for this impressive child of
To begin with, he states in his letter he posted on Facebook that aggressive sex he had was “consensual”, and that so it could not count as abuse or rape. Though, even if that is true, it’s still illegal to hit someone to the point they are injured extreme, even if they are begging for it. If he was “the dominate” in the acts of BDSM, he should be taking the responsibility of making sure his partner is safe and doesn’t get hurt, which is one of the basic rules on BDSM. Also, it seems a little suspicious he compared his relationship to the novel “50 shades of Grey”, because in the book, the character Christen Grey breaks one of the rules of consent in BDSM dealing with the “safe word”. Also he states that he has proof through text messages in his letter, but that only proofs that the person agreed to those things before it happened and not during the actions, and consent is supposed
The perception of women in the United States is complex and ever-shifting, as is our attitude towards sex. American perceptions of both suffer from tunnel vision. Expectations for women and how they portray their sexuality are narrow. Society has these expectations reflected back at us through art – most popularly in American cinema. Limitations placed on sexuality and expectations for women are reflected on film in every genre. Two genres are more frequently female led – romantic comedies and horror films. The latter has undergone a significant amount of change in depiction of women. Horror speaks to one of our base, primal emotions: fear. But the fears horror plays off of are deeper and more complex than gore and guts. On a subconscious level,
Critics want to shield children from the topic of sex, but it is one that is hard to conceal from younger folk because it is found everywhere. There is a degree of sexuality in films and literature that younger children should not be exposed to, but they should not be shielded from coming-of-age movies like Moonrise Kingdom and Cinema Paradiso because they provide insight into a different world that they will come into contact with when older and depict the realities of life without being too harsh. Younger audiences should be allowed to see films which exhibit sexulaity in an innocent form, especially preteens who are undergoing changes and asking questions about sexuality, in this case movies like Moonrise Kingdom and Cinema Paradiso are needed because these younger audiences seek answers from sources which can lead them astray, but these questions are better answered in a safe and controlled environment. Ultimately, exploring one’s sexuality is part of becoming an