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Essays on Hemingway‘s writing style
Essays on Hemingway‘s writing style
Hemingway’s use of stylistic devices
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Ernest Hemingway: Less is More “My aim is to put down on paper what I see and what I feel in the best and simplest way.” (Ernest Hemingway 1). This quote by Ernest Hemingway perfectly defines the writing style he uses in all of his works. Ernest’s works were much different than many others at the time. While many of his works involve similar themes, his many unique styles of writing made them each unique. The four central techniques Hemingway used are abundant usage of dialogue, direct and simplistic writing, creating works the general public can understand, and the use of his very own “Iceberg Technique”.
To begin with, a notable aspect of Ernest Hemingway’s works is his usage of dialogue. Hemingway is different in that he lets dialogue do the storytelling for him. Rather than having a narrator tell most of the story with breaks for dialogue, Hemingway creates his novels the other way around including an abundance of dialogue and minimal narration. A second interesting way he utilizes dialogue is that he makes his characters sound like real people talking, rather than using complex verbiage or incomprehensible slang. This makes his writing easier
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While most literature focuses on extreme detail and description, Hemingway actually does the exact opposite. He rarely uses adjectives in his writing at all let alone focuses the entire work on them. A second way he uses a simple writing style is by using lots of nouns. Nouns are the simplest part of speech, and since Hemingway’s goal was to write in the simplest manner possible, nouns were used frequently. A possible reason for his simplistic style could be his background in newspaper (My English Pages 1). He grew up writing articles that simply summarized what happened in the shortest, straight-forward way possible. With his journalistic background, its is likely that his direct, simplistic writing style was an effect of his
It is this tendency of writing that has brought Hemingway admiration as well as criticism, but it is clear that the author knew what he was doing when he himself commented on his aim. I always try to write on the principle of the iceberg. There is seven-eight of it underwater for every part that shows. Everything you know you can estimate and it only strengthens your iceberg (cited in Moritz 1968, 168). One observation that can be made on Hemingway’s narrative technique, as shown in his short stories, is his clipped, spare style, which aims to produce a sense of objectivity through highly selected details.
Imagine. You are sitting in complete silence, even the nearby crickets won't dare to let out even the slightest of croaks. You stare down at your cluttered, dimly lit desk. Your hand grasps your pen, and the other rubs back and forth across your temple in angst. Your eyes pass over each paper, containing each incomplete thought, and your mind floods with memories of your past. Trapped by writer’s block, you are all alone with only your experiences, surroundings, and philosophy aiding you in the fall that is the dark reality of alcoholism and depression. For renowned authors F. Scott Fitzgerald and Ernest Hemingway, these influences all played a crucial role in identifying their style techniques, as well as determining similarities and differences
The Trolley Problem is a scenario possessing two similar versions that begs the question of whether or not it is ethical to kill a person in order to save five. In both versions of this problem, there is a trolley approaching a track with people tied down. In the first version there are two tracks; the first with five people tied down and the other with one person tied down, as the train is approaching the five people. Beside the track there is a switch that will cause the train to travel onto the second track, in which only one person is tied down. In the second version there is one track with the trolley approaching the five people who are tied down, except in this case there is a footbridge over the track with a person large enough to stop
It was Ernest Hemingway’s belief that “for a true writer each book should be a new beginning where he tries again for something that is beyond attainment” (Nobel Prize Speech). This means that each time someone puts pen to paper, he should strive for such realness that it seems unreal. Rhetoric, or use of language, is the most critical aspect of writing. This is because a skilled use of rhetoric not only allows the writer to convey his ideas to an audience, but also manipulate the way the audience perceives them. Hemingway is extremely well-known for his use of rhetoric, which includes his figurative language, syntax, and other types of literary devices. Hemingway uses syntax, figurative language, and the placement of his stories and chapters
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
His style was described as “an attempt to get at minds and souls and what goes on within.” Also as “oblique, inferential, suggestive rather than overt, explicit, explanatory.” And yet somehow, “Mr. Hemingway can pack a whole character into a phrase, an entire situation into a sentence or two.”
Hemingway was able to show in his work the beauty of simplicity in his story telling, to convey verbal and non-verbal communication.
“My aim is to put down on paper what I see and what I feel in the best and simplest way” (E. Hemingway, Brainy Quote). It is evident that this is why Ernest Hemingway writes the literary pieces he writes. Hemingway proves this by writing his short story, Hills Like White Elephants. Hemingway also quoted, “I never had to choose a subject - my subject rather chose me” (E. Hemingway, QuotesPedia). This also relates to Hemingway composing Hills Like White Elephants along with many of his other works.
... seemingly simplistic. Hemingway discovered a way to demonstrate the complexity of the human spirit and identity through simplistic diction, word choice, and sentence structure. The story is only a small part of the deeper inner complex of the narrative. The short story allows a fluidity of thoughts between the individual and the characters without ever actually describing their thoughts. With no ending the story is completely left to interpretation providing no satisfactory ending or message.
“The plain was rich with crops; there were many orchards of fruit trees...but the nights were cool and there was not the feeling of a storm coming.'; The elaboration and choice of diction in this book is extraordinary. Hemingway uses so many words to describe the little things in this book. “There was a great splashing and I saw the starshells go up and burst...biting his arm, the stump of his leg twitching,'; is another great example of how he uses much elaboration in the novel.
In this mode the narrator is someone outside the story being omniscient (Abrams, p.301). Nevertheless, the author as the narrator in this story gives the reader virtually no access to the couple’s thoughts and does not even interpret the emotional quality of their words or movements by using adverbs; he simply records. Hemingway termed his own literary writing style The Iceberg Theory, a method in which he held back key details of his stories. He carefully detected and omitted all the words that did not work, keeping only the words that were of highest importance to his story, and leaving readers to sift through the remaining dialogue and bits of narrative on their own (Yanling, p 109). There are no descriptions of the couple’s real names, their occupations or any physical attributes. He further omits dialogue tags (she/he said) and skips any internal monologues. The story has a documentary style with sparse wording which makes the language restraint, intensified and precise. The author seems to be indifferent both to the characters and to the reader; he pretends to be merely an objective observer content to report without comment the words and actions of the protagonists (Yanling, p 108). The reader is on the basis of her or his own interpretations forced to piece together the facts of the difficulties in the couples disjointed conversation (Yanling, p
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
Becnel, Kim E and Harold Bloomm. Bloom's How to Write about Ernest Hemingway. New York, NY: Infobase Publishing, 2008. Print.
Hemingway’s writing style is not the most complicated one in contrast to other authors of his time. He uses plain grammar and easily accessible vocabulary in his short stories; capturing more audience, especially an audience with less reading experience. “‘If you’d gone on that way we wouldn’t be here now,’ Bill said” (174). His characters speak very plain day to day language which many readers wouldn’t have a problem reading. “They spent the night of the day they were married in a Bostan Hotel” (8). Even in his third person omniscient point of view he uses a basic vocabulary which is common to the reader.
Hemingway has a very simple and straightforward writing style however his story lacks emotion. He makes the reader figure out the characters’ feelings by using dialogue. “...