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How is juliets immaturity present in romeo and juliet
Balcony scene romeo and juliet analysis
Audience reaction on romeo and juliet
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In David Leveaux’s and Zeffirelli’s versions of Romeo and Juliet balcony scene, there are similarities and differences in many manners throughout the scene. Due to the fact that both interpretations are based on Shakespeare's original Romeo and Juliet play, the main plots and the characters in the scene are the same. However, there are many differences in the setting of the scenes and the characters interpretations between the two scenes. Zeffirelli’s Romeo and Juliet movie is more realistic than David Leveaux’s version. Both Zeffirelli’s and David Leveaux’s interpretations of Romeo and Juliet balcony scene have merit; however, Zeffirelli’s version is more effective because the setting is realistic and the characters are more mature. Both …show more content…
In Zeffirelli’s setting, the Capulet’s house has a design of an antique castle surrounded by a jungle. Compared to Leveaux’s setting which has only Juliet’s balcony, Zeffirelli’s setting is more realistic to be home for the house Capulet. Furthermore, Juliet in Leveaux’s version act childishly; when the nurse calls her at the end of the scene, she goes and comes numerous times to say some last words to Romeo. In the last round she comes out and she crawls onto the balcony thinking that she could hide from the nurse by doing that. On the other hand, Juliet in Zeffirelli’s interpretation acts very mature with an adult mindset; although she wants to see Romeo, she is angry when she finds him because she is afraid that Romeo will be in danger by sneaking into the Capulet’s house. How realistic and reasonable the settings and the characters in each interpretation are will affect the audiences’ understanding of the story. A realistic setting will create better visuals for the audiences and it will drive them into the scene as if they are inside the scene themselves. If the characters are reasonable, the audiences will get a better understand of the characters and they will be on the same side with the characters. On the contrary if the characters are immature, the audiences will
Comparing Zefferelli's production of Romeo and Juliet with Luhrman Production. In this essay I am going to write about the production of Romeo. In Franco Zeffirelli's production of Romeo and Juliet, the setting and language are of a traditional, realistic nature. This is complete.
Contrasts between Zeffirelli and Luhrmann’s Romeo and Juliet There are many differences, large and small, between Zeffirelli and Luhrmann’s version of Shakespeare’s Romeo and Juliet. After seeing the first scene of both of these films, some notable contrasts became clear. The props used in both films differ greatly, in the 1967 version, very dated costumes were used, it looked like the director wanted a medieval style to be shown in the film judging by the costumes and props used. Real swords were drawn by the Capulet's and the Montague’s as the play suggests but the fighting seemed quite unbelievable to a modern day viewer as did some of the stalls used in the small market surroundings. However, in the newer 1997 version of the film, an entirely different approach was used, instead of swords, guns were used and a petrol station was where the first scene began as apposed to a small medieval market.
Even though the themes were similar, the plot of the movie and the play were rather different. In the movie, Mercutio, Romeo’s friend, got an invitation to Lord Caplet’s ball where Romeo and Juliet meet, but in the movie Romeo and this friends go to Lord Capulet’s party uninvited. What's more, is that when Romeo was at the ball he was recognized by Tybalt, Juliet’s cousin, from the sound of his voice in the play, but in the movie Tybalt sees him. In addition to that one scene where Juliet was hysterical because she thought Romeo was dead was completely absent in the movie.
The pace in which the The film goes very fast and it changes from one location to the next in a sequence of images, which occurs a lot during this recent film. In Franco Zeffirelli’s adaptation of the film, there are very similar. settings as they are both set in Verona but they have a different timescale and time period in which the film was produced. In the beginning of Act two Scene ii (the balcony scene), Romeo.... ...
A Comparison of Two Film Versions of William Shakespeare's Romeo and Juliet Making a film is hard, but it’s even harder when you’re trying to make your film about an incredibly famous play, William Shakespeares’ Romeo and Juliet. Trying to capture Shakespeare’s beautiful creation as well as adding your own personal touch takes weeks of dedicated work, especially when your film is competing with other adaptations of the play. I have compared two very different versions of the play, by Zefferilli and Baz Luhrman. During the prologue in each film, I noticed many differences and some similarities. There appeared to be more differences, as they were very obvious, many similarities I didn’t notice until the second viewing.
The Major Differences Between Two Film Versions of Romeo and Juliet The major differences between the two movies Romeo and Juliet who were
Zeffirelli’s film had Romeo and Juliet blocked far away from each other. At first, Juliet is high up on a balcony and Romeo is on the ground, many meters away. Then, Romeo comes closer as he listens to Juliet and when he converses with her, gradually increasing the proximity of the couple. Romeo must overcome many obstacles, such as trees and walls, to reach Juliet. This can be seen as how Romeo and Juliet were originally strangers, and now they have grown close despite the many obstacles in their way.
Noticing or comprehending mental or emotional changes in a play is hard, such as when Juliet has a mental change after her family turns their backs on her. When she is told to marry the county Paris and she refuses, both her mother and father are upset and refuse to recognize her because she let down such an opportunity unaware that she is already married to Romeo. The nurse also tells Juliet that she should marry Paris and also tells her to forget about Romeo; it is then, when Juliet changes mentally, making the Nurse dead to her for saying something so foul to her ears (3.5.206-236). Those who are reading cannot see such a change easily in the play, but Zeffirelli’s film clearly displays the turning point. The portrayal of this scene in the movie helps one understand what is going on because there is no stage
After Tybalt is killed by Romeo, The Capulets are shows being devastated over the sight of Tybalt death. Tragedy of events is amplified when outside people are affected, bringing in Tybalt’s parents created a greater sense of tragedy during this scene. Zeffirelli version lacked this sense of tragedy as the effect of Tybalt’s deaths was not shown to the full extent. The tragedy of the fight is heightened by the interaction and role which the Capulet family play, this addition to plot made the Luhumann version of ‘Romeo and Juliet’ more
And in the Balcony scene, Romeo and Juliet don’t know either of them are present while they are talking. Even though the Luhrmann version and the play are completely different in the modernness,characters, and choice of weapons, the two
Hello there, I needed to realize what grade you parcel think this bit of coursework merits Correlation between the two film adaptations Romeo and Juliet by Luhrmann and Zefferelli. While breaking down the two unmistakable 'Romeo and Juliet' movies and looking at them, I saw that both Zefferelli and Luhrmann had an alternate elucidation of Shakespeare's rendition of 'Romeo and Juliet'. For instance, Franco Zefferelli created his film in 1968, and Baz Luhrmann delivered his in 1997. Both movies gave altogether different points of view on Shakespeare's content as a result of the times they were set in. The imagery and symbolism in both movies were altogether different in light of this variable.
These days, movie ideas come almost exclusively from books or other types of media. Artists always want to get that connection to their audiences, often by evoking emotion. The film Romeo+Juliet by Baz Luhrmann and play Romeo and Juliet written by William Shakespeare are no exception. The film Romeo+Juliet directed by Baz Luhrmann connects better with readers than Romeo and Juliet written by Shakespeare through its allusions to well known symbols, use of facial expressions, and the relatable topics that all audiences can connect to.
The set and feel of the play were not much different than what Shakespeare originally intended them to be. For example, Shakespeare wrote in Romeo and Juliet that the play takes place in Verona, Italy. This is true for the Zefferelli play. He uses the same set style as the one intended to be used by Shakespeare. In the prologue of the play written by Shakespeare, it clearly states, “In fair Verona, where we lay our scene,” (Prologue.9).
Romeo and Juliet Drama and Film Comparison Essay Romeo and Juliet is a play written by British playwright William Shakespeare and first published in 1597.The Film Romeo + Juliet was a 1996 American romantic drama film, directed by Baz Luhrmann. Romeo and Juliet is the famous play that every people know. The play and the film of the Romeo and Juliet shows the common themes of the language, setting, costumes, authority, love and hate.
As Romeo enters the cemetery, unknown to Juliet’s ‘fake’ death, the director uses close-ups of Romeo when he is confronting Juliet, and mid-shots of Juliet, showing her laying asleep upon the presence of Romeo. As the scene starts to progress, Zeffirelli uses a similar mid-shot, with various angles from around the setting, showing Romeo standing over Juliet as she lay there. These camera shots are directed to the audience to show the importance of this scene, and the romantic love portrayed by especially Romeo. The director also uses a soft, ambient music to set the mood of the scene and fill the silence when there is no dialogue from either Romeo or Juliet. The smooth and sleek type of music indicates to the audience that this is not an action-packed scene, however a calm and loving scene. Compared to Zeffirelli’s version of this scene, where he uses many mid-shots, and close-ups, and uses ambient music, Luhrmann uses a very intense music to entice the audience into whats happening, and uses many long shots showing Romeo looking down upon Juliet in the cemetery setting. This profound style of music not only set the scene for the audience, but also ties in with whats is occuring. This is because the music started to dramatise when Romeo sees Juliet, and starts to confront her on her bed, further emphasising the compassion Romeo has for Juliet. The long shots used by the director show the church-type setting in which this scene is situated. We, as viewers, see the surroundings of Romeo and Juliet through these shots, showing Juliet laying on her ‘death’ bed with many candles surrounding her. Also, these long shots are directed to inform the audience that both Romeo and Juliet are by themselves, and alone. We are again enticed by this as it highlights