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Literary analysis of jane eyre
Jane eyre summary and analysis
Analysis of character Jane Eyre
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Character and Relationships in Emma, Wuthering Heights¸ and Jane Eyre
It is the aim of this piece to consider how two elements are developed in the opening chapters of three classic novels written by 19th century English women: Emma, Wuthering Heights, and Jane Eyre, respectively. The elements to be considered are a) character; and b) character relationships. Consideration will be given to see how each opening chapter develops these two aspects, and the various approaches will be compared and contrasted as well.
Emma
A total of ten characters are mentioned by name in the first chapter of Emma, though of these only three speak, the dialogue of each of the three serving to reinforce the description of each which is given in the narrative (Austen 362-67). Emma, the eponymous character, is introduced in the first sentence of the novel as being a young woman who is “handsome, clever, and rich,” a character who seemed to unite some of the best blessings of existence” (Austen 362). But though the author describes her character with such glowing terms,, she is not ideal, much less perfect: the fourth paragraph opens by saying that “the real evils, indeed, of Emma’s situation were the power of having rather too much her own way, and a disposition to think
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Lockwood, a newly arrived tenant of one of the outer homesteads belonging to Mr. Heathcliff’s estate. In this entry Mr. Lockwood relates how he visited Mr. Heathcliff to introduce himself, and proceeds to describe the demeanor of his new landlord. Mr. Heathcliff and Mr. Lockton are the only two characters of consequence who are developed in this short chapter, though a third, Joseph, is introduced as Mr. Heathcliff’s “elderly, nay . . . very old” servant, and utters only a short statement to express his ornery nature and displeasure at having to look after an unexpected and unwanted guest (E. Brontë
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Abraham Lincoln once said, “Character is like a tree and reputation its shadow. The shadow is what we think it is and the tree is the real thing” (Good Reads). According to the President, people often mistake things for what they appear to be not for what they actually are, yet this quote also can be interpreted as to saying that people are too often judged by their reputation instead of their character. The misconception of others is a reoccurring theme in many works of literature as well as the themes of marriage and confinement of women, and society. In Jane Austen’s novel, Emma, the themes of appearance versus reality, marriage and confinement of women and social status are seen in her novel through characters such as Emma, Harriet, and Mr. Knightley.
Jane Eyre, one of Charlotte Brontë’s most well-known novels, displays the main character, Jane Eyre’s difficult life from the beginning of her childhood to her adult years, and shows how the characters from the novel develop and reveal Jane’s personality. Brontë uses a variety of characters to contrast with and reveal Jane Eyre’s characteristics and personality. She contrasts Jane’s personality with the characters of Blanch Ingram and Georgiana Reed. She also reveals Jane’s behavior with others through the character foil between St. John and Mr. Rochester. Brontë’s usage of character foils between Jane Eyre and the characters, Georgiana Reed, Blanche Ingram, as well as the contrast between St. John Rivers and Mr. Rochester, reveal different aspects of Jane Eyre’s true personality and characteristics from the beginning of the novel to the end of the novel.
... But in fact her powers and beauty cannot change the foundation of her society. Emma’s circumscription within the boundaries of her class kept her world under control. This prevents her from considering another society beyond her existence. The confusion from her failed attempts with Harriet due to her guidance, allows her to embrace reality. Jane Austen uses Emma’s character to reveal the quality in the structures of the nineteenth century society. Based on the conclusion of the novel, when Emma is forced to look beyond the limited power and beauty she has and acknowledge the existing order and structure of the early nineteenth century English society.
In Charlotte Brontë’s Jane Eyre, Jane encounters several characters during the stages of her life. Some of the characters appear in more than one stage of her life such as Mrs Reed, Bessie, and Rochester. There are other characters who are only there for her for a short period of time such as St John, Miss Temple, and Helen Burns. Although these characters are only in Jane’s life for a short time, they each have a great impact on Jane, especially Jane’s encounter with Helen at the Lowood Institution. Helen Burns makes a grave impact on Jane’s life, at Lowood and continuing on for the rest of her life.
Jane Fairfax plays a significant role as a rival towards Emma in terms of intelligence and beauty in the novel Emma by Jane Austen. Jane Fairfax is born to Mrs. Bates youngest daughter and Lieut. Fairfax. Jane’s father Lieut. Fairfax died and Jane was left with a widow mother who also died when Jane was three years old. After the death of Jane’s parents, Jane was took care by Colonel Campbell who was a good friend to Mr. Fairfax where Mr. Campbell believed that Mr. Fairfax has saved his life (p.128). Jane was loved by Mrs. and Miss Bates but if she lived with them, she would have had limited opportunities through her education and her social level. From Campbells kindness Jane was educated at high standards in London by Campbells support taught by the first-rate masters. However, because Campbells could not financially support Jane forever as their fortune belonged to their daughter and from Miss Campbell’s marriage with Mr. Dixon, Jane finally comes back to Highbury where her relatives Mrs. and Miss Bates live. Jane is a character in the book Emma as an only character who could be contrasted to Emma through many natures. This essay will discuss the role of Jane Fairfax through issues such as Jane and Emma’s relationship, Jane’s relationship with Mrs. Elton in contrast to Emma’s relationship with Harriet Smith, Jane’s love relationship with Mr. Frank Churchill and discuss why Jane is the conventional heroine where Emma is not.
Although written during both the Victorian and Gothic time period, Jane Eyre draws upon many revolutionary influences that ultimately enabled it to become one of the most successful books of all time. Jane Eyre is merely a hybrid of a Victorian and Gothic novel, infusing a share of dark allusions with overzealous romanticism. The primitive cultures of the Victorian period reflect high ethical standards, an extreme respect for family life, and devotional qualities to God, all in which the novel portrays. Yet, to merely label Jane Eyre as a Victorian novel would be misleading. While the characteristics of a Gothic no...
On the other hand, suspense can be seen throughout Wuthering Heights through Mr. Lockwood’s experience at the Wuthering Heights estate, Heathcliff’s obsession with Catherine Earnshaw, and the need for revenge. Mr. Lockwood had to spend a night at the estate because he was snowed in and did not know his way home, and Heathcliff refuse to bring him back home. When he first arrived to the estate to visit Heathcliff, he noticed that Heathcliff was displaying erratic behaviour. Heathcliff would just let his dogs attack Lockwood and he treats him in a manner most would not treat their guests. When he stayed the night, he sees the ghost of a young Catherine Earnshaw scratching at his window pane, “ The intense horror of nightmare came over me: I
Mr. Frank Churchill was one of the boasts of Highbury, and a lively curiosity to see him prevailed, though the compliment was so little returned that he had never been there in his life.
Writers often use characters to represent a theme in a literary work or novel. Authors meticulously create characters to portray specific meanings and to highlight key factors about other characters in each book. Authors create antagonistic characters to highlight characteristics of the main characters. While protagonists are used to show how characters are the same, antagonists show how characters are different. In the novel Jane Eyre by Charlotte Bronte, Bertha Mason is an antagonistic character to Jane Eyre because the characteristics Bertha possesses enhance the reader’s view of Jane Eyre’s qualities.
To be a mentor is to hold influence over a person’s actions or education. Overall, “Emma” is a novel about the influence that people hold over each other, and how that influence can affect people. Conflict is built by different characters who view themselves as mentors struggling to assert their opinions over others and pupil characters who accept their mentor’s opinions without bothering to form their own.
Chapter one introduces the characters Mr Heathcliff, Joseph, Cathy and Mr Lockwood himself. He is currently visiting Yorkshire and is therefore staying at Thurshcross Grange his landlord is Mr Heathcliff who lives at Wuthering Heights. Mr Lockwood pays a visit to him and his family where he comes across Joseph, the servant and Cathy whom is the daughter-in-law of Mr Healthcliff. Bronte introduces the characters in different forms. This makes the novel confusing however we soon establish that Bronte writes in this format so the suspension remains throughout the story.
Emma Woodhouse: Emma is the main character of the novel. She is a beautiful, smart, and wealthy 21-year-old woman. Because of her admired qualities, Emma is a little conceited. She is the daughter of Henry Woodhouse. Since her mother has died, Emma has taken the role of taking care of her father, who is old and often sick. Because she feels she is obligated to stay by his side, Emma decides not to marry. Emma believes that she is a good matchmaker, and tries to put together several couples throughout the novel. Emma believes that social classes are very important and refuses to see anyone cross over to marry someone lesser than themselves In chapter 8-page 52, Emma is talking about Harriet’s situation with the farmer with Mr. Knightley. She says, “Mr. Martin is a very respectable young man, but I cannot admit him to be Harriet’s equal. As the novel progresses, Emma becomes more mature, and realizes how silly she had been in the past. In the end, she finally stops matchmaking others and marries Mr. Knightley, who was perfect for her all along.
“Wuthering Heights is a strange, inartistic story”(Atlas, WH p. 299). “Wuthering Heights is a strange sort of book” (Douglas, WH p.301). “This is a strange book” (Examiner, WH p.302). “His work [Wuthering Heights] is strangely original” (Britannia, WH p.305). These brief quotes show that early critics of Emily Bronte’s first edition of Wuthering Heights, found the novel baffling in its meaning - they each agreed separately, that no moral existed within the story therefore it was deemed to have no real literary value. The original critical reviews had very little in the way of praise for the unknown author or the novel. The critics begrudgingly acknowledged elements of Wuthering Heights that could be considered strengths – such as, “rugged power” and “unconscious strength” (Atlas, WH p.299), “purposeless power” (Douglas, WH p.301), “evidences of considerable power” (Examiner), “power and originality” (Britannia, WH p.305). Strange and Powerful are two recurring critical interpretations of the novel. The critics did not attempt to provide in depth analysis of the work, simply because they felt that the meaning or moral of the story was either entirely absent or seriously confused.
Lockwood is the narrator of the story and the reader follows him during his encounter with Heathcliff and his forced stay at the manor Wuthering Heights. There, he meets the ghost Catherine Linton who foreshadows the coming story. Once home at Thrushcross Grange, Lockwood inquires Nelly, his housekeeper, about Heathcliff and the mysteries surrounding him. Through a series of diary entries, Lockwood dictates what he heard from Nelly who is remembering from her childhood.