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John Wesley's beliefs and religious practices
John Wesley's beliefs and religious practices
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Eliot and Methodism in Adam Bede
Adam Bede was George Eliot's-pseudonym of Mary Ann Evans-second book and first novel. Eliot was raised in a strict Methodist family. Her friendships with two skeptical philosophers, Charles Bray and Charles Hennell, brought her to challenge and eventually reject her rigid religious upbringing ("George Eliot" 91). Adam Bede was based on a story told to Eliot by one of her Methodist aunts, a tragicomedy, and the moral of the novel is that man cannot escape the results of his actions (Wiesenfarth 145). Adam Bede is a novel of English pastoral life (Magill 26). Eliot's commentary on John Wesley's Methodism comes most notably through the character Dinah Morris; however, the other characters' actions also reflect Eliot's view of Methodism. An unsigned review-attributed to Anne Mozely-in the July 1859 edition of Bently's Quarterly Review stated that "where a Methodist preacher is heroine the question of religion must be more predominant than it is usually permitted to be in a novel" (Carrol 95). In Adam Bede George Eliot gives an accurate portrayal of Methodism, but by doing so, she shows her belief that Methodism was unimportant to rural English life.
"Methodism arose from the search of John Wesley and his brother Charles for a deepened religious life within the ordered ways of the Church of England, which John described as 'the best constituted national church in the world'" (Baker 493). Wesley sought no drastic reform in doctrines but rather a greater spiritual experience. He also strove for "more opportunity for a spiritual quest within Christian groups, undeterred by denominational barriers" (Baker 493). In the Complete English Dictionary of 1753 Wesley defined a Methodist as "o...
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... a Century. New York, London: W.W. Norton & Company. 1991.
Magill, Frank N. ed. Masterplots Vol. 1. Englewood Cliffs, NJ: Salem Press, 1996.
Wiesenfarth, Joe. "George Eliot." Dictionary of Literary Biography. Vol. 21. Ed. Ira B. Nadel and William E. Freedman. Detroit: Gale, Inc. 1983.
Outline
Thesis: Eliot's accurate portrayal of Methodism shows her belief that it was unimportant to rural English Life
I. Background of Methodism
A. Founding
B. Ideals
II. Accuracy of Portrayal
A. Eliot's Research
B. Outdoor Sermons
C. Women in ministry
III. Unimportance of Methodism
A. Serves as a reason for Dinah's actions
B. Methodists' reaction
Conclusion
...es for love and overcame the social expectations of the quintessential woman in the nineteenth century; whereas their counterparts around them would have chosen class and wealth. Edna Pontellier’s decision to move into her pigeon house and away from her husband’s rule and the vexing job of caring for her children was viewed as societal suicide, but to her liberation and self-actualization as a woman was more important. Elizabeth Bennet ultimately disregarded her mother’s wishes, and passed over Mr. Collins, she initially disregarded Mr. Darcy as a possible suitor but love proved otherwise. These women were on a path of destruction to free themselves from a long reign of oppression, their challenge of conventional methods within the nineteenth century, proved successful not only to them, but for a future collective group of women who would follow in their footsteps.
The most obvious stylistic device used by Eliot is that of personification. She uses this device to create two people from her thoughts on old and new leisure. The fist person is New Leisure, who we can infer to be part of the growth of industry in the 19th century. He is eager and interested in science, politics, and philosophy. He reads exciting novels and leads a hurried life, attempting to do many things at once. Such characteristics help us to create an image of New Leisure as Eliot sees him.
Wesley's seventh essential doctrine was regeneration through the "new birth," Campbell said. Methodism's founder warned against leaning on the "slender read of baptism," when salvation required being born again. Belief in the possibility of entire sanctification beyond regeneration was a distinguishing mark of Methodism, though Campbell said Wesley did not make that an essential Christian doctrine.
Paris, Bernard J. Experiments in Life: George Eliot's Quest for Values. Detroit: Wayne State University Press, 1965.
...s hat. Her denial of being pregnant demonstrates her unwillingness, and awareness of her unsuitability, for motherhood. She throws a silent but wrathful tantrum once alone, but recomposes herself with poise in company and refuses to use people's first names—these show that beneath her aristocratic aloofness lies her see thing fury over circumstances she cannot control. She orders George to write a letter to Eilert immediately so she would be left alone with Thea and grill her while feigning warm familiarity, indicating a sharp interest with Eilert Løvborg—the reader/audience picks up on the fact that she and Eilert had shared a part “companionship.” This, coupled with her obvious excitement over playing with guns, provides ominous foreshadowing to Eilert and her own suicide. In the end Hedda only wants freedom, but is shackled by society’s restrictions on women.
Thomas Stearns Eliot was perhaps one of the most critical writers in the English language’s history. Youngest of seven children and born to the owner of a Brick Company, he wasn’t exactly bathed in poverty at all. Once he graduated from Harvard, he went on to found the Unitarian church of St. Luis. Soon after, Eliot became more serious about literature. As previously stated, his literature works were possibly some of the most famous in history. Dr. Tim McGee of Worland High School said that he would be the richest writer in history if he was still alive, and I have no choice but to believe him. In the past week many of his works have been observed in my English literature class. Of Thomas Stearns Eliot’s poems Preludes, The Journey of the Magi, The Hollow Men, The Waste Land, and Four Quartets, I personally find his poem The Hollow men to be the most relatable because of its musical allusions, use of inclusive language, and his opinion on society.
T.S. Eliot, The Love Song of J. Alfred Prufrock. The Norton Anthology of English Literature. 6th ed. Vol. 2. ed. M. H. Abrams New York, London: Norton, 1993.
George Eliot’s Adam Bede offers a realistic and highly detailed look into the everyday life of ordinary people in rural Treddleston. Although the characters are fictional, several of them are based upon people Eliot knew or knew of, which adds to the realism. As she delightedly observes and describes the intricacies of the natural, ordinary world, Eliot pays attention to human nature, applying keen psychological insight to characters’ thoughts, choices, and actions. Eliot seems to understand that certain people are a certain way, and she encourages her reader to gently evaluate, rather than hastily judge, both her characters and people in general. Within the novel, Hetty’s infatuation with Arthur, and the personal shame, social ostracism, and legal punishment she experiences as a result, require an extra dose of empathy and understanding. Eliot demonstrates the characteristics that render Hetty liable to a fall and shows, using Dinah as a contrasting example, how the stereotypical perception of the “fallen woman” needs to be adjusted in order to allow for human weaknesses and mistakes.
Firstly, Hedda is shown as a very uncaring person towards the people around her. She shows that with many different actions such as when she burns the manuscript she acts as if she hasn’t done anything wrong. Tesman says “Burn’t! Burn’t Eilert’s manuscript!” Hedda says “Don’t scream so. The servant might hear you” Tesman says “Burnt! Why, good God-! No, no, no!
Pride and Prejudice, Jane Austen’s famous novel, is, in large part, a study of marriage. It is an interesting novel for Austen since she was never married. The social culture of Austen’s day made marriage a crucial aspect of a woman 's life. A women in that time was dependent on a man for money and social standing. Synonyms for marriage are union and alliance both have very different meanings. Marriage as a union implies a fully joined couple. A marital alliance suggests that marriage is an association for mutual benefit such as money, social standing, or physical desires. Austen 's characters are developed to emphasize these differences in the reasons for marriage. She makes abundantly clear through her development of these marriages
the feminine ways or the accepted stereotypes of her gender in her society. Hedda's marriage
Torrens, James S. “T. S. Eliot: 75 Years of ‘The Waste Land.’” America. 25 Oct 1997. 24-7.
She is also an egotistic character who wants people to respect her and don 't want to stain her respectable name that she inherit from her father, General Gabler. However, in this scene of the play, Hedda is about to stain her respectable name and destroy her reputation because of her scandal with Lovborg. Hedda was a close friend with Lovborg before she got married with George Tesman. They both love their companionship with when Hedda suddenly decisioned to halt it because of Lovborg’s growing intimacy to her. Lovborg confesses his feelings to Hedda stating: “when I made my confessions to you, Hedda” (Act II, 501). Same with Hedda, she is also falling in love with Lovborg. However, Hedda don 't want her friendship with Lovborg end up to be a relationship. Hedda don 't want to have responsibilities to other people when she said to judge Brack: “ I have no talent for that sort of thing, Judge Brack. No responsibilities for me” (Act II, 268-69). According to Hedda, she would rather “ boring herself to death” (Act II, 275) than to have responsibilities to other people. Moreover, according to Hedda, “when our friendship threatened to develop into something more serious” ( Act II, 532-33). That’s why Hedda threatened Lovborg of shooting him, so that Lovborg will avoid her and describes her act as a “ dread of scandal” (Act II, 537). In order to avoid scandal of her past interaction with Lovborg,
Faced with a world lacking variety, viewpoints, vibrancy, and virtue- a world without life- a fearful and insecure T.S. Eliot found himself the only one who realized all of civilization had been reduced to a single stereotype. Eliot (1888-1965) grew up as an outsider. Born with a double hernia, he was always distinguished from his peers, but translated his disability into a love of nature. He developed a respect for religion as well as an importance for the well-being of others from his grandfather at a young age, which reflected in his poetry later in life. After studying literature and philosophy at Harvard, Eliot took a trip to Paris, absorbing their vivid culture and art. After, he moved on to Oxford and married Vivien Haigh-Wood. Her compulsivity brought an immense amount of stress into his life, resulting in their abrupt separation. A series of writing-related jobs led Eliot to a career in banking and temporarily putting aside his poetry, but the publication of “The Waste Land” brought him a position at the publishing house of Faber and Gwyer. His next poem, called “The Hollow Men” reflected the same tone of desolation and grief as “The Waste Land.” Soon after, he made a momentous shift to Anglicanism that heavily influenced the rest of his work in a positive manner. Eliot went on to marry Valerie Fletcher, whom he was with until the end of his life, and win a Nobel Prize in literature. T.S. Eliot articulates his vast dissatisfaction with the intellectual desolation of society through narrators that share his firm cultural beliefs and quest to reinvigorate a barren civilization in order to overcome his own uncertainties and inspire a revolution of thought.
T.S Eliot, widely considered to be one of the fathers of modern poetry, has written many great poems. Among the most well known of these are “The Waste Land, and “The Love Song of J. Alfred Prufrock”, which share similar messages, but are also quite different. In both poems, Eliot uses various poetic techniques to convey themes of repression, alienation, and a general breakdown in western society. Some of the best techniques to examine are ones such as theme, structure, imagery and language, which all figure prominently in his poetry. These techniques in particular are used by Eliot to both enhance and support the purpose of his poems.