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Influence of gender in society
Influence of gender in society
Gender influence in society
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Jennifer Huang
Dance 100
Professor Steele
March 28th, 2014 Alvin Ailey Alvin Ailey was born on January 5th, 1931 in Rogers, Texas and passed away from AIDS on December 1st 1989. Ailey was a well-known African-American choreographer and activist who founded the Alvin Ailey American Dance Theater in 1958 located in New York. What made Ailey so different from many choreographers at that time was his race and skin color because society condoned African-Americans practicing in the arts during his time. Not only that, his unique teaching style of not limiting his dancers one specific style, but to stir them in the right direction of creating their own styles that best fits their own individual talent. The Alvin Ailey American Dance
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From 0:07-0:17 the male dance is in a stand and pointing his arms from right to left telling all his friends to come join him in dancing. Then at 0:17-0:23 the man is joined by his friends and are dancing in unison by kicking their feet straight up to the sky while their hands are in a fist stance position. This dance was influence by the creation of the Blues and Jazz music. During this era, Blues and Jazz music was not well known and was played only in saloons and bawdy houses. This dance is different from other pieces because it has a unique political circumstance and includes different types of ballet, social dance, and the Graham, or Horton technique. The male roles in this dance are largely defined by the interactions between the females. We see that the African American Jazz dancers are having fun dancing and doing what they like. They are very enthusiastic and have motions that display a unique style. The unique style is the dancer uses moves that speak to the audience and are not performing because they have to, but because they want to do this to encourage other African Americans that it’s all right to dance to your hearts …show more content…
Ailey dedicated this song to his mother and all of the African women at that time, especially the mothers out there. He knew of the hardships and troubles they were going through. This piece depicts a women’s journey through the agonies of slavery to a state of grace. In the beginning from 0:00-0:17, we see a women wearing white and covering her face. Then she slowly moves her arms outwards and reveals her face. We see a strong woman who despite living her life as a slave, learn to be willful and indestructible. What fascinates me the most in this piece is from 0:18-0:49when the woman is holding a white cloth in front of her and swaying from side to side crossing one foot over the other. It shows she is unaffected by the American’s actions, which implies how she has grown tired of it all. She moves with the attitudes of courage and boldness and we see all the difficulties she has been through with the expressions on her
Throughout history, Black Americans have fought to reclaim their bodies and redefine ideas of Blackness. Much of this struggle can be attributed to the fact that Black people have not owned their own bodies for the vast majority of American history. The Black struggle to escape white labels and the fight for self-determination, Black narration, and the presentation of Black beauty are evident in dance and its evolution throughout history. In his article, "Simmering Passivity: The Black Male Body In Concert Dance," Thomas DeFrantz uses the career and choreography of Alvin Ailey to show how Black dancers in America have historically been forced to conform to White stereotypes. Conversely, Jason King and Ananya Chatterjea show in their articles “Which way is down? Improvisations on black mobility” and “Subversive Dancing: The Playful
In many different scenes, dances were created to capture how each character felt in the scene that they were in. For example, when the crow was being bullied while he was tied up on the cross, Fatima created a dance to show him finding his inner courage and no longer having fear of the birds. I loved when Dorothy and Scarecrow sang walking down the yellow brick road because the dance gave the sensibility of people uniquely living the spirit of expression. The dance looked fun and vibrant like many of the jazz dances we see today. One of the styles of jazz that were engaged in the film was bebop. Bebop is characterized during the 1940s as having a fast tempo and improvisation based on the structures of a situation that inspired the movement. I noticed that bebop was displayed well when Ne-Yo danced because of its complex technique, fast tempo, and improvisation while singing at the same time. This style of jazz was suitable for the presentation of the film because it kept me as an audience engaged in every dance that was choreographed. With the tempo being very fast, it allowed for the movement to be big and easily
This poem captures the immigrant experience between the two worlds, leaving the homeland and towards the new world. The poet has deliberately structured the poem in five sections each with a number of stanzas to divide the different stages of the physical voyage. Section one describes the refugees, two briefly deals with their reason for the exodus, three emphasises their former oppression, fourth section is about the healing effect of the voyage and the concluding section deals with the awakening of hope. This restructuring allows the poet to focus on the emotional and physical impact of the journey.
Every company has what is known as a “signature piece,” that is, a work which expresses something about the artistic direction and the spirit of the company. For the Alvin Ailey Dance Theater that piece is Revelations. Choreographed and set to traditional music, Revelations was first performed at the Ninety-second Street YM-YWHA New York, NY. , January 31, 1960. The lead dancers were Joan Derby, Minnie Marhsall, Merle Derby, Dorene Richardson, Jay Fletcher, Nathaniel Horne, and Herman Howell and the soloists were Nancy Redi and Gene Hobgood.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.
Revelations is a contemporary style dance that tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music.This choreographic work was first performed in New York City on January 31,1960 at the Alvin Ailey American Dance Theater and later recognized to be a signature piece for the theater. Alvin Ailey is the original choreographer of the masterpiece titled “Revelations” and also the founder of the dance theater where the piece Revelations is mainly showcased, Ailey was an African-American born January 5,1931 in Rogers, TX , only 29 when he decided to develop this dance piece. There was a time where opportunities for male dancers like himself was severely limited, so that 's when he decided to establish his work, this dance performance was Ailey 's idea for African Americans to express their talents,cultural history, and experience and was also encouraged by his memories of living in the south and his understanding of human development.
She shows the nature of power and how it slowly slips away from the person’s grasp. First it corrupts the mind of a person and changes them, and then it slips away from their hands leaving them with nothing but arrogance, pride and
McBride’s idea of limitation is prominent during the time of slavery for African Americans, as these same limitations are present during the twenty first century. The power of limitations that African American Women faced during the time of slavery hindered their ability to gain freedom, as freedom for slaves was the ultimate American Dream. James McBride exemplifies this in the novel Song Yet Sung as the first character that we meet is Liz, whom happens to be African American Women. When McBride first introduced Liz to the audience, she was running away from her master as she was chasing the American dream known as freedom.
Katherine Dunham led a rich and full life not only as a dancer, but as someone who studied the people she loved, wrote extensively, and stood for causes that meant so much to her. Her legacy lives on not only in the great anthropological studies she did or the important political and social stances she took, but in the modern dance of today. Modern dance, or dance in general for that matter, wouldn’t be what it is today without her studies and influence.
As the first African-American to create a multicultural, international concert dance company, Alvin Ailey’s dance company has been dubbed the “cultural ambassador of the world” (Gorman 36). Through his Alvin Ailey Dance Company, he addressed the racism and injustice faced by ethnic minorities across the globe. Ailey clearly revolutionized African American participation in 20th century concert dance as well as revived interest in modern dance. As an extremely talented dancer and choreographer, Ailey’s success is attributed to his dedication and passion for expression through dance, but what is often overlooked is his resilience to the hardships he faced, the mentors he had, and the opportunities
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
The fine art of modern dance is like many other fields in that it is based on the actions and deeds of those who were pioneers in the field. These pioneers helped to mold modern dance into what it is today. Of the many people who are partially responsible for this accomplishment is Isadora Duncan. Duncan, often referred to as the “mother of modern dance,” inspired many other dancers to the extent that the art of dance would not be the same today without her many contributions.
Octavia Butler depicts how trauma not only affects the slave 's, but the slaveholders. Butler also brings attention to adaptation in her work by using a key literary devices such as foreshadowing to expose the trauma and the cause of that trauma.
Who Was Eddie Aikau and what did he embody? In Kahului, Hawaii you would hear the