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The praise of folly erasmus critical analysis
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The praise of folly erasmus critical analysis
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Desiderius Erasmus wrote his seminal masterpiece of christian humanism “Praise of Folly” in 1511, yet the effects and influence of this small piece of cathartic, witty banter would permeate social consciousness in the european renaissance mind and play a significant role in the revolutionary state of church politics in the days before and after Martin Luther’s reformation. In his mere 40,000 words, Erasmus succeeded in highlighting most of contemporary critical theory about the Catholic church and the state of spiritualism as a whole through the ingenious conceit of the lady, Folly. Folly is the prism through which Erasmus can pass his views unaltered, despite the fact he continued to receive excessive criticism following the publication and was forced to defend himself ceaselessly after it’s incredible popularity, as explained in the successive editions of Listrus’ commentary on Folly that usually accompanied the book. Erasmus’ criticism come from a place however, not of scorn or disdain, but of hope. He remains an ardent catholic despite his criticisms and feels that the majority of issues within his piece stem from those who are actively attempting to subvert christian teaching as opposed to expressing the inherent flaws of the system as a whole. Indeed, even though his colleague, Martin Luther shared many of the same criticisms of the contemporary church, Erasmus could never make the leap of faith into leaving Catholicism for some other purpose. The criticisms were always representative of a higher desire for correction within the church, as though Catholicism and spirituality had strayed from the path, particularly in reference to the misappropriation of praise to Mary and the saints rather than Christ or in the devious natur...
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...March 1994) In Praise of Folly, Guttenberg.
Erasmus, D. (2011) Enchiridion. Theophania Publishing.
Gavin, J.A. and Walsh, T.M. (Summer, 1971) The Praise of Folly in Context: The Commentary of Girardus Listrius, Renaissance Quarterly. Vol. 24. No. 2.
Janin, H.(2008) The University in Medieval Life, 1179-1499. McFarland.
Kréme, E. and Marx, D. (1996). Web Gallery of Art. Marginal Illustration for Erasmus’ In Praise of Folly (1515). www.wga.hu/frames-e.html?/html/h/holbein/hans_y/2drawing/1530/01folly2.html [Accessed 05/11/13]
Kristeller, P. O. (Spring 1970). Erasmus from an Italian Perspective. Renaissance Quarterly.Vol. 23. No. 1.
Levi, A.H.T. (March 1994) Dorp and the Spirituality of Erasmus. Praise of Folly. Penguin Classics.
Pope Pius IX (December 8,1854). Ineffabilis Deus. Papal Encyclicals Online. www.papalencyclicals.net/Pius09/p9ineff.htm [Accessed 05/11/13]
A. “The Church in the Age of Enlightenment and Revolution”. Verbal Conscience. March 2012. Web. The Web.
Everyone has aspirations; whether they are ginormous or microscopic, they hold a great deal of importance in our lives. They become so important that with adherence and diligence, a person has the ability to set their mind to anything. It is absolutely true that when a person tries to reach a goal, they are going to experience a few obstacles here and there; this is the time when they must step it up a notch and fight their way to the top. In this particular book, a man named Desiderius Erasmus must fight to keep the worldwide body of Christians united as Catholicism attempts to tear the people apart, limb-by-limb.
Kleiner, Fred S. A History of Roman Art. Boston, MA: Wadsworth, Cengage Learning, 2010. Print.
Ruskin, John. “Grotesque Renaissance.” The Stones of Venice: The Fall. 1853. New York: Garland Publishing, 1979. 112-65. Rpt. in Classical and Medieval Literature Criticism. Ed. Jelena O. Krstovic. Vol. 2. Detroit: Gale Research Company, 1989. 21-2.
Through the years from the medieval ages up until now, the Roman Catholic Church has always had a major influential presence in all walks of life for European people, whether it was for taxation, the establishing of laws, the rise and fall of monarchs, and even daily social life. Furthermore, the Catholic Church held such power that they could even appoint and dispose of great kings with just the writing of the pen. However, their power started to wane once human curiosity overcome ignorance and blind obedience. For example, the Enlightenment Age brought a series of shocking blows to the Church’s power such as disproving the Church’s theory of geocentricism and presented an age of questioning and secularism. In essence, by looking at the Church’s
Fiero, G. K., "The Humanistic Tradition, The European Renaissance, The Reformation, and The Global Encounter", (2002). McGraw-Hill, New York, NY
Brucker, Gene A. & Co. Renaissance Florence. Berkeley: University of California Press, 1969. Mandelbaum, Allen. A.
Humanists had been calling for reform in the Catholic Church long before Martin Luther penned his Ninety-Five Theses. Humanism was an intellectual and cultural movement of the Renaissance that emphasized the expansion of mans’ capacities. “[Humanism] was an attempt to discover humankind’s own earthly fulfillment. . . [it] developed an increasing distaste for dogma, and embraced a figurative interpretation of the scriptures and an attitude of tolerance toward all viewpoints” (Sporre 310). This perspective could not differ more from the Church’s strict reliance on tradition. People’s outlook on the world changed, but the Church continued on with what had previously worked. It soon became clear that reform in the Church was not in the foreseeable future, so people decided to take matters into their own hands. As humanism spread throughout Italy and northern Europe, more and more people agr...
Dio, Cassius. "Roman History - Book 50." 17 June 2011. University of Chicago. 31 October 2011 .
This section finds great ironic humor in the folly of all types of conceit, pointing out that the most condescending of people have little reason for such egotism. Folly laughs at the conceit of “the general run of gentry and scholars” with their “distorted sense of modesty” (11) including “those who lay special claim to be called the personification of wisdom, even though they strut about ‘like apes in purple’ and ‘asses in lion-skins’” (13). Folly, of course, is guilty of this most of all in dedicating a whole book to praising herself, and she admits the great folly behind this when she asks, “What could be more fitting than for Folly to trumpet her own merits abroad and ‘sing her own praises’” (11). Erasmus jokes about this type of conceit because it is innocent and commonplace. His point is to en...
*All primary documents from this text come with this preface in mind (especially that which I have bolded): In this volume, as in its predecessor, I have tried to keep both footnotes and editorial comment to a minimum, the only real problem occurring with documents written in the emerging literary English of the period. With most of these I have used modern versions, but one or two I have left in the original, to instance the spelling and form of the language. With these some notes have been necessary, but by and large they are intelligible with a little effort, and should be interesting to read. Such mistakes, as exist are of course, mine.
Erasmus, Desiderius. In Praise of Folly. Trans. Hoyt Hopewell Hudson, Princeton, New Jersey: Princeton University Press, 1970.
The renaissance and the reformation were two of the most significant changes in history that has shaped our world today. Both of these great time periods are strikingly similar in some ways and totally different in others. This is because the renaissance was a change from religion to humanism whether it is in art or literature; it is where the individual began to matter. However, the reformation was,” in a nutshell,” a way to reform the church and even more so to form the way our society is today. The first half of this paper will view the drop in faith, the economic powers, and the artistic and literary changes during the renaissance, while the second half will view the progresses and changes the church makes during the reformation.
Harr, James. Essays on Italian Poetry and Music in the Renassisance: 1350-1600. Berkeley: University of California Press, 1986.
Larmann, R., & Shields, M. (2011). Art of Renaissance and Baroque Europe (1400–1750). Gateways to Art (pp. 376-97). New York: W.W. Norton.