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Chaucer's perspective on women
Chaucer's view of women and women's
Chaucer's perspective on women
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Fantasy is defined as “the faculty or activity of imagining things, especially things that are impossible or improbable” (Google). It can describe one’s dreams, truest desires, and wildest imaginings. Chaucer employs fantasy all throughout the Wife of Bath’s Prologue and Tale to reinforce numerous ideals and experiences of the Wife, especially those regarding women’s rights and women’s desire to be in control of men. My first example of fantasy resides in the Wife of Bath’s Prologue. Around line five, the Wife begins discussing religion and how countless people believe that it relates to the number of husbands a woman should have in her lifetime. This number, by their standards, would obviously be one. The Wife disagrees with this, and goes …show more content…
As wolde God it leveful were unto me
To be refreshed half so ofte as he!”
(The Wife of Bath’s Prologue, Lines 35-38).
The Wife is making a point about women’s rights, or the lack there of, in her time. She argues that men can do whatever they please, and no one gives them so much as a second glance. All the while, women are being burned at the stake or stoned for doing the exact same thing.
The second example also comes from the Wife’s Prologue. Beginning at line five hundred and seventy-five, the Wife uses one dream in particular to lure in her potential fifth husband, Jankyn.
“I bar hym on honed he hadde enchanted me –
My dame taughte me that soutiltee –
And eek I seyde I mette of hym al
…show more content…
I prey to God that I moote sterven wood,
But I to yow be also good and trewe
As evere was wyf, syn that the world was newe.
And but I be to-morn as fair to seene
As any lady, emperice, or queene,
That is bitwixe the est and eke the west,
Dooth with my lyf and deth right as yow lest.
Cast up the curtyn, looke how that it is.’”
The woman became exactly what she said she would: a beautiful, fair maiden; good and true. The knight then loved her like she wanted him to, and they lived in a blissful world. As shown through my examples, Chaucer employs fantasy all throughout the Wife of Bath’s Prologue and Tale to reinforce numerous ideals and experiences of the Wife, especially those regarding women’s rights and women’s desire to be in control of men. At first, Chaucer mainly uses fantasy in the Wife of Bath’s Prologue to discuss women’s rights and feminism but finishes his story discussing women’s desire to be in control of men. The Wife of Bath’s tale dabbles in feminism, but mainly discusses the control of men. Fantasy is an integral part of both pieces, and Chaucer uses it to make his points
This might seem ironic coming from a man in this period, but it is not so ironic when one looks at the Canterbury Tales and acknowledges it as a fine work of parody. Chaucer attacks other traditions vigorously, a good example of which is his discussion of corruption in the church . His critical look at the standards for women which are especially enforced by the church add humor to the tale of the Wife of Bath while also making a political statement. Chaucer prepares the reader for the tale with his brief description of the wife in the Prologue. She is a skilled cloth-maker and devoted Christian pilgrim trips as well as several other shrines in different countries. The irony comes in when Chaucer adds that she is a gap-toothed woman in scarlet red leggings, who has been married five times. This description does not sum up with the image of a hard working, devoted Christian woman according to the doctrine of the church. Chaucer's physical description is important because it makes the Wife of Bath more acknowledged ; she reeks of feminine
The Wife of Bath is portrayed as a strong-willed, alpha female. The Wife of Bath upholds the misogynistic ideas of Chaucer's time because she is a controlling, manipulative, know-it-all woman. Her personality and behavior both reflect the negative attributes that women were shamed for during that time. She is opinionated, dominate, and diabolical; all qualities that were not accepted easily in a woman. She defied the norm of that time.
In the words of the Broadview Anthology’s introduction to the Wife of Bath, she is “a sexually experienced cynic who teaches young people the tricks of love…. The Wife’s history and the literary shape of her prologue conform to many of the traditional misogynistic stereotypes found in her husband’s book” (Broadview 298). Why would Chaucer write such a clever portrayal of personal pleasure through the eyes of a woman, and yet design her to possess every quality so despised and abhorred within her so-called lifetime? Because the audience of this poem would probably include wives, and because everything the Wife describes is almost laughably vulgar, it can be understood that this poem would not be interpreted literally and women would instead be forced to listen to an account about female power, desire, and pleasure written, unfortunately, as cruel satire of their
The image of the woman in the Wife of Bath’s Prologue is depicted by Chaucer to be “barley wheat” in a town and civilization lusting for whole white wheat or virginity (Chaucer 1711). The woman has married many men and in doing so forgotten the true value of the Christian faith and now believes worldly influence can overpower the scriptures of the Bible, “can you show in plain words that Almighty God forbade us marriage? Or where did he command virginity?” (Chaucer 1709). Jackie Shead analyzes the prologue and states, “it begins by manipulating authoritative texts--a pre-emptive strike to justify the Wife's marital history and her single-minded pursuit of self-gratification” (Shead). The possibility of the Wife of B...
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
In both the Miller’s Tale and the Wife of Bath’s Tale, Chaucer uses his characters and stories in order to project various stereotypes to the reader. Although varying a tad bit throughout the book, the tone that seems to be drawn from the stories is that women are manipulating, sinful, and power hungry, while men are considered gullible and rash. Its through understand and analyzing these stereotypes that we can fully understand what Chaucer’s stories are trying to convey to us.
Geoffrey Chaucer’s “The Wife of Bath’s Tale” is an important part of his most famed work, The Canterbury Tales. One of the most respected highly analyzed of all of the tales, this particular one is important both for its character development and its prevailing themes. It seamlessly integrates ideas on society at that time with strong literary development. This work stands the test of time both because of its literary qualities and because of what it can teach us about the role of women in late Medieval society.
Chaucer's "The Wife of Bath's Prologue and Tale" is a medieval legend that paints a portrait of strong women finding love and themselves in the direst of situations. It is presented to the modern day reader as an early tale of feminism showcasing the ways a female character gains power within a repressive, patriarchal society. Underneath the simplistic plot of female empowerment lies an underbelly of anti-feminism. Sometimes this is presented blatantly to the reader, such as the case of Janekin's reading aloud from "The Book of Wikked Wives" (The Wife of Bath's Prologue and Tale 691). However, there are many other instances of anti-feminism that may not scream so loudly to the reader. This is shown in the disappearance of the rape victim and the happy ending for the Knight. While the overall story is one of supposed feminism shown through women's empowerment, there are many aspects of "The Wife of Bath" that are anti-feminist in nature.
One of the most interesting and widely interpreted characters in The Canterbury Tales by Geoffrey Chaucer is the Wife of Bath. She has had five different husbands and openly admits to marrying the majority of them for their money. The wife appears to be more outspoken and independent than most women of medieval times, and has therefore been thought to symbolize the cause of feminism; some even refer to her as the first actual feminist character in literature. Readers and scholars probably argue in favor of this idea because in The Canterbury Tales, she uniquely gives her own insight and opinions on how relations between men and women should be carried out. Also, the meaning of her tale is that virtually all women want to be granted control over themselves and their relationship with their husbands, which seems to convince people that the Wife of Bath should be viewed as some sort of revolutionary feminist of her time. This idea, however, is incorrect. The truth is that the Wife of Bath, or Alisoun, merely confirms negative stereotypes of women; she is deceitful, promiscuous, and clandestine. She does very little that is actually empowering or revolutionary for women, but instead tries to empower herself by using her body to gain control over her various husbands. The Wife of Bath is insecure, cynical towards men in general, and ultimately, a confirmation of misogynistic stereotypes of women.
In the 14th century Geoffrey Chaucer wrote The Canterbury Tales, which included a progressive view of women's concerns in "The Wife of Bath." During a time when women were still considered chattel existing almost exclusively to produce heirs, Chaucer takes a stand on issues affecting women that were not commonly given consideration. Writing in the first person, Chaucer is able to describe life from the viewpoint of a woman. Through this style, Chaucer addresses subject matter that would have been too candid for a female writer during his time period. By writing "The Wife of Bath" in a satirical way, Chaucer points out issues facing women regarding double standards, the validity of female desire, and the economic necessity of women to marry well while keeping the text humorous with some common female stereotypes regarding deception that have persisted into present day culture.
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
The Wife of Bath 's prologue and tale has a very personal authenticity to it. Although Geoffrey Chaucer is the author, the wife of Bath takes agency to talk about herself and her experiences. It is almost as if the wife speaks for him. The expectations of married women, at the time The Canterberry Tales were written, were to be modest, true and obedient wives. The wife of Bath, however, admits to using her own experiences as the source of her knowledge in marriage, and not the views of society. It is the fact that she relies on her internal thoughts and experiences that allows one to see her (and Chaucer 's) personal insight on the desires of married women. Although some may say that the wife of bath is simply looking for dominion over her husbands, Chaucer characterizes the wife of bath as a bold woman, and also uses the first person point of
The knight in the tale had no choice but to submit to the sovereignty of the old hag. If the knight was a little smarter and did his homework in trying to say, "Hey, how does this old hag know the answer to what women most desire? She’s probably never been with a man before!" The knight was ...
In this novel, in comparison, there are more men than women. Most of the tales told by the men stretch over a wide range of how female should be. On the other hand, the women tend to focus on one idea and stick to it to prove their point. Since there are more men, the women tend to loose the importance and focus from the men. The women figure in this book are the Prioress, the Wife of Bath, and the Second Nun. Chaucer description of the women in this novel is very stereotypical. Although he describes them with great elegance and respect, there is always a condition to it. These conditions then tend to leave no importance for the reader. The Nun is described a “charitable solicitous” who “weep[s] is she … saw a mouse caught in a trap”1. These small details put a wrong impression on the readers therefore leaving no interest and meaning for the tales the women have to say. Even after the tales are done, the Host says things that discourage the