What is a monster? A monster is almost always defined different to a significant person. The most common definition of a monster is something that is a large frightening, ugly imaginary creature. But again that all depends on the person because we all are scared of something. It does not have to be big or ugly to scare someone. Monsters can be also very exciting to others who enjoy the thrill of them. Especially in horror films which has a very popular demographic of kids who watch them. But, my identified problem with it is the fact that some kids actually think they are real in horror films and in legends. Horror films can be one of the leading cause of people believing that these monsters are actually real.
Most monsters come from legends
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It can be a bipedal, but it often travels on all fours or switched back and forth between the two modes of locomotion” (The Cryptid Zoo). The Dover Demon was seen in the spring of 1977 by a couple of teenagers three different times over the time of two days. After those two days the monster was not seen since. Most people belief that since the kids who seen it were so young that what they actually might have seen was a moose foal. The Dover Demon had many films attached to the hoax of it. Overall there is not actual factual proof but, not all kids actually know that. Kids are not going to actively search to see if the monster is real or not. They just want to be done with it and avoid it and the subject of it for as long as they possibly can. Another monster that traumatizes kid that they believe is real is the Fouke monster. The Fouke monster can be seen in a 1972 classic horror docudrama The Legend of Boggy Creek. “In the mid-1950s, residents of Fouke, Arkansas, reported that a large, roaring ape-like creature was stalking their farms and killing livestock” (7 SMSPTE). The movie brought a lot of fame to the monster but once Hollywood moved on the sightings of the monster stopped. And all talk about this fake made up monster that panicked
If you were in a situation where you had no idea what was going on, and someone proposed an idea that could help you, and give you some direction, would you believe them? In both stories, The Twilight Zone “The Monsters Are Due On Maple Street”, and All Summer In A Day, the theme is expressed that a single idea can turn a crowd into a mob. Something as little as one idea can turn people against one another, and get them to do things they might regret. In The Twilight Zone “The Monsters Are Due On Maple Street,” this is demonstrated when everyone is in a frenzy, and Charlie ends up shooting Pete Vanhorn. In All Summer In A Day, William’s claims lead to Margot’s condemnation, and her being locked in a closet. A combination of confusion and imagination can lead to something dangerous and chaotic pretty easily.
The Monsters Are Due on Maple Street, a teleplay written by Rod Serling, starts in the late afternoon on Maple Street USA. Something bright flies overhead and the power goes out and the people who live there get advice from a 12 year old and get scared there are aliens out there. Tommy, the 12 year old, told them about the movies and comics that he has read. The narrator is an observer that is describing what happens while everyone goes mad trying to find a scapegoat. Steve is the only person who tries to reason with everyone while they are getting suspicious and trying to blame a scapegoat. This teleplay shows some of the human flaws that the people on maple street will encounter during their little power outage.
If someone had previous knowledge of a crime, are they just as guilty for not reporting that a crime was going to happen as the person(s) that actually perpetrated the crime? This question was a major point of discussion and the major driver of the plot in the book Monster by Walter Dean Myers. In this book, 16 year old Steve Harmon is being tried for felony murder for participating in a robbery perpetrated by James King, Bobo Evans, and Osvaldo Cruz that ended in the death a Alguinaldo Nesbitt. Although the jury found Harmon innocent in the end, the readers still learn that Steve knew that a robbery was going to happen. Also, scattered throughout the book were bits of evidence that alluded to Steve’s involvement in the robbery. Therefore,
Monsters are symbols and representations of a culture. They exist because of certain places or feelings of a time period. Monsters are “an embodiment of a certain cultural moment”. Author of Grendel, John Gardner, and author of Frankenstein, Mary Shelley, both create a monster to represent something larger than itself in order to have the reader reflect on their “fears, desires, anxiety, and fantasy” in society, which is explained in Jefferey Cohen's Monster Culture (Seven Theses). The latest trend in monster media, zombies, also fit into Cohen's theses on what a monster is.
Throughout history we see monsters taking many different shapes and sizes. Whether it be a ghoul in the midst of a cold nightly stroll or a mass genocide, monsters are lurking everywhere and our perception of what monsters truly are, is enhancing their growth as a force with which to be reckoned. Fear of the unknown is seen throughout time, but as humans progress we are finding that things we once were afraid of we are less frightening than they once were. Monsters can evoke fear in their targeted victims rather than physically harm their victims. For instance, every year a new horror film is released with the next scary beast, but why do we call something a monster even if we know it is not real? Even certain people and creatures are classified as monsters, but are they really monsters, or do their actions speak of monstrous doings? In his article and book chapter Monsters and the Moral Imagination and chapter 5 of On Monsters, Stephen Asma suggests that monstrosity, as we know it, is on the rise as humans progress, and how we perceive monsters can often define monstrosities in itself, providing evidence as to why monster cultures are on the rise, and showing how human progress has evolved our perception of how we think on the topic that is monsters.
Monsters are supposed to scare people and represent their fears. In most monster movies, the monster is a huge, ugly, non-human beast that terrorizes the city and destroys everything. But in the 1985 film The Stuff, the monster appears to be an innocuous dessert; what does that say about the fears of society? Jeffrey Jerome Cohen, an expert on monster culture, explains this and more in his article “Monster Culture (Seven Theses)” reprinted in the textbook Monsters in 2012. Cohen’s first thesis of monster culture, The Monster’s Body is a Cultural Body, argues that “The monster’s body quite literally incorporates fear, desire, anxiety, and fantasy, giving them life and an uncanny independence” (12). According to Cohen, the outward appearance of the monster reflects the fears and anxieties of the culture from which it originated. The first thesis says that the monster is not just a monster; it embodies the things the society wants to cast out as different from it, made into flesh.
It is very difficult to make a set definition of what a monster is. Monsters may look frightening, have unnatural body proportions, or even a dark and evil aura. We often see monsters as ghosts, werewolves, vampires, or artificial creatures, but it is still hard to say exactly a monster is. I believe monstrosity is made within the eye of the beholder. “Monsters” are what you make of them. Most “monsters” are just different and unique and that’s what makes them monstrous- because they are different from what people perceive as normal. That is how Gregor is turned into a monster in The Metamorphosis.
Violence cannot be clearly defined due to the multiple causes of it, but violence can be understood. Everyone experiences acts of violence in their life, either as the victim or the assailant. While normally violent acts are sporadic and caused by rage there are those who are comfortable and more likely to commit violence. One example of a person like this is Kody Scott, also known as “Monster” as a gangster. Monster wrote an autobiography about his life titled, Monster, in which he grew up involved with the Crips, a gang involved in long gang wars in Los Angeles, California. There are theories that suggest as to why people develop the ability to behave violently. Such as being exposed to violence early in childhood, or just being inherently violent. Monster's life is a perfect opportunity to examine one who has been in the deepest depths of violence on both sides and analyze him through these theories. The two theories that explain Monster's propensity towards violence the best are the cycle of violence theory and the self control theory. These two theories are separate ideas that develop during the same time frame of life, thus they feed off one another to promote violence.
Monsters are the physical embodiment of fear. Monsters are the physical embodiment due to a wide variety of reasons. The most important being: Monsters’ apparent invulnerability/incredible strength, represent the bad part of society, most often look ugly, represent evil/nightmares itself, are intelligent, and some deviate from the norms are the reasons why monsters are the physical embodiment of fear. Monsters’ incredible characteristics are what strike fear into the hearts of others. In many myths, monsters are a weakness to societies. For instance, the heroes of Rome fight these monsters in order to overcome them which is the symbolic overcoming of weakness by the community. The fear monsters represent is primarily human fear as monsters are generally on good terms with animals and human fear is far deeper than animal fear.
According to Merriam Webster’s dictionary, a monster is a “strange or horrible imaginary creature”. But monsters don’t necessarily need to be fictional; even humans can be monsters. The only thing that distinguishes us from fictional monsters are our appearances, human-monsters are hard to detect. Therefore, it’s easy to treat people based on their appearances since the human mind gets deceived by looks.
Crimes in America can be vicious and brutal, often leading to long, draw out trials, but it is only fair if you charge the right man. The only way that it can be fair is if you go by the facts and not the appearance of the accused. Many trials in America have men of color pointed out to be criminals. Many crimes are committed for a reason but many people label it as unknown. People are racist especially against colored people, they believe that white men are innocent but that is not always true. They always turn against the colored people for many crimes that could have been committed by a white man. The novel,Monster and the documentary “Murder On A Sunday Morning” are the same because,both cases have similar charges,both crimes were taken in a public place,and the both consist of racism either by the jury or police.
A common way to describe a modern day monster can be described within the soul and mind. Many people have a complex and confused mind. Stephen King states, “ I think that we’re all mentally ill; those of us outside asylums only hide it a little better- and maybe not all that much better, after all.” Monsters can overpower the mind. Many people struggle to listen to themselves, and they let their monstrous conscience take over their actions which will cause harm to them or people around them. It is common for people to battle monsters within their souls. Many people feel too weak to stand up and be free from
Mental health and its disorders are an intricate part of the individual and society. Mental health incorporates our emotional, psychological and social well-being. Understanding human behavior and the social environment in conjunction with biological, social and cultural factors helps in diagnosing and treating individuals accurately. Film can be used to understand and visualize how mental disorders may affect one’s life. This paper examines the film “Primal Fear” and explores the character Aaron Stampler and his mental illness, reviews literature on the diagnosis given and critically analyzes the film’s portrayal of the disorder.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
A monster is defined as an imaginary creature that is typically large, ugly, and frightening. By this definition, Victor’s creature who is depicted to be eight feet tall and hideous