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Literary devices used in hills like white elephants
Hills like white elephants literary analysis
Hills Like White Elephants English Literature Essay
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I see many people as I wander through the streets, yet I can only hear silence. I see couples getting into a restaurant, order, check their smartphones, eat, and I wonder why they do not look up, face each other and genuinely communicate. What I perceive, are men and women living not with, but next to each other. This is exactly what I imagined when I read Hemingway’s “Hills Like White Elephants”. A couple waiting to catch a train and as they sit and drink some beers, they start talking about Jig’s pregnancy and the option of abortion. However, all I can hear is silence because they simply do not speak the same language. They are both living in different worlds filled with divergent ideologies and opinions. As a result, the words do not come across. The American, though, does everything in his power to convince Jig of conducting an abortion, in which he seems to succeed at first. But as the story develops, the divided and childlike Jig transforms into an independent woman, who possesses an internal strength, determination and a mind of her own. Hence, I am going to argue that Jig will not have the abortion and will eventually leave the American.
Hemingway, considered to be a modernist writer, makes his readers work by implementing the well-known theory of omission, which “Hills Like White Elephants” is a perfect example of. As he stated in Death in the Afternoon : ‘If a writer of prose knows enough of what he is writing about he may omit things that he knows and the reader, […].’ (259). It seems that Hemingway assumed the reader would know what is being omitted, nevertheless many features of “Hills Like White Elephants” have already been covered by various critics. At the end of the story the reader is forced to unravel the most...
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...s the ideological Jig, and Jig’s personal development from girl to woman. She realizes that they are two opposites with incompatible ways of life so in the end the woman leaves her beloved American and embraces (the stream of) life.
Works Cited
Flynn, Elizabeth. Gender and Reading: Essays on Readers, Texts, and Contexts. Johns Hopkins, 1986. 280-281.
Hemingway, Ernest. Death in the Afternoon. New York: Scribner, 1960. 259.
Hemingway, Ernest. “Hills Like White Elephants.” The Short Stories. New York: Scribner, 1997. 251-255.
Lanier, Doris. “The Bittersweet Taste of Absinthe in Hemingway’s ‘Hills Like White Elephants’.” Studies in Short Fiction, 1989. 279-288.
Rankin, Paul. “Hemingway's 'Hills Like White Elephants'.” The Explicator, 2005. 234-237.
Renner, Stanley. "Moving to the Girl's Side of 'Hills Like White Elephants'." The Hemingway Review 15.1, 1995. 27-41.
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
While Jig will leave the American due to his lack of obligation, Lane Dean Jr. will marry Sheri in his effort to be a good person. Jig’s sarcastic tone in her dialogues following the Americans’ is indicative of her decision to not get the abortion. After the American assures her that they will be happy like before and it is a “simple operation” (Hemingway 592) Jig retorts, “What makes you think so?” (592).
Gale. Weeks, Lewis E., Jr. "Hemingway Hills: Symbolism in 'Hills like White'" Elephants. Studies in Short Fiction. 17.1 (Winter 1980): 75-77.
“Roman Fever” and “Hills Like White Elephants” are two stories that on surface seem very different from one another, but through careful analysis the two are quite similar. Their similarities are mainly evident through the significant use of the dialogues in the both stories. “Roman Fever” has a third person omniscient narrator which the author allows to know the inner private thoughts of both characters, Mrs. Slade and Mrs. Ansley. In contrast, “Hills Like White Elephants” is composed in a third person limited narrative where very little is known about the thoughts of both Jig and the American. At first Ernest Hemingway’s short story can clearly be viewed as the most ambiguous out of the two. With its simplistic style, written mostly in straightforward dialogue which leaves the readers to contemplate over the ultimate outcome of the story and forces them to ...
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
“The Hills Like White Elephants” is a short story that is about an American man and a girl called Jig. They are sitting at a table outside a train station, waiting for a train to Madrid. While they wait they order drinks and have a heated ongoing conversation over whether or not Jig will have an operation that would be of great significance to their relationship. “The Hills Like White Elephants” by Ernest Hemingway has two important symbols in the story, the hills and the drinks both of which help to give us a better understanding of what is going on between the American and his girl.
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
Hemingway, Ernest. "Hills Like White Elephants." In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al. Lexington, MA: D.C. Heath and Company, 1991: 1471-1485.
Hills Like White Elephants, written by Ernest Hemingway, is a story that takes place in Spain while a man and woman wait for a train. The story is set up as a dialogue between the two, in which the man is trying to convince the woman to do something she is hesitant in doing. Through out the story, Hemingway uses metaphors to express the characters’ opinions and feelings.
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.