Essay Comparing Gwen Harwood And Sylvia Plath

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Poetry immerses us in the lives of others. Compare the ways in which two poets fulfil this purpose. Gwen Harwood and Sylvia Plath immerse the reader in contrasting experiences of motherhood through their respective poems ‘In the Park’ and ‘Morning Song’. In Plath’s poem, the surreal, intimate, and tender experience of early motherhood is explored, as the mother describes how her baby’s “moth-breath” “flickers among the flat pink roses” as a “far sea moves in [her] ear”. This combination of auditory and visual imagery contributes to the poem’s soothing tone, emphasising the mother’s devotion, awe and astonishment for her newborn. Contrasting this maternal adoration, Harwood explores the regret and resentment motherhood can inflict, as the mother …show more content…

Wordsworth explores an admiration of urban environments, whilst Yeats is astonished by nature’s beauty. Wordsworth’s frequent use of hyperbole in statements such as “Never did the sun more beautifully steep” demonstrate his overwhelming adoration and wonder for the city’s beauty. He uses hyperbole to express how, from his perspective, “Earth has not anything to show”. Contrastingly, Yeats establishes a tone of admiration for nature, highlighting the beauty of swans through personification. He describes how the swans’ “hearts have not grown old” as they dabble with “passion or conquest”. The human qualities he bestows on these creatures evokes an emotional connection to the sense of permanence that clashes with the fragility of life, as the birds are “mysterious, beautiful” yet “unwearied still” after nineteen years. Meanwhile, Wordsworth’s irregular and flexible meter creates a more authentic description of the city, expressing his raw, human wonder for its “majesty”, “splendour” and “beauty”. This reflects its diverse structural components realised by “ships, towers, domes, theatres, and temples”. Contrarily, Yeats’ elegantly structured sets create subtle but strong movement throughout, reflecting the powerful movement of swans and the “bell-beat of their wings”. This deliberate use of form contributes to a …show more content…

Dawe presents a bleak outlook on the future world in a disapproving and impassioned tone. Through his use of auditory imagery, where there are “sounds of acceleration instead of birdsong”, he criticises industrialisation and urbanisation, fearing the lack of trees “unless exotica for parking lots” and the impermanence of life after “irreplaceable parts [become] replaceable”. In contrast, Blake explores the confinement of the present, using four quatrains to establish a sense of predictability and repetitiveness. He reflects on the helpless monotony of London, emphasising the uniform nature of urban existence, where everyone’s face has “marks of weakness, marks of woe”. Meanwhile, Dawe’s depressed and melancholy tone reflects on the devolved state of his future world using personification, as “there will be no more streets begging for hopscotch squares”, to starkly present the lack of humanity in the world commanded by “a concrete god”. Furthermore, his employment of euphemism as “little children [go] under the front wheels” highlights the degradation of morality that accompanies an ever-industrialised world, as death is disregarded in a society the oxymoron “Marriage Hearse” juxtaposes the joy of marriage with the misery of death, contributing to the overarching theme of confinement that criticizes the agony “in

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