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The picture of dorian gray critque of society
The picture of dorian gray critque of society
The Picture of Dorian Gray, modern
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A Life of Luxury An unaesthetic death lies in wait for anyone who tries to follow the hypercritical, unrealistic, and unsustainable standards of British high society. In The Picture of Dorian Gray, Oscar Wilde’s main idea of the novel are about the dangers of loving superficial things and that someone without true intention or a moral duty will never be able to enjoy life, but the main purpose of Oscar Wilde’s main purpose is something very different. In many of Oscar Wilde’s work, they take a satirical viewpoint on society and it’s many faults. In The Importance of Being Earnest, the point of honor and the elaborate surface level courtship between the higher classes are picked apart as trivial. In An Ideal Husband, forgiveness and …show more content…
Basil Hallward, the creator of Dorian’s portray and an admirer and creator of art. Basil has the rule to never mix his ideal into his art, but when he makes the portrait he refuses to display it because of this exactly, “I have put too much of myself into it” (Wilde 5). Basil sees art as a reflection of what the artist painted the skill of painter, the effort, the artist’s own personality should be separate from what they have interpreted of their subject. Oscar Wilde states that Basil’s life is split between making and admiring art (5). Conformity to the accepted view on life is what was strived for from those who wanted a larger social standing with others, more influence and power. If you break into individuality, you run the risk of being ostracized by the people around you that are too afraid to break the peer pressure to fit into a mold. Basil had put his own view of Dorian Grey into the portrait because like many in 19th century England, when pushed upon a subject of their interest they unknowingly fill their own morals and ideals with bias and self-interest, despite their trying to create the perfect social paradigm. Art in this sense is the
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Basil goes to speak to Dorian to tell to him of the rumors they have been spreading. Many people believe him to be immoral and a corrupting influence that must be avoided to keep one’s good name. Hearing such rumors trouble Basil because he worships Dorian so strongly and is so devoted to him. He even refuses to exhibit the portrait of Dorian, the imitation he made, “Because, without intending it, I have put into it some expression of all this curious idolatry.” (13 Wilde) Basil feared that the world would be able to tell how much he adored Dorian. Continuing his conversation, Basil claims “but you, Dorian with your pure, bright, innocent face, and your marvelous untroubled youth—I can’t believe anything against you.” (127 Wilde) Which is to say that Basil believes that when one commits sin it changes the man’s outward appearance, corrupting him and since Dorian is beautiful he is without sin...
The Picture of Dorian Gray is a philosophical fiction novel written by Oscar Wilde. The Picture of Dorian Gray is referring to two portraits, first of all is the portrait of Dorian Gray painted by Basil Hallward, the painter in this novel, and the second one is the literary picture of Dorian Gray created by the author in this novel. The physical beauty of the main character of this novel, Dorian, remains unchanged even after 18 years but the painting of Dorian is changing horribly throughout this story to reflect the corruption of Dorian’s soul.
Wilde presents the expectations of society as shallow and frivolous, reflected in both the language and story-framing of the play. The society addressed in The Importance of Being Earnest is certainly far detached from our current one, but certain elements remain similar: Ire, social obligations, etiquette, and a code of proper moral conduct. Expanding away from these similarities are the treatment of marriage and women. Expected moral duties are referenced many times throughout the course of the play. These are what call Jack to 'amuse other people' in the country and deem it necessary for him and the character of Algernon to instigate leading double lives.
Oscar Wildes ‘The Importance of Being Earnest’’ is believed by many to be his most genius work and certainly has withstood the test of time. The play is set in London during the 1890’s in which time frame aristocracy and upper class held the majority of the countries wealth. Many of the comical aspects question the morals of the upper class in which he satirises throughout the play. One method of this, for instance is through one of the main protagonist, Algernon Moncrieff. Algernon is an upper class individual who is oblivious to the world around him in such an exaggerated manner that it makes his character comically adjusted for Wildes own views. Many aspects of the time period are made a mockery through puns and witty remarks from the main protagonists, most if not all are portrayed in a sense that makes them undoubtedly a laughing stock. Wildes methods are not discrete; nor are they obvious, many of the comical comments made are by none other than the protagonists themselves. This furthermore enforces the corrupted morals of the time periods prestigious upper class by showing their sheer inability to acknowledge hypocrisy. For example, in act one; Algernon states “ Lane's views on marriage seem somewhat lax. Really, if the lower orders don't set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility.” This is especially amusing as Algernon believes that the lower class have a duty to set an example when in reality the matter of fact was quite the contrary. Algernon states that he believes the lower class are lacking in morals, he being arguably one of the most morally distorted characters Wilde created makes the double standards more prominent.
Idealism is the process of forming and pursuing ideas and values that are often unrealistic. An idealistic person holds high standards for their future. The vision that an individual has for themselves often plays a part in how their life occurs. Oscar Wilde’s 1895 satire, An Ideal Husband, depicts the lives of idealists and the fruition of their ideals. The play revolves around the tumultuous and highly public lives of Robert and Gertrude Chiltern. Robert is a prestigious member of the House of Commons married to an active and well respected socialite, Gertrude. The pair’s status and marriage are thrown into conflict when Gertrude’s old school nemesis, Laura Cheveley, attempts to blackmail Robert. Wilde’s popular comedy is brimming with witty epigrams, dramatic irony, and subtle symbolism. He demonstrates how the idealism of individuals in nineteenth century British society influences their lives. In the play, Wilde demonstrates that idealism has a significant effect on the destiny of individuals through the depiction of the Chilterns’ monetary and social standards.
Dorian Gray shows how much he gave up to pursue his obsession when he said that his fiancé’s suicide was melodramatic and unnecessary (Wide 88-89). Obsession causes Dorian to indulge all forms of self-pleasure, whether moral or immoral, and to disregard the value of his own soul to preserve his transient beauty. The portrait that Basil Hallward painted acted as a mirror to his soul’s state and grows revolting each time he indulges in immoral acts, which inhibit him from focusing on what is truly important. It was only until the end when he kills himself does his soul reverts back to his inner beauty as shown in his portrait (Wilde 197). Wilde shows us how conformity can push us to obsess something that we don’t truly believe and ignore all other aspects that actually lead to our good lives. Through Dorian Gray, we are taught that we need to stand by our beliefs and not lose ourselves in other people’s beliefs. Wilde teaches the audience that we need to hold onto some core beliefs and elements that we hold near and dear to
Oscar Wilde's An Ideal Husband Oscar Wilde (1845-1903) lived an outrageous and controversial life which was well publicized and condemned, as his life defied the strict social mores of the time. He was put into this public position due to the success of his plays which challenged Victorian earnestness while being hilariously funny. His plays, in particular An Ideal Husband, 1895 portray Victorian society as viciously hypocritical at it's worst and laughably pretentious at it's best. Wilde expressed this point of view in An Ideal Husband through the rich use of plot development, construction of characters, dramatic irony, hyperbole, witty and epigrammatic repartee and satire. The central plot of An Ideal Husband begins with the antagonist, Mrs Chevely, tries to blackmail Sir Robert Chiltern (one of the protagonists) with a secret from his past.
Oscar Wilde’s treatment of high society and manners is explored in the play “The Importance of Being Earnest”. Here, members of the upper class display a great deal of pride and pretense, feeling that they are inherently entitled to their wealth and higher social position. An example is Lady Bracknell, who is preoccupied with maintaining the status quo, and quickly squashes any signs of rebellion. Characters from higher societies/classes are mainly concerned about their reputation and respectability. Thus, expectations of the upper class for both men and women include being upstanding, rich and coming from a wealthy family.
During this time an artist was seen as an important figure to society because he was able to visually create and give meaning to beautiful things, which was considered art. Art and beauty became correlated this way. Sometime it is thought that artwork has to be significantly beautiful to be considered art. Basil believes that he has created his one and only master piece, which is the picture of Dorian Gray. He sees so much of himself in the art that becomes insecure about his masterpiece. In Victorian times the artist was always more important than the artwork because of what he could possibly represent in the eyes of society as an artist. This allowed Basil to become insecure about his artwork, he did not want to be judged based off of his artworks that he put some much of himself into; artistically and intelligently. This is the reason he becomes too reluctant to exhibit his artwork, “I know you will laugh at me,” he replied, “but I really can’t exhibit it. I have out too much of myself into it.” (6). This statement by Basil shows his insecurities and afraid of judgement as an artist. it also depicts that he is very concerned with the reaction and judgements of others because he tells Lord Henry his reason for not wanting to exhibit his painting Dorian, which he becomes very drawn and attracted to. Basil pushes Victorian gender roles by showing
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.
Dorian Gray starts off as a young, beautiful man who is loved by many. Because of this, he is all that Basil Hallward, a painter, and Lord Henry Wotton, a nobleman, ever think about. However, they have different ideas on what they want Dorian to become. Their conflicting influences become one of the main conflicts of the book, and this is noticed by Basil. He says, “Don’t spoil him. Don’t try to influence him. Your influence would be bad.” Basil influences Dorian’s choices and actions the most at the beginning of the novel. This is evidenced when Basil says, “He is all my art to me now.” Basil wants Dorian to devote himself to love and selflessness in order to live a happy life. Dorian follows this advice and falls in love with Sibyl Vane, and she becomes another conflict for the novel. He is willing to sacrifice anything for Sibyl, which pleases
Basil Hallward, a painter, knows the corruptive influence that Lord Henry can impose upon his model, Dorian Gray. Basil does not want Lord Henry to even meet Dorian because he is afraid that Dorian will be influenced and ruined. Basil begs Henry by saying, "Don't spoil him. Don't try to influence him. Your influence would be bad. The world is wide, and has many marvelous people in it. Don't take away from me the one person who gives to my art whatever charm it possesses: my life as an artist depends on him" (Wilde 10). Right from the beginning Wilde begins to show what type of person Lord Henry is. Lord Henry's influences pose a threat to Dorian. Basil is well aware of this.
Basil Hallward, the artist who had painted the picture of Dorian Gray, probably has a homosexual attachment to the young Dorian. And as a homosexual himself (or to be exact, bisexual, because he also loved his wife and two sons), Wilde here might be commenting on the enforced secret homosexuals' lives in the late nineteenth century.