Presence of an iceberg in "A clean, well-lighted place
From the short story, ‘A clean, well-lighted place’, Hemingway has comprehensively used his theory of omission. The first part where this theory is used is in the definition of the characters present in the story. The old man, who is the first character, is brought out with lots of omissions regarding his details (Hemingway 1). The old man is only described as old and deaf. In addition, it is stated that he enjoyed coming out at night when it was quieter and could drink until the waiters became restless and ordered him out.
By looking at the old man, the reader can easily come up with many conclusions and symbolic interpretations. Firstly, the old age is a symbolic representation of all the aged persons, who appear discontented with their age. These individuals are more reserved and withdrawn from the rest of the society. The writer therefore omits the detailed explanations of the problems associated with advanced age and hence leaves the reader to make deductions. This means that he had the knowledge of these issues but failed to incorporate them into the story in order to make the reader understand better and develop a broader insight into the problem.
By illustrating the manner in which the old man regarded alcohol, it illustrates their solace and need for companionship. The alcohol served as the old man’s companion and he wished to spend the night drinking without thinking about any other thing. As the story develops, the waiters start a conversation that expands the details on the old man. This man lived and survived under the sole care of his niece (Hemingway 1). To begin with, the writer fails to include the children and wife of the old man in order to help develop ...
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...nk in one dimension and fail to capture the intended concepts from the story. Through these omissions, the story has managed to bring out a wider scope into the issues associated with life and especially among the aged.
Works Cited
Angell, James. Burrill. Martin Eden and the Education of Henry Adams: The Advent of Existentialism in American Literature. Lincoln, NE: iUniverse, 2006. Print.
Becnel, Kim E and Harold Bloomm. Bloom's How to Write about Ernest Hemingway. New York, NY: Infobase Publishing, 2008. Print.
Hemingway, Ernest. A Clean, Well-Lighted Place. n.d. Web. 26 May 2011.
Morris, Kevin. B and Elizabeth M. Owens. The Iceberg Theory: How Earnest Hemingway’s Principle of Omission is Reflected in his Literary Works. 2010. Web. 26 May 2011.
SparkNotes Editors. “SparkNote on A Clean, Well-Lighted Place.” SparkNotes LLC, 2007. Web. 26 May 2011.
In Hemingway's short story there are three characters, two waiters and their customer. Of these three, two are older men who are experiencing extreme loneliness. The customer sits alone drinking his glasses of brandy slowly, and very carefully, peacefully becoming drunk. While he is meticulously drinking his alcohol, the two waiters talk about him. They discuss his suicide attempt of the week past. The younger waiter doesn't seem to understand why a man with money would try to end his life. Although the older waiter seems to have an insight into the customer's reason, he doesn't share this with the younger one. He seems to know why this deaf old man is so depressed, and sits there alone and silent. When the younger waiter rushes the customer, the older waiter objects. He knows what it is like to go home to emptiness at night, while the younger man goes home to his wife. The older waiter remarks on the differences between him and his younger companion when he says, "I have never had confidence and I am not young.&qu...
Meter, M. An Analysis of the Writing Style of Ernest Hemingway. Texas: Texas College of Arts and Industries, 2003.
If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of the iceberg is due to only one-eighth of it being above water. (Rosen 2009, Hemingway 1964)
“The plain was rich with crops; there were many orchards of fruit trees...but the nights were cool and there was not the feeling of a storm coming.'; The elaboration and choice of diction in this book is extraordinary. Hemingway uses so many words to describe the little things in this book. “There was a great splashing and I saw the starshells go up and burst...biting his arm, the stump of his leg twitching,'; is another great example of how he uses much elaboration in the novel.
In this mode the narrator is someone outside the story being omniscient (Abrams, p.301). Nevertheless, the author as the narrator in this story gives the reader virtually no access to the couple’s thoughts and does not even interpret the emotional quality of their words or movements by using adverbs; he simply records. Hemingway termed his own literary writing style The Iceberg Theory, a method in which he held back key details of his stories. He carefully detected and omitted all the words that did not work, keeping only the words that were of highest importance to his story, and leaving readers to sift through the remaining dialogue and bits of narrative on their own (Yanling, p 109). There are no descriptions of the couple’s real names, their occupations or any physical attributes. He further omits dialogue tags (she/he said) and skips any internal monologues. The story has a documentary style with sparse wording which makes the language restraint, intensified and precise. The author seems to be indifferent both to the characters and to the reader; he pretends to be merely an objective observer content to report without comment the words and actions of the protagonists (Yanling, p 108). The reader is on the basis of her or his own interpretations forced to piece together the facts of the difficulties in the couples disjointed conversation (Yanling, p
Gajduske, E. Robert. Hemingway's Paris. New York: Charles Scribner's Sons, 1978. Mahoney, John. Ernest Hemingway. New York: Barnes and Noble INC., 1967. McSowell, Nicholas. Life and Works of Hemingway. England: Wayland, 1988. Meyers, Jeffery. Hemingway: A Biography. New York: Harper and Row Publishers, 1985. Shaw, Samuel. Ernest Hemingway. New York: Fredrick Ungar Publishing Company, 1974. Tessitore, John. The Hunt and The Feast, A life of Ernest Hemingway. New York: Franklin Watts, 1996. Waldhorn, Arthur. A Reader's Guide to Ernest Hemingway. New York: Octagon
From the time Ernest Hemingway became a renowned author, his works, as well as his life, have been analyzed by many. Under such scrutiny, many aspects of Hemingway’s works and life experiences have been in question to the realities and fallacies, which he laid forth. Much of Hemingway’s life, especially his time volunteering as an ambulance driver in Europe, has been in question to the true validity of his myth as a true adventurer and hero. However, as I have found, much of the mythology surrounding Hemingway is very true indeed, which leads me to believe that he did not embellish his life but rather used his experiences to create some of the greatest works of literature to be written throughout the twentieth century.
Ernest Hemingway, viewed as an American hero of his time, wrote novels that enrich the minds' of his readers, creating a lasting image that goes far beyond the actual content of the story. But while reading Hemingway, I learned that his style was far from complex. Through pre-meditated sentence structure, he creates a rhythm that parallels the action in the story. He wants the sentences themselves to be easy to understand, so the reader can use more energy focusing on the symbolism Hemingway's stories create. He skillfully places symbols and metaphors throughout his novels. In his own writing, Hemingway doesn't explain in detail his metaphors. Rather, he forces the reader to discover the deeper meaning hidden in his stories. His use of the "Tip of the Iceberg Theory" leaves the reader searching deeper into Hemingway's writing to find its true meaning. [VGC1]
When a writer picks up their pen and paper, begins one of the most personal and cathartic experiences in their lives, and forms this creation, this seemingly incoherent sets of words and phrases that, read without any critical thinking, any form of analysis or reflexion, can be easily misconstrued as worthless or empty. When one reads an author’s work, in any shape or form, what floats off of the ink of the paper and implants itself in our minds is the author’s personality, their style. Reading any of the greats, many would be able to spot the minute details that separates each author from another; whether it be their use of dialogue, their complex descriptions, their syntax, or their tone. When reading an excerpt of Hemingway’s A Moveable Feast one could easily dissect the work, pick apart each significant moment from Hemingway’s life and analyze it in order to form their own idea of the author’s voice, of his identity. Ernest Hemingway’s writing immediately comes across as rather familiar in one sense. His vocabulary is not all that complicated, his layout is rather straightforward, and it is presented in a simplistic form. While he may meander into seemingly unnecessary detail, his work can be easily read. It is when one looks deeper into the work, examines the techniques Hemingway uses to create this comfortable aura surrounding his body of work, that one begins to lift much more complex thoughts and ideas. Hemingway’s tone is stark, unsympathetic, his details are precise and explored in depth, and he organizes his thoughts with clarity and focus. All of this is presented in A Moveable Feast with expertise every writer dreams to achieve. While Hemingway’s style may seem simplistic on the surface, what lies below is a layered...
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
...ugh, will have a feeling of those things as strongly as though the writer had stated them.’ Hemingway was not big on self-analysis; he said upon receiving his Nobel Prize that "a writer should write what he has to say and not speak it." But the facts of his life are important, for Hemingway he believed that a good writer ought to draw always upon personal experience for his material. He wrecked his body in pursuit of a macho ideal. He wrecked his relationships in pursuit of… well, who knows what exactly he was after. After a lifetime of celebrating striving and stoicism, Hemingway ended his life wracked in mental and physical pain. Whatever his personal challenges, Hemingway's professional legacy is clear. American prose is different because of him, and his unique style has influenced art, film and countless other writers. We can only imagine that Papa would be proud
Trogdon, Robert W. Ernest Hemingway: A Literary Reference. New York: Carroll & Graf, 2002. Print.
Waldhorn, Arthur. Ernest Hemingway: A Collection of Criticism (Contemporary Studies in Literature). Chicago: Syracuse University Press, 1978.
Ernest Hemingway was an American journalist, novelist, and poet. Born July 21, 1899 in the small town of Oak Park, Illinois, Hemingway would go on to create a lasting impact on the world through his writing. Most people are familiar with Hemingway and his books, but few actually know that it became possible for him to write them due to the experience he garnered as a journalist. From For Whom the Bell Tolls to The Old Man and the Sea Hemingway’s novels remain a staple of American literature. Throughout his life, Hemingway published a plethora of fictional stories that were greatly influential to 20th century literature and future generations of writers utilizing experiences from throughout his lifetime as inspiration.
Based on the reviews that were found, it can be concluded that Ernest Hemingway’s novel, A Farewell to Arms, depicts a hauntingly realistic love story between Catherine and Fredric, one that was intense and more real than what was traditional presented in previous romances. More importantly, due to the publication of this work, it could be said that Hemingway changed the accepted style of writing, pushing his mastered technique into the forefront or even into the arena to be taken seriously. The reviews also point out that, the majority of individuals seemed to sense a huge growth in Hemingway’s writing in this book and felt that due to this, Hemingway had moved into a recognizable writer who had made a significant contribution to the world of literature.