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Gender role in the wife of bath's tale
The wife of bath’s tale analysis
The wife of bath’s tale analysis
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The Wife of Bath, or simply Alyson, from Chaucer’s renowned poem The Canterbury Tales gives readers an idea of what most women were like and the role they played in 14th century England. She informs her fellow pilgrims that she proudly represents the opposite of the majority of females in medieval times. She portrays herself as a woman who is sexually experienced, had sovereignty over her past five husbands, and speaks and carries herself in a manner rarely seen in this male-dominated, patriarchal period. The Wife of Bath can be interpreted as either an empowering and capable feminist-type character or just a sarcastic, satirical collection of negative qualities women should strive to oppose. Which of these depictions was Chaucer trying to …show more content…
A female dominated marriage or society would be no better than a patriarchal one. The Wife of Bath’s Tale further confuses her female empowering notions. Her tale recounts the story of a young Knight that rapes a young, virgin maiden and is then sentenced to death. Lady Guinevere takes pity on him and gives him 12 months to find out what it is that women most desire. Towards the end of the Knight’s year long quest, he finds an old hag who has the answer he seeks if he promises himself to her. The Knight goes before Lady Guinevere and her court and declares a woman wishes to have power and control over her husband. None of the women, including Lady Guinevere, can find a fault in his answer and so he is spared. Having sworn himself to the old woman, she reveals that her wish is for him to marry her for helping save his life. The Knight knows he cannot refuse her request so he reluctantly agrees. However, the Knight cannot bring himself to lay with the old woman. In his distress, the hag asks him if he would rather have an old and ugly wife that is loyal and true or a young and beautiful wife that is sure to be dishonest and unfaithful. The Knight tells the old woman the choice is hers alone. With this, the old woman turns into a gorgeous young maiden who is both beautiful and true. In the end, the woman was given the choice but it still does not change the fact that a rapist was rewarded with a happy ending. The audience is never informed of the rapist’s victim again. This contradicted the entire point of her
It is up to her whether to make the knight the happiest man on earth or to make him miserable for as long as she lives.
Leicester, Jr., H. Marshall. "Public and Private Feminism in the Wife of Bath's Tale." Women's Studies 11.1-2 (1985): 157-78.
... she responded in the fullest measure With all that could delight or give him pleasure.” Basically the Knight got a beautiful on the inside and out woman and wife. He never really got punished like he should’ve for raping that woman. In a way this seems to be mocking rape that solving a stupid question could get a man a beautiful wife and out of a crime he committed. He should’ve been killed in the very beginning of the story.
The consequences for the knight are disastrous, as he’s caught in the snare of her beauty and wiles, blinding him to the warnings of the changes in nature that surround him. This is exactly the case of conflict in Wuthering Heights, where Heathcliff is entranced by Catherine and her beauty in the early stages of his life. This is disastrous, as he is fuelled by jealousy of others close to Catherine resulting in the majority of conflict present in the latter stages of the novel.
Although being wronged, Elizabeth tries to be a good wife and does not tell the court of John’s affair, unknowing that he had already admitted. John loves his wife, so he righteously admits to his sin in attempt to save her while only dooming himself to the good nature of Elizabeth. There is irony in this situation because Elizabeth, a woman who “in her life, she had never lied” does so only to protect her husband’s name (103). In making the decision to lie, she is therefore convincing the court that John is lying to protect her. Emotions steadily build awaiting the dramatic ending between Elizabeth and John. Elizabeth is saved from hanging due to her pregnancy, whereas John refuses to lie and admit to witchcraft. Their attempts to save each other backfire. Ironically, if Elizabeth had not lied, her and John could have been together for years to come.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
Leicester, Jr., H. Marshall. "Of a fire in the dark: Public and Private Feminism in the Wife of Bath's Tale." Women's Studies 11.1-2 (1985): 157-78.
Hansen, Elaine Tuttle. (1992). Chaucer and the Fictions of Gender. University of California Press, Ltd: England. (pgs 188-208).
The woman became exactly what she said she would: a beautiful, fair maiden; good and true. The knight then loved her like she wanted him to, and they lived in a blissful world.
Carruthers, Mary. "The Wife of Bath and the Painting of Lions" The Geoffrey Chaucer Page. 30 June 2000
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
The old woman knows the information that the knight needs to save his life. In this portion of the text the author depicts that there is power in knowledge. The old woman use her knowledge as leverage against the knight. Which led the old woman to offer the knight this option to “pledge me your troth said she, here in my hand. And swear to me the next thing I demand you shall do if it lie in you might”. The knight accepts the offer that the old woman makes so he can obtain the information. In this instance the knight is powerless because of the crime he committed he must marry an old woman in order to live. Also, in this portion of the text it is really symbolic because a man will do anything to live or to stop his
Despite the fact that this lady was supposedly untouchable due to her status as “taken” this man or rather knight made it his mission to win her over or it was his mission to please her. This Knight would go to great lengths sometimes setting into long journeys, battling other knights and going into chivalric adventures in what is known as the other world. This knight or the courtly lover is like a slave to this passionate, romantic love for example in the tale “Le Chevalier de la charrette”, a courtly romance whose hero obeys every imperious and unreasonable demand of the heroine. A slave willing to put his own life at risk in order to show his love and passion for this one woman. For example, In “Lancelot, the Knight of Cart” Lancelot first part is a physical quest though driven by love, the knight tries to rescue Guinevere. However, once he finds her, he does not stop, he continued to quest in order to deserve her love. Even after they consummate their relationship in the tower, he must continue to do her bidding, suggesting that the quest for love never ceases. We see this untouchable love through his love and adulterous feelings for the queen, Lady Guinevere, this lady made untouchable through her marriage to King
Many critics throughout the years have given the Wife of Bath a title of that of a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it, by manipulating her husbands into feeling bad for things that they didn’t do, or by saying things that put them to utter shame. No man has ever been able to give an exact answer when she asks to know how many husbands a woman may have in her life...
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.