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The faerie queene allegory
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Throughout the centuries, writing an epic is considered as the major qualification of being master poet for the European writers and many writers attempt to give an example in this genre along their life time. Unfortunately, big portion of such writers fail and burry in the dusty shelves of the literature whereas some other writers’ life time could not be long enough to complete “such divine duty that puts on the poets’ shoulders. (Sydney 47).Especially, when we look through the English literature, till the first existence of the national epic works, English writers feel the lack of epic writer figure such as Homer of Greeks, or Virgil of Latins in their literature and this obligates them to focus on writing in epic genre and this need causes them to complain about this absence more frequently. For instance, Edmund Spenser claims in one of his pastoral, The Shepheardes Calender, as if a poet wants to be master in poetry, s/he has to abandon writing the basic forms of poetry such as pastoral and has to write an epic then his/her name will be written in the sky. Spenser deeply believed that it was necessary to construct an English, Christian Epic. The reason for this can be found within Sir Philip, An Apologie for Poetrie. It is Sydney’s desire to prove that the art of poetry is not a waste of time to Elizabethan society. By legitimizing poetry as a true art form, he is also validating the English language’s need for a great national epic. On the other hand, Spenser, himself achieves to fulfil such a call with one of the best examples of epic poetry, through his incomplete masterpiece, The Faerie Queene, to the English literature. Unfortunately his life could not let him to finish the whole work as his intents, he is able to write o...
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...tion is using epithets re-namings of, mainly, characters by stock phrases. These occur quite a lot in The Faerie Queene. The Knight of the Red Crosse is among others named “the Champion (stout)”, “the valiant Elfe”, “the Elfin knight” while Una is often referred to as “that Ladie milde” or “faithful Dame”. Another epic convention is the statement of the theme. It occurs in the beginning of every canto in Spenser's epic poem: the canto commences with a four-line sentence, stating briefly what is about to happen.
To conclude, basic conventions of an epic poem are can be fulfil by The Faerie Queene. Thus, the poem no matter whether it carries romance characteristics, eventually it remains as one of the fairest example of English literature in epic genre and with its success Edmund Spenser is going to be remembered as one of the best poets amid Homer, Virgil or Tosso.
Murphy, B. & Shirley J. The Literary Encyclopedia. [nl], August 31, 2004. Available at: http://www.litencyc.com/php/speople.php?rec=true&UID=2326. Access on: 22 Aug 2010.
In what follows, my research paper will rely on an article by Kathy Prendergast entitled “Introduction to The Gothic Tradition”. The significance of this article resides in helping to recapitulate the various features of the Gothic tradition. In this article the authoress argues that in order to overturn the Enlightenment and realistic literary mores, many of the eighteenth century novelists had recourse to traditional Romantic conventions in their works of fiction, like the Arthurian legendary tales (Prendergast).
In The Faerie Queene, Spenser presents an eloquent and captivating representation of the Roman Catholic Church, her hierarchy, and patrons as the malevolent forces pitted against England in her exploits as Epic Hero. A discussion of this layer of the allegory for the work in its entirety would be a book in and of itself, so, for the purposes of this exercise, the focus will be confined to Book I, Canto 1, through the vanquishing of the dragon, Errour. Even in this small section of the work, however, it will be evident that Spenser very much took to heart both his duty as an Englishman to honour Her Majesty, Queen Elizabeth I, and his duty as a Protestant Christian to champion the Church of England. The purpose of this exercise is not to prove whether Spenser was correct in his assertions, but to explore the manner in which he sets forth his views; it is, therefore, written from the position that his views are righteous, in the interest of eliminating the need for multiple caveats stating that the ideas herein are an interpretation of Spenser's beliefs. That being said, Spenser's multi-layered allegory sets him apart as perhaps the first Anglican Apologist, in whose footsteps C.S. Lewis would later follow with his own deeply symbolic tales. That Spenser displayed the literary and imaginative prowess to lay down so many layers of richly crafted allegorical fabric has made The Faerie Queene a work for the ages, both as lessons in English and Ecclesiastical history and as a fine example of the enduring beauty of the Language.
Raffel, Burton. and Alexandra H. Olsen Poems and Prose from the Old English, (Yale University Press)Robert Bjork and John Niles,
Hatto, A. T., gen. ed. "Heroes and Heroines." Traditions of Heroic and Epic Poetry. Volume Two: Characteristics and Techniques. London: The Modern Humanities Research Association, 1989.
In these two poems dragons are featured as negative creatures and are associated with the evil
R. W. Southern's 'From Epic to Romance' traces the shift of thoughts and feelings from the early to high medieval era. Not only does he paint the religious changes well, but also how these new ideas spilled over into the secular world. Once the twelfth century writers fueled the spark of romanticism, the epic was doomed. Southern show how the thoughts of God and a limited world made The Song of Roland a classical early medieval epic and that the new concepts in ecclesiastical and social circles illuminated the increasing romantic sentiment such as those found in Ywain.
The epic poem, Beowulf, a work of fiction, offers more insight into Ancient Anglo-Saxon English culture than the work of Bede, who wrote, A History of the English Church and People. The epic poem Beowulf gives an enhanced illustration and clearer understanding of the culture of the Ancient Anglo-Saxon’s. The epic poem gives the audience a picture of what the Ancient Anglo-Saxon English valued; seafaring, warriors, heroes, and paganism.
Beowulf is characterized as an epic hero by possessing qualities in which common mortals lack, battling for the common good, and displaying honor in every act. An epic hero is the central character in an epic, a long narrative poem that recounts the adventures of a legendary hero in pursuit of a goal. According to Jankowski, “Understanding the significance of Beowulf 's acts requires an understanding of the key figures in the epic poem” (1). Epics have been used to preserve values and traditions. They are a rich resource for exploring the history and values of different world cultures. The epic hero character is a larger-than-life figure who is typically of noble birth. An epic hero uses his/her courage, skill, and virtue against
William Shakespeare has become landmark in English literature. One must be familiar with the early days of English literature in order to comprehend the foundation of much of more modern literature’s basis. Shakespeare’s modern influence is still seen clearly in many ways. The success of Shakespeare’s works helped to set the example for the development of modern dramas and plays. He is also acknowledged for being one of the first writers to use any modern prose in his writings.
Craig, Joanne. “’All flesh doth frailtie breed’: Mothers and children in The Faerie Queene. Texas Studies in Literature and Language 42:1 (2000): 16-33.
The ideal of Justice in The Faerie Queene poem V is a whole disseminated into
The 8th century epic poem Beowulf illustrates a loss of community, cultural values and tradition. On the other hand, an elegiac passing of an extraordinary hero and the relationship between the themes of mortality and heroism are well discussed in Beowulf. Beowulf’s character exemplifies the Germanic and the Anglo-Saxon ideals of the hero: strong, fearless, bold, loyal, and stoic in the acceptance of fate. Despite his lack of humility, Beowulf was the definition of a hero in his own time by his demonstration of chivalry and his important roles in society.
English literature is continuously developing into a more complex, and interwoven network of shared, or argued ideas. Proof of this goes back into all of the varieties of literature that we have discovered from times past, as well as anything new that is written today. One example of these works of art that has been studied intensely over the years includes the story of The Duchess of Malfi written by John Webster somewhere between 1580 and 1625. This is a story of tragic loss, desperate love, and vicious vengeance which all comes together to form one of the greatest tragedies of all time.
The epic poem of Beowulf is a tale of bravery and devotion. Beowulf was a God fearing man and encouraged his men to be of the same, he fought bravely against many foes and won all but his last. The story of Beowulf is just that a story. It is not certain whether he really lived or not but the story of Beowulf came about shortly after Higlac led a military raid around the year 525. During the time period Beowulf was written, there were many epics being written about the same types of things. The Odyssey by Homer was another great fictional epic. Shakespeare’s Romeo & Juliet was a romantic epic written in this time.