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Solitude in One Hundred Years of Solitude
Solitude in One Hundred Years of Solitude
Effect of literature on culture
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After reading Willa Carter’s “Neighbour Rosicky” story, one can see that there are puritan, transcendental, regionalism, naturalism and realism characteristics in the story (1863). Carter was able to identify the puritan characteristics when describing Rosicky’s mental and physical toughness. The transcendental characteristic is experienced when Rosicky becomes a resident of New York City, which becomes as natural as walking the busy, noisy streets; in contrast, it can also be unnatural when the streets are empty or when the nostalgia of the big city wears off. The regionalism characteristics are represented throughout the story, as it relates to the specific places and people being impacted. Naturalism is discussed in the extreme situations …show more content…
The family had difficulties adjusting to the farm, with many ups and downs; but it never seems to get the best of him. Rosicky came to the realization that basics in life are by far the most important things. He discerns that Polly, his son’s wife, is lonely and becoming unhappy. She misses the people in the city. He would direct his son to take Polly to have a night on the town and away from the farm (Cather 1872). The simple things in life made him happy, caring for others and not worrying about himself was what he did best. At the age of sixty-five and having never seen a doctor, he senses heart problems and goes to see his friend, Dr Ed. He is given news no farmer wants to hear; he would not be allowed to work in the fields (Cather 1864). As Carter depicts, Rosicky believed a man’s place is in the fields and a woman’s place is in the house doing house work. On his way home, he stops by a cemetery to reminisce on his life (Cather1867). Not one to stay out of the fields, one day while he was working he had another heart attack. His daughter in-law, Polly, found him. He died the next
Several works we have read thus far have criticized the prosperity of American suburbia. Jack Kerouac's The Dharma Bums, Philip Roth's Goodbye, Columbus, and an excerpt from Lawrence Ferlinghetti's poem "A Coney Island of the Mind" all pass judgement on the denizens of the middle-class and the materialism in which they surround themselves. However, each work does not make the same analysis, as the stories are told from different viewpoints.
Literary works are always affected by the times and places in which they are written. Those crafted in Western America often reflect conflicts that occurred between advancing civilization and the free spirited individual. The 1970’s was a particularly popular time for authors to introduce new ideas for living in the modern world. There are few authors who captured the essence and feeling of culture quite like Tom Robbins. Robbins comments on the differences and similarities between Western civilization and Eastern philosophies. His text offers philosophical and cultural meaning that is completely original. Certain beliefs are threaded through out the content of the story. He includes significant content reflecting the laws of physics; how motion and force affect the life process. Through the dialogue and action of his characters, Robbins illustrates how two very different ideals can coexist. Robbins intentions are to expand cultural perspectives and awareness through his novels. His use of metaphors and stylistic diction emphasizes further how thoughtful and awesome his work is. Tom Robbins writing offers an insightful perspective into cultural themes of our modern world.
The tenement was the biggest hindrance to achieving the American myth of rags to riches. It becomes impossible for one to rise up in the social structure when it can be considered a miracle to live passed the age of five. Children under the age of five living in tenements had a death rate of 139.83 compared to the city’s overall death rate of 26.67. Even if one did live past the age of five it was highly probable he’d become a criminal, since virtually all of them originate from the tenements. They are forced to steal and murder, they’ll do anything to survive, Riis appropriately calls it the “survival of the unfittest”. (Pg.
In “Nevsky Prospect,” the third person narrator pulls double duty by describing two stories that parallel each other in time. After describing the seemingly harmless bustling avenue, mustaches, and clothing of Nevsky Prospect, the narrator happens to come upon two different characters: an artist and an officer. First, he follows the artist and right away, the narrator seems to be absorbed in the world of the artist. We see this occur when it is often hard to tell when the artist is dreaming or awake. The narrat...
Frequently, the public debate over the those problems which occur in poverty-ridden urban environments is presented as if the inhabitants were copies of Dostoevsky's underground man who differed mainly in that they frequently had less education and more pigment in their skin. That is to say, although there are valid comparisons that can be drawn between the Underground Man and the inhabitants of west Baltimore who are so vividly depicted in The Corner, there are also important differences that make any claim of strict equality between a Russian intellectual from the nineteenth century and a 20th-century tout or slinger an absurd caricature. Moreover, the intent of portraying inner-city residents as Underground Men and Women is, frequently, to blame these people for all of their own problems, something t...
Rodion Raskolnikov is a murderer, a damning criminal. Yet, he also has a warm heart that no one can equal. This character of paradox, of contradictions, of irony, is the true Raskolnikov. He is the Jekyll, and he is the Hyde; the zenith and the nadir. This hallowed literature of human nature provides us with important moral lessons, and at the same time helps the reader understand Dostoevsky’s philosophy on society better. Raskolnikov is not entirely a cold-blooded murderer, since he still has a feeling of love: The love towards Sofya Marmeladov. In this paper, we will go in-depth of how Sofya has an impact on Raskolnikov, by discussing their similarities and differences.
HYPOTHETICAL INTRODUCTION: Eudora Welty’s short story « Why I Live at the P.O. » is a story of family relationships. The narrator, Sister, imposes her point of view to the reader about the disturbing return of her sister, Stella-Rondo. By confronting Stella-Rondo, Sister gradually becomes a stranger to her family, and eventually leaves the family home to live in the post office where she works. In this paper, I will question the point of view of the narrator, who is rather unreliable. Also, I will analyze how denial can lead to isolation. Finally, I will study how Welty’s use of irony affects the story.
According to Raymond Williams, “In a class society, all beliefs are founded on class position, and the systems of belief of all classes …” (Rice and Waugh 122). His work titled, Marxism and Literature expounded on the conflict between social classes to bridge the political ideals of Marxism with the implicit comments rendered through the text of a novel. “For the practical links,” he states “between ‘ideas’ and ‘theories’ and the ‘production of real life’ are all in this material social process of signification itself” (133). Williams asserts that a Marxist approach to literature introduces a cross-cultural universality, ensuingly adding a timeless value to text by connecting creative and artistic processes with the material products that result. Like Williams, Don DeLillo calls attention to the economic and material relations behind universal abstractions such as aesthetics, love, and death. DeLillo’s White Noise brings modern-day capitalist societies’ incessant lifestyle disparity between active consumerists and those without the means to the forefront of the story’s plot. DeLillo’s setting uses a life altering man-made disaster in the suburban small-town of Blacksmith to shed light on the class conflict between the middle class (bourgeoisie) and the working poor (proletariat). After a tank car is punctured, an ominous cloud begins to loom over Jack Gladney and his family. No longer a feathery plume or a black billowing cloud, but the airborne toxic event—an event that even after its conclusion Jack cannot escape the prophecy of his encroaching death. Through a Marxist reading of the characterization of Jack Gladney, a middle-aged suburban college professor, it is clear that the overarching obsession with death operates as an...
The novel Of Mice and Men, by John Steinbeck, is about two ranch hands, George and Lennie. George is a small, smart-witted man, while Lennie is a large, mentally- handicapped man. They are trying to raise enough money to buy their own ranch, by working as ranch hands. During the setting of the story, they are at a ranch whose owner’s name is Curley. It is in this setting that the novel reveals that the main theme is death and loss.
History textbooks seem to always focus on the advancements of civilization, often ignoring the humble beginnings in which these achievements derive. How the Other Half Lives by journalist-photographer Jacob A. Riis explores the streets of New York, using “muck-racking” to expose just how “the other half lives,” aside from the upbeat, rich, and flapper-girl filled nights so stereotypical to New York City in the 1800s. During this time, immigrants from all over the world flooded to the new-born city, bright-eyed and expecting new opportunities; little did they know, almost all of them will spend their lives in financial struggle, poverty, and crowded, disease-ridden tenements. Jacob A. Riis will photograph this poverty in How the Other Half Lives, hoping to bring awareness to the other half of New York.
The Valley of Ash, the least described region of the book, is an impoverished region connecting the prosperous, the wealthy New York City and the wealthier Long Island. The neighborhood is a “dismal scene” (23), which Nick Caraway is forced to view every time he rides the train into the city. The name valley of ash is an informal name deriving from the sheer quantity of ash, littering the city. Ashes cover and define everything in the city: the “ridges and hills and grotesque gardens”, the “houses and chimneys”, and the “men”. Similarly, the residents of the valley are hardly characterized by Caraway, because he cannot understand them. The smoke “obscures” and “obfuscates” the actions of these men both literally and figurative: a rich man like Caraway cannot understand the pure and intolerable poverty. The residents of the valley are plain and not very interesting. Most predominately featured ...
Cather regards a sensitive, caring family which can bring positive influences in communities as a success. Rosicky is sensitive enough to know that Polly, a city girl, does not get used to life in a country, and is caring enough to offer the Rudolphs the car but washes dishes himself. Washing dishes does not fit in the expected role of men in families, but Rosicky does it because he cares about his families’ feelings and wants to help Polly get over a hard time. His sincerity is also why he can look into Polly’s face “with his peculiar, knowing, indulgent smile without a shadow of reproach in it” (Cather, 689). Furthermore, the Rosickys show kindness to the community. When Doctor Ed went to the Rosickys’ house for breakfast, Mary “threw back her head and spoke out as if she were announcing him to the whole prairie,” (Cather, 681) and claimed that she would never let a doctor go without serving him breakfast. As Doctor Ed reflected, “people as generous and warm-hearted and affectionate as the Rosickys never got ahead much” (Cather, 682). Moreover, Cather illustrates that the occupation of lands helps shape the Rosickys’ attitude toward life. Rosicky thinks land can support people, and his kids do not “have to do with dishonest and cruel people” (Cather, 695) in cities, so that the Rosickys pay more attention to building a friendly community and standing on their
Creary’s poems are at times deeply personal, and at others bizarrely impersonal. In “Druggy Pizza” we blur our way from Winnipeg to Toronto with some odd characters. One person sleeps in a laundromat after losing his keys, and another is stranded because his flight oversells seats. These various recurring vagabonds come and go throughout the book, but are thinly drawn
American Literary Realism, 1870-1910. Vol. 8, Issue 1 - "The 'Standard' University of Texas, 1975. http://www.ut Gilman, Charlotte.
Belasco, Susan, and Linck Johnson, eds. The Bedford Anthology of American Literature. Vol. 1, 2nd Ed., Boston: Bedford/St. Martin's, 2014. 1190-1203. Print.