Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Womens roles in athens and sparta
History of women's role in ancient years
Womens roles in athens and sparta
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Womens roles in athens and sparta
Women, like men, are accountable for all of their deeds. However, in Greek literature, in which male-dominated societies are common, women who take personal responsibility for their actions often face unfair consequences. For example, in Aeschylus's The Oresteia and Sophocles' Antigone, Clytaemnestra and Antigone both took justice into their own hands to honor their respective families. As a result, they died at the hands of men who had difficulty accepting their justifications. The reason for this is because the men felt emasculated by these two women's actions.
Women usually are the most unfortunate roles in Greek tragedies. As women, particularly as mothers, family is the most important factor of their lives. While men are after honor and glory in warfare or in politics, women are after honor and protection for their families. In Agamemnon, Clytaemnestra encountered a situation no woman should ever have to face: she had to welcome the murderer of her daughter, who was also her husband, back into her home (Agamemnon, Lines 897-899). Instead of showing reluctance, she welcomed Agamemnon with sweet words and open arms. The reason for her actions was to weaken Agamemnon to the point where she could kill him without his retaliation. Through deliberate planning, she succeeded in killing him to avenge her daughter; she exclaimed after the deed was done, "Here is Agamemnon, my husband made a corpse/ by [my] right hand - a masterpiece of Justice" (Lines 1429-1430). By murdering Agamemnon, she claimed justice for her daughter. The story,
Lee, pg. 1!
however, did not end there. Clytaemnestra was greeted with negative outcries from the old men of Argos, represented by the Chorus and the Leader, as well as her own son, Orestes.
Even though...
... middle of paper ...
...in a place where "she shall call on Hades, god of death,/in her prayers. That god only she reveres" (Lines 844-845). Indeed, this is the place where Antigone goes and meets god of death, since she committed suicide. Like Clytaemnestra, Antigone lost her life due to the choices the emasculated men made in order for them to reestablish their dominance and masculinity in their respective societies.
While Clytaemnestra and Antigone, two strong women, tried to bring justice and honor to their families, they ended up being put to death by men. These men believed that their pride was wounded by these two women’s actions. No individual should ever underestimate the vulnerability of the male ego and pride, especially in Ancient Greece.
Works Cited
The Oresteia by Aeschylus, Translated by Robert Fagles
Antigone by Sophocles, Translated by David Greene and Richmond Lattimore
This action causes a great deal of rage in Clytemnestra. One could very well understand why she would act this way. Clytemnestra see’s the killing of her daughter as just being killed for her husband’s gain. She also feels that he could have chosen a different virgin to sacrifice. One the other hand, if one looks at Agamemnon’s problem they could be otherwise. Agamemnon was the general of his army and the leader that his men looked up to. So when the profit came to him saying I will give you wind for a virgin sacrifice he took it as sacrificing someone close to him. He thought along the lines that he was asked for a reason to be the one doing the actual sacrifice. So Agamemnon chooses his daughter the virgin and sacrificed her with good judgment for what was best for the army. The issue is that Clytemnestra does not see it this way and that is what causes the future events that make us to question her innocence.
Aeschylus begins by portraying Clytemnestra as Agamemnon’s faithful wife brought only to a murderous rampage by the news of her daughter’s murder, but indeed she was stricken with the curse of jealousy and had a yearning so strong to maintain power she killed the father of her
Women in ancient Greek times did not have equal or political rights. Athena and Antigone, who were both very heroic women went above and beyond the stereotypical woman. In society today, women are still not looked as an equivalent to men. Athena and Antigone share the Greek heroic traits of honor, perseverance, and of living in a higher class. In Sophocles’ Greek tragedy, Antigone, and Homer’s epic, The Odyssey, the female characters, Antigone and Athena are not solely traditional female characters, instead, they embody the heroic characteristics, honor, perseverance, and high social standing.
The Greek interpretation of what makes a man “civilized” and what makes him “savage” is a recurring theme throughout the ancient epics, battle narratives, and dramas, including Aeschylus’ Agamemnon. In this first installment of The Oresteia, the chorus of Argive elders expresses keen outrage at the killing of Agamemnon, which suggests that they equate savagery with the madness they see in Clytemnestra: “just as your mind is maddened by the bloody deed, the blood-fleck in your eyes is clear to see” (1426-1427). In many places throughout the play, however, Clytemnestra proves that she does not fit the description of savage that is defined in Homer’s literature, for example and instead gives evidence that she is a very complex, rational woman. The chorus ignores the many admirable qualities of their queen —her skill at running the estate and her compassion for those who have suffered, among other things— simply because she is a woman. These qualities may not entirely excuse Clytemnestra from taking a life, but they combine to form a more noble picture of the queen than the chorus chooses to portray. Clytemnestra has relatable motives and displays empathy and respect for many different people, including the husband who she just killed, which sets her apart from the classical Greek definition of a savage —a designation forced on Clytemnestra by the chorus, but not necessarily to be believed.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
In conclusion, it becomes obvious by these three plays that for a woman to achieve kleos in ancient Greece, she usually had to become more man-like in her role. The murders committed by Electra and Medea, the bravery of Antigone—all three of these were fulfilled by what would have normally been considered a man’s role. A woman could rarely be considered a hero unless she became like a man in her actions. Otherwise, she would be only a simple woman.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Although ancient Greece was a male-dominate society, Sophocles' work Antigone, portrays women as being strong and capable of making wise decisions. In this famous tragedy, Sophocles uses the characters Ismene and Antigone to show the different characteristics and roles that woman are typical of interpreting. Traditionally women are characterized as weak and subordinate and Ismene is portrayed in this way. Through the character of Antigone, women finally get to present realistic viewpoints about their character.
In Aeschylus’ Agamemnon there are many different opinions about what kind of king and commander Agamemnon was. Some argued that he was good, while others dispute that his motives were wrong. Clytemnestra, Agamemnon’s wife, gained a strong hatred for him, after he sacrificed his own daughter so he could go to war. Many believe that this was not necessary and could have been overcome. The chorus seems to agree with this to an extent, and feels that Agamemnon could have prayed and requested that he not sacrifice his daughter.
Greek tragedy incorporates female characters that symbolize women in Ancient Greece. Through the portrayal of Antigone in the playwright, Antigone in Antigone by Sophocles and Penelope in the epic poem, The Odyssey by Homer, these two women play opposing roles depicting how they appear to society through their actions. In both of these stories, they embody the ideals of passionate women who are very loyal and brave. Through other female characters in each story such as Penelope and Ismene, we can construct a better view of traits illustrated by Antigone and Penelope.
Antigone points out many things , however one of the main things that it points out is how bad gender inequality is back in the old day. It shows many examples of how many societies were run back then. It proves to me how women and men were portrayed in the Greece society, are the equal or different, what gender expectations do they follow or fight against?
Aristophane’s Lysistrata is a flawed classic filled with the power struggle between man vs. woman. It is entirely focused and written from the male perspective, in which male-privilege dominated and disregarded the women’s outlook entirely. This “classic” is full of misogynistic perspectives, and should be disregarded as a great piece in Athenian literature.
Walcot, P. “Greek Attitudes towards Women: The Mythological Evidence.” Greece & Rome 2nd ser. 31.1 (Apr., 1984): 37-47. Cambridge University Press on Behalf of The Classical Association Article Stable. Web.
All women in the world face the same problem: lack of equality to men. Society makes people believe that men are physically stronger and more capable of leading a family, hence, society makes people believe that men are more superior to women. In the Ancient Greek tragedy, Antigone, the author, Sophocles, illustrates how society makes women feel inferior to men by Ismene’s actions. While Ismene’s sister Antigone wants Ismene to stand up against Creon’s edict with her, Ismene replies “We are only women, we cannot fight with men, Antigone!” (191). Ismene thinks that she will not be able to stand up against the Athenian government,which is ruled by men, because they are more powerful than women, she and Antigone have no chance against them.
In Aeschylus’ The Agamemnon, Agamemnon and Clytemnestra have to make tough decisions throughout the play, decisions they believe are justified. The actions of Agamemnon and Clytemnestra are not justified because they are caused by their blinding hubris and desire for power. Agamemnon makes the choice to kill his daughter just so he could lead his troops to Troy. Clytemnestra kills her husband, not just for revenge, but for his position and power as king of Mycenae. They make selfish choices and do not believe they will be punished for them. By exposing their true motives, Aeschylus makes it clear they are not justified in their actions.